… a thought making crooked all that is straight.


LHP – living without morals

At a certain point in my exploration of and attempted living of a Left-Hand Path esoteric life, my morality was suspended, but this was not a liberated state where I moved unencumbered by external strictures. It was a place without life meaning or significance.

I was caught in the grip of adversarial paralysis.

Some LHP-ers live hedonistic, countercultural lifestyles, turning their upbringing, the norms of the culture they live in and the dominant religion on their heads. They take the above as a guide and do the opposite or a diametrical offshoot of it … but then consider themselves “free” in that adversarial state, without realising that they may have struck off the path and written their own map but their True North is still the things they often despise so vehemently, namely mainstream culture and established religion. If you define yourself in opposition to A Thing you are not free as you still require The Thing to determine your opposition.

If the majority stand BY a wall but you decide to lean AGAINST the wall, you are still in a position relative to the wall. In my mind, the point was to negate the wall entirely and see how freely I could move without any self-imposed limitation (bearing in mind that I live within a world of limits, perceptively anyhow).

If you live in a culture where drinking is “the norm” then choosing to drink absinthe (a common LHP-er’s tipple) is neither original nor daring, it is merely imbibing another alcoholic liquid, albeit one with a romantic backstory. In addition to a pleasant high, the best you might get out of it is to live the lives vicariously of all the poets and social fringe dwellers known to imbibe in the stuff.

In a society where everything is sexualised, down to the social experience and expression of children/childhood to the selling of commodities, then merely having sex a lot, even with multiple partners, even with multiple genders, is not that daring or enlightening per se.

In a society where drugs are the norm from the socially acceptable stimulants and depressants like sugar, coffee and alcohol to the medically widely prescribed opiates and amphetamines, then going to “the man on the corner” for your drug supply makes you neither a maverick nor particularly savvy – play the system better and get your drugs on repeat for free (at least if you live in the UK)!

So in contemplating the above I experimented subsequently with the nominal counter-counter norms of abstinence and celibacy – if you want to live an adversarial position to mainstream culture you might want to announce that you are a celibate, teetotal vegan! … then learn what it is to live in opposition to the norm.

But yet again, this state of opposition merely helped me to shake up my assumptions, I was not liberated from being defined by the things I rejected. I fell into a pit of meaninglessness, a place where neither The Thing nor The Opposite of the Thing had significance or meaning to me. And without meaning I spiraled into depression as I was caught in the grip of adversarial paralysis.

The only way out of this was to admit that what I was doing wasn’t working for me. I began to observe others who appeared happier, more focused and more creative (in their artistic, professional, spiritual and/or emotional lives) than me. And this included the “hippie-dippy-shitty-airy-fairy brigade” – a group of people I was used to criticising and (yet again) defining myself in opposition to. My ego protested, but I remonstrated with it that, up till now, its decisions had been isolating, deflating and unhealthy – in fact un-inspiring (inspire: to fill with an animating, quickening, or exalting influence).

I did a lot of “fake it till you make it” which ironically is a state of aligning yourself against someone else’s norm, hardly an adversarial stance; the difference being that I had to still my shrieking ego. Over time I found my own meaning and significance. The key? To lay aside ego. My meaning? That is not relevant to you as it is my path and my journey, my baggage, history and personal make-up. Your meaning will be uniquely your own.

In freeing myself from defining myself “as X” and “as NOT X” I have managed to step over the fundamentals of right/wrong, which as a social anthropologist I know to be severely culturally determined – no absolutes! (Cf. postmodern relativism) Instead of acting one way or the other in re-action to a moral duality, I now choose to act in accordance with my personal meaning; a meaning that is continuously fed by an indefinable thing that can only be know experientially through practice, study, integration and in-corporation (in corpore – in the body) of both and through putting aside egoic desires to be the same as/better than/different to XXX.

