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A pagan is person who practises a spiritual path; he or she follows either an established tradition under the “Pagan” umbrella or takes aspects of paganism, which are meaningful to him or her, and creates a way of living. A pagan is not somebody who only worships once a week or at special times in the year; a pagan path embraces all aspects of living and is a philosophy as well as a spirituality.
So what comes under the “Pagan” umbrella?
There are innumerable pagan paths: some draw on native religions such as the traditions and beliefs of Native Americans; some look to history and “re-kindle” Greek, Roman or Egyptian mythologies; then there are the neo-pagan religions of Wicca and the eclectic lifestyles and approaches of Green Witches, Hedgewitches and Kitchen Witches. There are Discordians and the followers of the Feri tradition, modern-day neo-shamans, magickians, wizards and witches. But not every pagan is a witch!
Pagans can be monotheists (believing in one god or goddess), polytheists (believing in two or more gods/goddesses), polyentheists (believing that god/goddess exists in all things) or even atheists (no belief in a god/goddess).
Paganism can (although does not have to) incorporate occult studies, and indeed some occultists would not describe themselves as pagan, although some definitely would. The occult world includes Thelemites (who follow the religion/philosophy of Aleister Crowley), Satanists (Satanism as created by Anton LeVey in the 1960s), Luciferians, Gnostics, Qabbalists … the list is virtually endless.
Isn’t it a bit vague having so many different paths under one word?
Yes and no. It can appear vague and confusing when you first approach paganism, but once you start learning, studying and exploring you will be overwhelmed with the richness both of paganism and the diversity of the people attracted to it. One thing is key amongst pagans: to accept the path that the other person walks. There is no preaching and there are no attempts to convert people. We are happy to be who we are, and we rejoice in seeing other people be who they truly are. Human diversity is celebrated within paganism!
Is paganism a cult?
No, paganism is not a cult. There is no one figure who commands all pagans. Even though there are occasionally oddballs proclaiming that they are, for example, King or Queen of the Witches, this is something rejected by pagans and usually cause for much hilarity.
We abhor bullying and coercion in any area of life and this is something that goes very much against the Pagan Path. To reiterate the previous answer: There is no preaching and there are no attempts to convert people. We are happy to be who we are, and we rejoice in seeing other people be who they truly are. Human diversity is celebrated within paganism!
The word “cult” is often used as a slur word to disparage someone else’s religious or spiritual beliefs. Often people using the word “cult” have their own agenda of conflict and negativity, rather than a true desire to promote spirituality and personal growth.
Are pagans devil worshippers?
The majority of pagans do not believe in the devil; Satan or the devil for them is a construct of Judeo-Christian religions and mythology. There is a lot of confusion in this area as the pagan image of, for example, Pan (who is the god of nature, hunting and revelry) has been subsumed into Christian culture as the epitome of “what the devil looks like”. Pan is by no means an evil god, and many pagans would even dispute the existence of evil itself, but would say that “evil” is energy just as “good” is energy: a gun is only a piece of metal until the gun-holder decides how to use it. This is a key point within paganism: there is no doctrine telling us what is wrong or right. We each carry a heavy responsibility as to how we use this “moral energy”. It would be easier if we were told what to do, but instead we have to cultivate self-awareness, respect of others, sensitivity to the environment, a knowledge of cause and effect and make our decisions bearing all this in mind within our spiritual framework.
Are pagans witches?
Some pagans are witches, but the majority are not. Many pagans do not practise witchcraft or spellwork. Witches can come in many guises: some are Wiccans, some Dianic witches, Green Witches, Hedgewitches, Kitchen witches, etc. Traditional witchcraft and Voodoo even draw on the spellcraft of Pennsylvanian Christian pow wow magic. Witchcraft is like a river with many tributaries feeding it – some of which lead to surprising sources.
What is a pagan ritual?