I guess you might define it as a life study in Becoming; I hesitate to say of “Being” – that potentially stagnant and anti-cosmic state of “I am that I am”. Instead I become Atum, self-engenderer from the primal chaos, bridge between what is “not” and what “comes forth” in a process of continuous unfolding.

And that’s another point: the path unfolds as I Become. Defining myself against the moral landscape around me at any particular moment belies the truth of existence. It places a premature and deceptive full-stop against a life that should at any point em-body the pregnant sentiment of dot-dot-dot … to be continued …

©StarofSeshat 2016

Re-membering the Dead

This week I celebrated my birthday, except it was an exceptionally bittersweet day … The afternoon before my birthday I found out that the man I consider and love as my childhood father and spiritual father was dying. The morning of my birthday, I was told he had died in the night.

Before now, I have loved, lost and grieved my adopted Navajo mother and a man I referred to as my “Spirit-Grandfather”. Each of them taught me so much and allowed me to unfold as I needed to at the time. The relationships were not perfect …; these were multi-faceted, loving, poetic, challenging, supportive, joyous and in all we focused as much on the spiritual as the profane, in differing ways.


Sitting in a castle dungeon in Germany, writing an essay on the Holocaust, the sunlight streaming through the open door, when suddenly all went dark … a tall man stood in the doorway, like a shadow, the backlit sun obscuring his features in darkness. His booming voice filled the dungeon as he began, without any greeting, to recite poetry to me in German. This was the moment I met my Spirit-Grandfather.


Travelling through the New Mexican desert with my adopted mother, visiting Hopi First Mesa. The Hopi women staring suspiciously at the Native American and the white woman, wondering how the hell we fit together. Shimá, my mother, explains to them that I am her adopted daughter. The women smile and laugh and open their arms welcomingly. They feed us blue bread which is so fine that it breaks apart like ashes and floats off in the wind as I laugh.


Visiting my childhood father at the monastery where he was abbot. He hugs me hello and it’s the best and safest hug I have every experienced. I cry. He sits me down with a bowl of tea. I am fascinated that the monks drink tea and coffee from big bowls. My father tells me he refuses to hear any confession from me, that I am a child and have committed no sin. Instead we pray and then he recites poetry to me. This time it’s his turn to cry as he always does when he recites poetry. I hold his hand and we sit quietly before the Muse.

The memories are in my blood. They reside within me. May Ma’at’s feather be on their tongues. May they pass into the Du’at. May their souls be elevated so they join the blessed Aakhu. I grieve the loss of them, yet I know they are not truly lost, merely dis-placed, a shift in time and place, multi-layered eternity. Like Isis re-membering Osiris, so my memories allow them to be both dead and alive.

resurrection plant

The so-called “Resurrection Plant”

©StarofSeshat 2016

Art as grammar of the magickal imagination

The Empress by StarofSeshat


“Art is another language which, if you undertake to learn it, will open up a new world that permeates, surrounds and elevates this dull metropolis.” ~ Seshat

When first you enter the pagan or occult world, you will be faced with all sorts of good (and bad) advice. So let me just throw my glove into the ring with a suggestion of my own.

For those of you who are regularly readers (for which I thank you), you will know that I am a great proponent of using one’s imagination (see HERE for my latest article on the subject). Aside from sitting by the fire day dreaming, some might wonder where on earth to start with honing their creative and imaginistic muscles. First and foremost I would recommend art … although that might feel to turgid and bound by rules of aesthetics and skill … so let’s expand that word to “the arts and crafts” which could include everything expressive from music to painting to woodwork and textiles, such as sewing or even knitting. I know that last might baffle you – what benefit could something like knitting have to a magickal life?! But I would ask you to put aside such “art snobbery” and be open to the idea of creation.

Devil Birds by StarofSeshat


Creating A Thing is a practice that involves making and holding a vision, imagination, commitment to follow through and skill to execute. No part of that sequence involves any judgement over “good” or “bad”, “beautiful” or ugly”, “useful” or “useless”. This is not the realm for debating “What is art?” – this is the domain of learning to envision, create and manifest. Sounds a little like the basics of magick and spellwork, right?

And even though creating artistically can indeed give expression to the subconscious mind (I am a supporter of therapeutic art), this does not mean that I equate magick with the mere machinations of one’s own unconscious, or even the collective unconscious. Magick is not mere psychology and the entities one encounters are not necessarily (although they can be) projections of your own mind. So let’s just make that clear. I am proposing some form of artistic involvement as a means to develop the full spectrum of imagination: a process of shifting a thing from energy into matter. This does indeed include music, as I consider sound vibrations to be a material manifestation. So my remit for “arts and crafts” really does include all forms of creativity.

Chaos by StarofSeshat


So, now I shall expand a little on my own artistic practices:

Some people, especially in occult practices, like to work fast and furiously on their art, allowing no room for internal censorship. One of my art practices begins like this, in that I put pen to paper, close my eyes, draw madly in swirls and lines for a few seconds and then stop. But that is the fastest I get in my art. In fact, my art – whether it is sketching, felt painting, or textile work – is characterised by an exceptionally slow pace. It can literally take me months to complete a piece. Surely, when working so slowly, I have to battle often with the censor and conscious mind forcing it into a particular conceptual mould? Yes and no. Certainly I occasionally have to battle with the censor, but the processes for my art are often described by others as tedious and boring; I frequently hear, “I would never have the patience to do that!” But for me, it requires no patience. Due to the minute focus that is required, I slip into a hypnagogic state where the boundaries between conscious censor and fluid unconscious are permeable and mobile. This allows my imagination free reign and expression, often with surprising results. I never know when I start a piece, how it is going to turn out. But where’s that “vision” I spoke about as the starting point? For me, the vision is merely the unmistakeable physical pull and urge to create; it is a very corporeal as well as mental drive – for me personally, this is my vision and the manifestation is a process of welcoming the Other that nudged my psychic senses and bringing into a material form. The process will most likely be different for other people, but maybe some of you can identify with my own experience and methods.

Octopi by StarofSeshat


And I must make an aside, regarding textile art (e.g. knitting, although in my case not knitting per se as I have injured hands and can no longer knit without pain). I embroider and create knot ropes; again, both techniques are laborious and easily induce a light trance state due to the focus and repetition. My knot ropes (for which I use spools, or French knitting dolls, but also the Anglo-Saxon lucet) may seem banal to onlookers, but to me they are invested with thought and emotion. By doing such repetitive work, importantly while focusing on a particular thing (a solution to a problem, a state you wish to come into being, magick you wish to actuate, or a person) you anchor that thing in muscle memory for a start, making the thing you create a part of your body (mundane example: the first time I watched The Shining I was knitting socks. The next day after watching the film, I picked up my socks and experienced such powerful flashbacks from the film that I could no longer continue knitting. It took a week for the muscle memory to abate enough for me to pick up again). But also, by taking the slow route, one comes to know the Thing one creates intimately well: that point where the shade of wool changes a fraction, that slip in the stitch that creates a loose mark, that struggle to tie in a bead or feather… So what’s the point, you may ask? The point is to enhance concentration, memory, focus, experiencing creation with the body not just the mind, and of course exercising of the imagination. Never underestimate the simple rural crafts such as knotting, spinning, carding, weaving, crocheting, and yes, knitting. They hold an equal place in my heart alongside the more “mainstream” arts of painting and sketching.

Revelation by StarofSeshat


The proof is in the pudding. Try it. Try everything. I have sung, played classical guitar, painted, sketched, used textiles and wool, knotted and finger painted! And in each I have been able to reach that hypnagogic state – not always, because it’s not always appropriate – but at will, which is a sign that it has developed into a discipline. The neural pathways are laid, the psychic arteries are flowing, my imagination is working.