The answer to this will depend very much on which tradition you choose to work with. A pagan ritual in general will aim at focusing the energy of the person or participants (if it is group work); this energy can be drawn from themselves or from any of the Five Elements: Earth, Air, Fire, Water and Ether/Spirit, for example. Sometimes the energy is focused on sending healing to people, or on blessing the group, reconnecting with deity or many other things.
Rituals can be either in a group or worked individually. Rituals can be as elaborate or as simple as you wish. The main point, however, is to learn the basics and for that there are many good books and (through the Herefordshire Moot) willing people to teach and advise you.
Do pagans believe in Jesus?
Some do and some do not. Many pagans believe in a wide variety of higher beings. Jesus is one of these beings for some pagans. Some believe he was a great spiritual teacher, but not a god. Some have no feelings about him at all.
Who is the pagan god?
There is no single pagan god. As mentioned before, some pagans believe in one god or goddess, some believe in two or more and some believe in none. It depends on the tradition you are called to work with.
What do pagans do?
Pagans are just like anybody else. You will find pagans working in industry, in the military, employed, unemployed, well, sick, happy, sad, divorced, married, hand-fasted (pagan marriage) and other. Most pagans will work around the pagan year honouring the equinoxes and solstices, marking the new moon and full moon. Some will do elaborate rituals in groups or on their own, some will do nothing more than light a candle and internally connect with what is important to them.
Do pagans pray?
Some pagans pray in what would be recognised as a “traditional way”, others use forms of meditation, drumming, chanting or dancing. There are many ways of connecting with deity and pagans are pragmatic in that, if it works, they’ll try it!
Where are the pagan churches?
Most pagans would say that their church is Nature and that She is where they worship. Others might say that when they cast a circle (create a sacred space), that is their church. Since pagans believe that deity is everywhere, however deity is conceived, the idea of a fixed building in which to worship is unnecessary.
How do you become a pagan?
Try firstly to read as much as you can about paganism and its different offshoots. Meet up with pagans. Ask lots of questions! When you feel the time is right, you will know how best to dedicate yourself to your chosen path and deity or deities. Most people begin with a personal, individual dedication. Groups, such as covens (not all groups of pagans are covens), do not usually allow people to join them until they have shown a commitment to studying and learning about that particular path. A moot, however, is a social environment for meeting pagans: you don’t even have to be pagan to come along, just bring your interest and respect for others.
What do I need to be a pagan?
You only need yourself and a sincere interest to learn, a yearning in your belly that this is where you belong, combined with an open heart and mind for your fellow pagans. No one is going to judge you if you step on this Path and decide at a later date it is not for you. Our Paths can be winding ones, and each step teaches us something valuable.
Why do people say bad things about pagans?
People often ridicule what they do not understand. Hollywood has also created many damaging and untrue stereotypes. This is why it is important for people genuinely interested in paganism to inform themselves from reputable authors and to meet up with real pagans. You cannot teach your paganism by watching “Charmed” or “The Craft” or any other light entertainment. Paganism is a spiritual way of living that requires commitment, soul-searching, self-awareness and hard work. Nothing worth having comes easily, but the joy of finding yourself on the right Path with like-minded others can’t be overestimated.
Abdur Rahman asked recently about the meaning of my Avatar symbol. I started to write a reply to his comment, but then it ran away with me, so I thought I would answer in a separate post.