The wonderful thing about art is that it is a life-long companion. There is always room to improve your creative and imaginistic skills. Remember that cerebral judgement about “art” does not apply here. If you can think it, you can do it – and that is not a literal adjuration to do whatever you like. Not everything should be enacted literally, but that is the beauty of imagination and art, – there are no rules. I have seen art created by finger painting with menstrual blood, alongside the “Fine Art” painted canvases; I have seen thread embroidered into the very skin on the hand of an artist, alongside ecclesiastical gold embroidery. The end product is almost irrelevant; it is the inner journey that is important – the vision, the actuation, the material manifestation. But like all good magick, don’t hang on the results. Once you’ve finished a piece, do not rest on your laurels, but immediately begin the next! Only so (I suggest) will you develop invaluable skills to your occult, pagan and magickal practices.

Seth by StarofSeshat


©StarofSeshat 2016

Sensing spirits with impossible credulity

Sensing Spirits with Impossible Credulity

My acquaintanceship with spirits began at a very young age. I saw and heard things that others didn’t and I was told to keep quiet about it because people would think I was mad (great message to send to a child!); so I withdrew further from the mainstream world and inhabited my own world of imagination and spirit.

…one must be cautious not to chuck the imaginative baby out with the imagined bathwater!

I am often asked, “How will I know when something spirit-based happens? How will I know it’s not just my imagination?” To which I reply, “You won’t know and you will know, and imagination is the key to knowing.” “Imagination” is given a hard time in every arena except the creative. “It’s just your imagination!” is a dismissive comment we bring out when people try to describe things outside the norm. Whereas it is indeed irritating when you get people who claim that every creaking floorboard is a ghost, and every feather floating to the ground is a sign of an angel passing by, one must be cautious not to chuck the imaginative baby out with the imagined bathwater!

…imagination is the connecting language between here and there, between this world and Other. Without it we are merely flesh sacks excreting, eating and fucking.

The imagination works with symbols and sign and all the senses. When asked to imagine a scene most vividly, we are encouraged to draw upon our sensory memory to recreate the scene in our minds. This creates a connecting language between our internal world and our external world. This language is the stuff that spirit encounters are made of. When a spirit makes its presence known in this world, it is partly here, partly there; it is both wave and particle. Our minds have the same capacity to occupy more than just the visible, material world … some might say it is our spirits or souls that stand with a foot in each realm. If that is so, most people spend the majority of their life unaware of the half of their “body” that stands in the Other. How would one go about rediscovering this Other half? The first step must surely be to imagine it, to conceive of the possibility that it exists, to bring the image of it into consciousness. As I said, imagination is the connecting language between here and there, between this world and Other. Without it we are merely flesh sacks excreting, eating and fucking.

…believing the impossible and allowing it to remain an impossible belief made manifest exactly because it was impossible.

The fact that I withdrew into my internal world as a child was a great boon to me in that it allowed me to become fluent in “Imagination” so that my mind was all ears and eyes, open to receiving the Other when it came. Some things I have seen with my physical eyes, which, for me, is a very frightening way of perceiving things. Likewise I was majorly disturbed by a ghost cat as a child that would jump on my bed and settle in amongst my blankets (that was fine); but when he began to claw at my carpet I was frightened and told him to stop scaring me, and he did. Sadly, my ghost cat disappeared entirely. This is another factor that I have experienced repeatedly: apparitions, the ones that truly want to connect with you, come through gradually. They appear at first like imagined moments – noises, smells, tactile sensations – and become more concrete and perceptual over time (in one case, a being took about 3 years until it manifested nearly completely – I was able to touch him and it was like touching hard air. Not all take quite this long though …). BUT once I queried the experience or applied some logical understanding to it, even if the logic was based in pseudo-magickal psychology (e.g. my desire for XX has manifested in the physical expression of YY), then the apparitions disappeared never to return again. In each case, it was vital for me to maintain a state of mind anchored in imagination and credulity – believing the impossible and allowing it to remain an impossible belief made manifest exactly because it was impossible. This may sound like gibberish to some, but I think to others it will make perfect sense.

It is difficult to maintain that fine line between megalomaniacal fantasies and true spirit experiences, but this is where you need to develop your self, including unrelenting self-honesty.

As far as advice goes, when wishing to open yourself up to the spirit world, do not be afraid of a little imagination. Believing that a knock COULD be a spirit, opens up the impossible possibility that a future knock IS a spirit. [At which point in writing, my housemate knocked on my door! Haha!] It is difficult to maintain that fine line between megalomaniacal fantasies and true spirit experiences, but this is where you need to develop your self, including unrelenting self-honesty. Experiencing spirits in isolation will bring you nothing; this is a path of full and comprehensive self-development/self-loss/self-transformation. If you are looking for kicks or a good story, you will find neither or possibly be so shit scared by something that you wish you’d never dabbled in the first place (I have met people like this).

Begin with a meditation discipline … something appropriate, not “I meditate while I do the gardening/chores etc.” That’s not meditation. And use meditation to expand the sensory capacity of your mind. If you can think it with all your senses, it can be; if you can conceive it, it can manifest. But when it does, be reserved with your questioning and logic, or risk chasing away the very thing that you seek.

Edit: I found this rather appropriate quote by Kenneth Grant, so am adding this after the fact:

In all forms of magick, the imagination or image-making faculty is the most important factor.

©StarofSeshat 2016

Blut zeigt sich! (You can’t hide from your blood)

On Saturday I met a neo-Nazi. And I don’t think anyone else around him even realised. I was at a warehouse buying a bike. He manages the warehouse. He was covered in tattoos … even more than me. His head was covered in militaristic symbols (German) and emblazoned across his scalp were the English words, “Blood and Honour”. Now the phrase “Blut und Ehre”, as it is in the original German, was the motto etched onto the knife blades of the Nazi Youth Movement. These days “Blood and Honour” is the name of a neo-Nazi music group and political movement, white supremacists, blah, blah, blah. Unless you know this stuff, you just don’t know, and you don’t “see” the neo-Nazi in front of you, you just see a surly tattooed guy.

Ironically he showed an especially gruff demeanour when I gave him my obviously foreign name, because the dullard didn’t realise that my name was German. And what I would never have told him, for my own safety, is that my origins are German-Jewish, and that I lost most of my family in the Shoah (the Holocaust). A long time ago now I did a year of research in Germany on the Shoah and wrote my Masters dissertation on the portrayal of the Holocaust in German fiction, specifically by a man called Edgar Hilsenrath. So I know my history. Let me rephrase that: I know MY history. I know my origins.

My German family (the ones who survived) ultimately fled Russian occupied Berlin because they were blacklisted by the Russians due to a book my uncle had written about 10 Catholic men who had been assassinated by the Russian government. My family fled to America, leaving only my great-grandfather behind. He took refuge in a convent in West Germany and spent his final days with the nuns. When I was 9, I visited this convent for the first of many, many times.

Once I reached adulthood, one of the oldest nuns took me aside and told me the story of my Jewish family and their time in Berlin under the Nazis. She took my hands in hers and said, “Blut zeigt sich!” which means, “You can’t hide from your blood” or “Blood will always show itself!” I think in her wise old heart she knew that I was never going to be a Catholic like the rest of my family (who converted). For some reason, she marked me out to carry on the history of my family and importantly to carry the heritage of those who died.

This was in part why I chose the Masters’ subject that I did and why I worked so damn hard to learn German (I was not brought up bilingually – my mother married an Englishman and I was brought up in England; in fact, German was forbidden at home until my father left). I have always felt that I have had to make up for the diaspora of my family, the immigrants who settled in America and abandoned everything German.

My grandmother joined my uncle (her brother) when they fled Berlin from the Russians. My uncle never lost his accent but he became an AMERICAN with a German background; my grandmother, on the other hand, always remained displaced – a GERMAN living in America. Last year my grandmother died. She asked for her ashes to be scattered in the New Mexican desert where she lived. My Catholic family riotously objected and so she was ultimately buried in England – a country she had no ties to in any respect. It still makes me sad (read: furious) to this day.