The symbol is representative of the Egyptian goddess, Seshat. There are differing opinions over the exact meaning of the symbol, which is made up of two elements: the star form and the over-arching “bow”. The star is unusual in having seven points, whereas the stars painted on walls in Egyptian art are five-pointed. So it is unlikely that it is just a star. Sometimes it is said to represent the papyrus flower, as the papyrus plant was used for making scrolls which are one of the materials used in record keeping and Seshat is goddess of record-keeping and scribal arts. She is often depicted marking off the years on a palm leaf stalk:
Others say it is representative of the hemp leaf, as hemp was used to make rope and ropes were used as measuring cords. Seshat is one of the few goddesses to have never had a temple dedicated specifically to her and yet, she is at the core of each temple as it was her powers of mathematics and geometry that were called upon to measure out the ground plans for every stone building. This was expressed in a ritual “pedj shes” (stretching the cord) which was conducted during the laying of foundations. Apart from her association with scribal arts, it was this aspect that appealed to me in taking her name. In my profession as translator, we are the invisible workers integral to communication and industry and yet we never get the recognition we deserve. We are invisible tongues, shadow speakers clothing other people’s words, just as Seshat was hidden in the foundations of every temple and her skills were used to the glory of the other gods. Some people say that the symbol actually represents the tools of geometry, and that the over-arching bow is not a bow, or horns or feathers (as has been suggested) but that it represents the number 10. I like the idea of that, but don’t quite understand how they came to that conclusion.
Seshat was identified variously as daughter, sister and wife of Thoth, or even as the female aspect of Thoth. In this context she was said to wear a crescent moon (as representative of Thoth). Typically the crescent moon was shown with the tips pointing up, so this is unusual in Egyptian art for the tips to point down. Some suggest that this is just the way that symbols change and morph from their original meanings over time. She was sometimes known as Safekh-Abwy, which means She Who Wears the Two Horns. In some images the horns resemble cobras. There is no evidence to suggest that the interpretation of the arch as a bow is correct. Horns were often associated with the crescent moon, and so there would be no contradiction in seeing the “arch” as representative of both of these.
I have been pondering over this post for a few days. I am in the middle of reading Arthur Versluis’ Egyptian Mysteries. I thoroughly enjoyed his book The Philosophy of Magic and so was very hopeful when I started reading the Egyptian Mysteries. However, I have continually come up against his very strong Gnostic twist on everything Egyptian which I find inappropriate and misleading. My notes on his book have turned into a private rant and have taken my thoughts off in philosophical directions far from the original text (in that sense, a good book because it has got me thinking). My greatest bugbear so far with the book is his interpretation of Ma’at as Order and Harmony. This is a common interpretation and I am sticking my neck on the line by disagreeing with it.
[Briefly: Gnostics believe that we are emanations from a divine source, that the further away from the divine we are, the more lost and in darkness we are. The aim is to journey back to the source, to achieve that original unity with the divine which is a remote and distant figure. Dualist Gnostics believe that the material world is the furthest emanation away from the divine and is therefore innately bad. They strive away from the material (e.g. through sexual abstinence, fasting and denial of the 'worldly') in an attempt to bring themselves back to the divine, which is innately good. For more information, see: http://en.wikipedia.org/wiki/Gnosticism%5D
I agree that the main focus of Egyptian belief centres around Ma’at. Ma’at is Order in the face of the chaos demons Apophis and Typhon (for example) – although not forgetting that the chaos demons are also integral to the Order of the worlds. She restrains the unrestrained and focuses energy and power that would otherwise wreak pure destruction. She is the outcome and the tool for harnessing our inner anger and self-destructiveness, for controlling (though not taming) the inner demons to become a driving force behind our own creative and destructive powers. In this sense you could perhaps view Ma’at as harmony: a balance between two extremes to enable us to control both the left-hand and right-hand energies to move powerfully forwards (although I would say that at times we need to lean more in one direction or another to progress; after all, pure balance of two points can also describe stagnation).
From an academic point of view, I find Versluis’ interpretation of Egyptian culture suspect to say the least. He posits that Egyptian culture derived from an earlier, ‘purer’ [sic] culture out of which both Oriental and Occidental traditions arose. Consequently, due to the lack of empirical evidence in respect of an Egyptian understanding of the world, he continually draws on the Vedanta in the Upanishads and the Tao Te Ching. He will start with an Egyptian concept and without any reference to Egyptian sources, interpret it based solely on a comment in the Tao Te Ching (for example). And naturally all interpretations are heavily slanted in support of a dualistic Gnostic perspective. I understand the principle of drawing parallels between religious traditions to understand archetypal concepts, but Ma’at (in my mind) is peculiarly Egyptian. His book would more accurately be described as a Gnostic perspective of Egyptian mysteries, rather than a book elucidating Egyptian mysteries per se.