You would think with this heritage running strongly in me, perhaps more than anyone else in the family, I would have a strong spirit connection with my blood ancestors. But I don’t. In fact I can’t. I’ve tried. I have tried four times to establish ancestor shrines and to welcome and engage with the spirits of my dead family, and each time my life was blighted with so much bad luck that it belied coincidence. Within a day of me dismantling the shrine/altar each time, the bad luck dissipated and peace would return to my life.

Even at my grandmother’s funeral I sought to connect with her (too soon perhaps) and a piece of ceramic fell from the earth over her grave at my feet. On the ceramic piece was the word “malade”, which is French for sickness or madwoman. Of course it was the broken off piece from a MARmalade jar, but the message to me was clear. My grandmother and I communicated in German but she always signed off her letters in French. I felt her disapproval of my spiritualist ways in relation to her and so I left her in peace.

The fact is that my family have undergone horrific times during life and I fear they carry it with them in death. Relatives were killed in Auschwitz or died under dreadful conditions. Those who survived had to flee their home country for their lives and all have lived under the shadow of the past. My grandmother would hide under tables when planes went overhead; she wielded an enormous gun at strangers on her property; she trusted no one, least of all authorities because she knew that an apathetic nation could allow tyrants to rule and neighbours are ready to betray you if the price is right.

So in connecting with spirits I leave my ancestors alone. I wish that one day I could bring them some semblance of peace, but I don’t know how. For now I connect to the nameless ones, the forgotten ones, the faceless ones; the blessed Aakhu who have passed the test of Ma’at and have her feather of truth tattooed on their tongues. Blessed are the Doo spirits who are good to me always.

But my encounter with the Nazi made my blood stir. I love Germany and I love the Germanic past, before it was distorted and misappropriated. I feel a calling but it is soft and indistinct. Maybe I am not yet ready to hear it. Maybe I need someone to spell it out for me. My shyness often converts into reticence and gives me cloth ears to my own destiny. For now I shall set it before the spirits, and quietly pray that my ancestors rest in peace.

©StarofSeshat 2016

I am within me

So my lucet arrived… Isn’t he beautiful?

Lucet - Star of Seshat

He was hand-carved from cherry wood and feels amazing in my hand. It didn’t take me long at all to get the hang of it (thanks to some YouTube videos). I dove straight in and worked a contrast thread (the gimp cord). Imagine now knotting in pearls and semi-precious bead stones, small feathers … Beautiful. And if you don’t know what I’m talking about, please refer to THIS POST ABOUT KNOT MAGIC.

Even though there is room for much elaboration, my initial experiment with knot magic and the lucet was a much more basic and plain affair. I sat in candlelight with my lucet and two threads of the appropriate colour (in this instance black and red). I began to weave, focusing all my thoughts into each knot, binding my intent into the cord. Once done, I knotted off the cord, tied it into a circle (further binding it into itself) and placed it like a halter around the neck of one of my fetishes. I lit a candle and made offerings to the fetish for one night. The next night, I placed the “done spell” into my Atua. When I have sufficient cords in my Atua I will burn them, but for now they are fine there, “magickally fermenting” in a spirit atmosphere. Spell work has always felt like cooking for me … ingredients, stewing, fermenting, rising, baking off, cooking till its “done”… and often, disposing of the remains, preferably composting it to earth or burning off with fire.

On another note, my writing career is starting to take off, and consequently spending a few moments on this blog chatting with you, feels a little like sneaking out the back of the office for a quick smoke. I am ghostwriting and editing, along with some translation work again (although wildly different to what I used to translate); and I’ve started writing a book on fear. It’s a theme that comes up recurrently in profane AND sacred life. I don’t know anyone who hasn’t experienced fear, except for the sociopath whose emotions are by nature limited to the shallows. And yes, I’ve met a few of them. Thank you, The Internet.

Although these days my life seems mostly free from dastardly types and this is a testament to how I have overcome my own fear in laying down the boundaries of my identity. I used to be swayed so easily like driftwood on the sea, but these days, although I am flexible, I am no longer merely a mirror to egos stronger than my own. It’s okay to have preferences and limits. Being a mirror to others does not mean that I am more enlightened or less bound by my own ego-urges. Maybe quite the contrary, that I end up in a battle between my own ego and that of the other person.

So often I have sacrificed myself to another, especially in relationships. My needs took back place and I squeezed myself small into the mould they made for me. But eventually I would spring out of the mould, slightly deformed, but still different from what they wanted me to be, and then I would be rejected. It was a cycle I repeated way too often. These days, perhaps it’s age, I am averse to moulds; I recognise big egos and I walk around them; I am less swayed by the externals. My relationship with spirits has helped; if I find myself dancing to another’s tune, I get a nudge from Spirit because such inauthenticity detaches me from my ability to connect with Other. Being authentic is not a place of comfort and often it would be easier and feel more secure (although it is a false security) to hand over responsibility for the dance to someone else. It’s a truth that only I can dance with my own feet … forget walking in my shoes, you can have my shoes … but no one walks this earth – skin on dirt – like I do (or like you do).

Empathy is a wonderful thing, but it can sometimes tilt one towards living too much inside other people’s heads. I grew up with no separation between myself and others due to my psychism and my sensitive empathy. But at the age of 20 I attended a workshop in a small village in Germany. There I was introduced to the phrases: “Ich bin bei mir” and “Ich bin bei dir”, which loosely translate as “I am within me” and “I am within you” (bei translates variously as with, in, at, by … but I choose in this instance the word “within”). At the workshop I was challenged in my thinking and actions again and again: Are you within yourself or within another? And I realised that I was predominantly within other people, thinking and feeling what they felt and adjusting my own behaviour accordingly. I was reactive to every person I met. I rarely acted from a spontaneous base of me-ness. Yes, you could look at the psychology and say it was a defence and way to keep myself safe, which is true. My upbringing was not a safe one and knowing what other people were thinking/feeling or going to do before they even knew it themselves kept me safe. But as an adult it was a disempowering habit that kept me in a regressed emotional and spiritual state.

I rapidly learned to recognise when I was “within another” and I tempered my responses, although it has taken years to form a solid identity of my own that is not defined by other people (remembering also that we are coloured by all experiences, including very much the people we allow into our lives). It is a life-long journey because each day we step into the river and it is never the same … neither are we.

So, dear folks, it’s time to put out my metaphorical cigarette (as I don’t smoke!) and step back into the office. Thanks for dwelling a while with me as I pondered a few things. Till next time!

©StarofSeshat 2016

Poem: Cosmic Shivers of the Thrice-Black Bird


Do birds sing at night in the cities
While darkness reigns on the land?
Lights imbue the air with iridescent glow
That tarnishes midnight creating
A subterfuge of sleep.

I lay awake three nights in a row
Listening to a lone blackbird sing
Even though dawn was a dream away,
Fantasy in the mind of Nut;
The morning star still hidden in her belly.

My world upturned while he sang a song
Of dawn, pressed into night’s breast;
His throat trilled vibrations of the sun
Into the bosom of Night, pricking her skin
So she bled into my mouth: I could not breathe.

Nature was inverted during those nights;
The spirit of day had invaded the Du’at,
The bark of Ra dragged screaming
Through the underworld where the dead
Heard the song of the thrice-black bird.

Cadavers quaked at the sound with longing
Remembering dawns when the blood
Pulsed, throbbed and rose in their veins –
A bloody dawn inside their own bodies
That now rotted in the earth.

I heard the dead groan at the agony
Of Beauty – Cosmic Shivers – that ululated
From that bird. As I lay listening,
Breath stilled under the Midnight Sun
I pondered my own death that surely must come.

©StarofSeshat 2016