I see his emphasis of the harmonisation aspect of Ma’at as a direct moral bias betraying his own starting point. BUT, in putting forth my own interpretation below, I am fully aware that I am doing exactly the same thing, and betraying my own left-hand leaning. So be it.
Firstly let me say what I do agree with, namely that to truly understand the origins of the Western spiritual tradition, we need to understand the Egyptian mysteries and tradition. I also agree that there are numerous parallels and influences between traditions old and new.
Secondly, there are some points made by Versluis that I like the sound of, although I have no credible proof or experience to back up his ideas. These are thoughts I would like to ponder further: He says that Egyptian religion and culture were marked by the personal responsibility of each person to unite any breach of Heaven and Earth. In this respect he implies that it is not just about maintaining the status quo and adhering to the laws of society, although by definition, the laws of Ancient Egyptian society would have been (even if only nominally) focused entirely on sustaining and restoring Ma’at. As many of you will know from my blog, I very much support the concept of personal responsibility; and in fact I see established religions, groups, covens and temples as being a sore testing ground for personal responsibility as in such contexts it is far easier for the spiritually lazy to be carried along by the majority (before anyone gets their knickers in a serious twist, I know that this is not always the case, but it is a relevant point).
Versluis also speaks of “…the strength of a traditional culture [lying] in its irradiative power, involving and unifying all people towards the realisation of their true nature [Will?] of the Divine.” I think this is a nice, if slightly naïve idea, although I think it is also a rather hagiographic portrayal of Egyptian society – again, on what basis (apart from wishful thinking) does he make such a statement?
Versluis’ writing is here very much coloured by the belief in that primeval Golden Age where Heaven and Earth were united. Through ritual and the enforcement of Ma’at the bridge between celestial and terrestrial is maintained. According to Versluis, “Only when this power is thwarted, when disorder and the anti-traditional behaviours begin to gain sway, ignoring and defiling the teachings of antiquity, does such a culture break down, fragment and disappear…” He goes on to cite the rise of Judaism and Christianity as pivotal factors in exacerbating this decline… I am highly suspicious of any attempt to raise any one culture or religion above others, and to claim that salvation of the world (no less) can be found in one direction alone.
However, the idea of bridging the gap between celestial and terrestrial struck me as a more meaningful interpretation of Ma’at, and something that tallies with my own experience of the Egyptian religion.
The concept of harmony carries with it a moral interpretation that I do not share. Ma’at as Order – yes. But what if perfect Order between the earthly and celestial realms does not necessarily involve harmony (in terms of balancing opposing forces). Indeed Versluis’ seems to contradict himself by citing the example of the myth of Typhon scattering pieces of Osiris’ body; at each place a temple was raised, a holy site where a Divine ladder extended upward between heaven and earth. These places (says Versluis) retained some of the primordial spiritual unity of the temporal and divine (the essence of that Golden Era of perfect unity with the divine that Gnostics are so fond of). To quote: “And in this vein, there can be little doubt that to this day certain areas resonate with primordial power – sometimes for good and sometimes not.” Ignoring his almost coy avoidance of the word ‘bad’ or ‘evil’, the question arises of how an area that retains the primordial unity can be ‘not good’ and yet harmonious and an expression of Ma’at by his own definition. I would say that ‘good’ and ‘not good’ (!) are just extreme aspects on a graded (possibly circular) scale from good to evil. There is no black and white dualism in my opinion (such desperation to split the world neatly into two categories of right and wrong, to me is a cry of fear from someone overwhelmed by the chaos and general muckiness that is life). It is not always so easy to assign a shade to an action or manifestation. Sometimes a thing just ‘is': perhaps the essence of existing is in being connected both with the celestial and the earthly planes, that this is the actual manifestation of Maat. Hence, Ma’at would be not the balance of two realms, but the connection. Ma’at is (for me) the expression of True Existence when we are not just surviving in the world, but living and manifesting our true Will by the connection of both the celestial and the terrestrial within and without ourselves. What else is the magician but the creator and manifestor of such connections? The magician in her work with the nominally good and evil is the ultimate sustainer and embodiment of Ma’at; who else connects the celestial and terrestrial realms better than a magician who invokes and evokes the Other, the celestial, and manifests it on the terrestrial plane?
So, in my own biased and left-hand shaded interpretation, Ma’at is Order and Connection, and has little to do with the morally biased term of Harmony.
In this sense, may Ma’at be on your tongues, in your heart and manifest in your lives.
© starofseshat 2008
O Atum! When you came into being you rose up as a High Hill,
You shone as the ben-ben stone in the Temple of the Phoenix in Heliopolis.
Hail to you, O Atum!
Hail to you, O Becoming One
who came into being of himself!
You rose up in this your name of High Hill,
You came into being in this your name of “Becoming One”.
In Egyptian [Ennead] cosmogony, the world is depicted as coming into being out of the primeval waters of chaos (the abyss). The first thing to appear was the world-mound, the ‘mound of the first time’ (the High Hill alluded to in the passages above). Atum is the primeval hill itself. He is the creative principle that called the world into being from the original chaos.
The root of his name is in the word ‘tem’ which means ‘complete’ or ‘finish’ in both the constructive and destructive senses. He is the uncreator as well as the creator. At the end of the world he will destroy everything and return to the form of the primeval serpent.
He is also known as the Lord of Totality. Everything originates from him. Our kas (ka = the life force or double of a person that is released from the body seventy days after embalming) come from him.
He is Father of the Gods, he is the ‘self-engendered one’. By copulating with himself, he essentially masturbated the gods into creation. His hand thus represents the female principle inherent in himself. He was the father of Shu and Tefnut, the first divine couple through whom the other gods proceed.
He is the primal mound, the original creation. This was represented at Heliopolis (the main theological centre that established a form of orthodox belief around Atum) in the form of the ben-ben stone, which may have actually been a meteorite.
He is the Sun which is considered the primary factor in the process of creation. As such he is linked to the ‘self-developing scarab’ (the scarab was also believed to be self-engendering). Atum in his solar form was often fused with Re (or Ra) to become Re-Atum. The Coffin texts say that Atum emerges in the east and rests in the west – here he is the complete manifestation of the sun. But in funerary contexts he is shown as an aged ram-headed man travelling to the underworld each evening to be reborn the next day; consequently he played an important role in mortuary books. At other times Re is seen as the rising sun and Atum as the setting sun.
He is a chthonic god (i.e. pertaining to the underworld). As a primeval god and the Evening Sun he has strong associations with the underworld, as such his power is invoked in netherworld contexts. Atum is depicted in the Valley of the Kings as an aged, ram-headed figure supervising punishment of evildoers and enemies of the sun god, and as subduer of netherworld forces such as the serpents Apophis and Nehebu-Kau.
Atum is frequently depicted in anthropomorphic form wearing the dual crown of Upper and Lower Egypt. The main focus of worship was in Heliopolis before his cult was eclipsed by that of Ra, but his influence was widespread. In his underworld aspects he is shown with the head of a ram; in his chthonic form he is symbolised as a serpent. He can also appear as a scarab, mongoose, lion, bull or lizard.
“All manifestations came into being after I developed…no sky existed no earth existed…I created on my own every being…my fist became my spouse…I copulated with my hand…I sneezed out Shu…I spat out Tefnut…Next Shu and Tefnut produced Geb and Nut…Geb and Nut then gave birth to Osiris… Seth, Isis and Nephthys… ultimately they produced the population of this land.”
Hail and honour to Atum.
The Complete Gods and Goddesses of Ancient Egypt, Richard H. Wilkinson
Egyptian Religion, Siegfried Morenz