Grief has wrong-footed me twice this year. And today continues the theme. It is the death day of my Seelenopa, my “soul grandpa”. His death several years ago now, like the other deaths this year, came as a shock, out of the blue. “I’ll write to you as soon as I come around from the operation!” he promised. It was a routine operation on his foot. He wrote to me as promised having begged paper off the nurse, his spidery writing even more inscrutable than ever due to the anaesthetic. A couple of days letter I received another letter – this one bordered in black. I had never received such a letter before. I saw that it was from his wife. I remember the bright curiosity that turned so rapidly into shock – dead “due to unexpected complications” – and then a wailing caw of grief. Grief is so dramatic. Like love it calls for big gestures and words that reach down into the soul, that grab the heart, cry tears of blood and wrench one from the ordinary, from the doldrums of living life one foot in front of the other. Suddenly the path is crooked – in love or in grief – and everything is questioned.
My tagline for this blog right from the start has been “A thought making crooked all that is straight”. It expresses the way I see the world – crooked, twisted, inside-out. I am not an academic thinker in spite of my academic background. I can’t quote you book, chapter and verse but once I get the scent of a thing, I can describe the essence of it in such a way that others lift their snouts to the wind and can smell it too. Not everyone. But enough people.
There was a time when I wrote out of a place of love, not just profane, although often enough that, but these days I seem stuck in a rut of grief. It catches in my throat because I like to write things that uplift others and so I censor myself and resort to silence. Absence. Which is what grief feels like – lack and loss, a negative space, an emptiness that hurts physically. Just as love flips the stomach and sight of one’s beloved clenches the heart in sweet pain, so grief cuts and grinds but without that sweetness. Lovers are happy masochists; those who grieve merely suffer.
I saw an interview the other day with a woman in her late nineties. She described how she spoke to her dead children every day. They were not absent but present. She smiled and said that others must think her “crackers”, but, she said, “I’m not. I know what I’m doing.” Yet the pain of grief still crumpled up her wrinkled face, the loss of her infant children 7 decades ago. She took obvious pleasure in her daily conversations but the pain was still there.
And perhaps that’s the point: life is not without pain. We are swamped by entertainment media that tells us life should be all hearts and flowers; anything less is failure or flawed. Can you Instagram your pain? There must be a filter for that … And so our tolerance for the hard times is worn away by an impossible expectation that turns the circuitous motions of life’s natural ups and downs into a plastic-fantastic treadmill. Worse than the straight path is the life that purports to move you forwards while tricking you into never moving from the same spot.
However, I am not glorifying pain, not saying that you are not living a true and fulsome life without a rock in your stomach, but I am suggesting that grief is to be embraced like love. Both are dramatic in their expression, and both NEED to be in order for us to bear the weight of them. A quiet, discrete love hidden under a bushel is no love at all – at most that is the scratching of an itch, the containment of a neurosis. Likewise, grief should not be shamed into silence – that cultural demand to keep a stiff upper lip, to not dwell on things or, god forbid, be a “whinger”.
And by placing love and grief side by side I do not mean to put them at opposite ends of a spectrum, just because one may appear more pleasant and desirable than the other. No. In grieving fully I give myself permission to love fully. Love in death. Death in love.
The path is never straight, it is forever crooked.
At a certain point in my exploration of and attempted living of a Left-Hand Path esoteric life, my morality was suspended, but this was not a liberated state where I moved unencumbered by external strictures. It was a place without life meaning or significance.
I was caught in the grip of adversarial paralysis.
Some LHP-ers live hedonistic, countercultural lifestyles, turning their upbringing, the norms of the culture they live in and the dominant religion on their heads. They take the above as a guide and do the opposite or a diametrical offshoot of it … but then consider themselves “free” in that adversarial state, without realising that they may have struck off the path and written their own map but their True North is still the things they often despise so vehemently, namely mainstream culture and established religion. If you define yourself in opposition to A Thing you are not free as you still require The Thing to determine your opposition.
If the majority stand BY a wall but you decide to lean AGAINST the wall, you are still in a position relative to the wall. In my mind, the point was to negate the wall entirely and see how freely I could move without any self-imposed limitation (bearing in mind that I live within a world of limits, perceptively anyhow).
If you live in a culture where drinking is “the norm” then choosing to drink absinthe (a common LHP-er’s tipple) is neither original nor daring, it is merely imbibing another alcoholic liquid, albeit one with a romantic backstory. In addition to a pleasant high, the best you might get out of it is to live the lives vicariously of all the poets and social fringe dwellers known to imbibe in the stuff.
In a society where everything is sexualised, down to the social experience and expression of children/childhood to the selling of commodities, then merely having sex a lot, even with multiple partners, even with multiple genders, is not that daring or enlightening per se.
In a society where drugs are the norm from the socially acceptable stimulants and depressants like sugar, coffee and alcohol to the medically widely prescribed opiates and amphetamines, then going to “the man on the corner” for your drug supply makes you neither a maverick nor particularly savvy – play the system better and get your drugs on repeat for free (at least if you live in the UK)!
So in contemplating the above I experimented subsequently with the nominal counter-counter norms of abstinence and celibacy – if you want to live an adversarial position to mainstream culture you might want to announce that you are a celibate, teetotal vegan! … then learn what it is to live in opposition to the norm.
But yet again, this state of opposition merely helped me to shake up my assumptions, I was not liberated from being defined by the things I rejected. I fell into a pit of meaninglessness, a place where neither The Thing nor The Opposite of the Thing had significance or meaning to me. And without meaning I spiraled into depression as I was caught in the grip of adversarial paralysis.
The only way out of this was to admit that what I was doing wasn’t working for me. I began to observe others who appeared happier, more focused and more creative (in their artistic, professional, spiritual and/or emotional lives) than me. And this included the “hippie-dippy-shitty-airy-fairy brigade” – a group of people I was used to criticising and (yet again) defining myself in opposition to. My ego protested, but I remonstrated with it that, up till now, its decisions had been isolating, deflating and unhealthy – in fact un-inspiring (inspire: to fill with an animating, quickening, or exalting influence).
I did a lot of “fake it till you make it” which ironically is a state of aligning yourself against someone else’s norm, hardly an adversarial stance; the difference being that I had to still my shrieking ego. Over time I found my own meaning and significance. The key? To lay aside ego. My meaning? That is not relevant to you as it is my path and my journey, my baggage, history and personal make-up. Your meaning will be uniquely your own.
In freeing myself from defining myself “as X” and “as NOT X” I have managed to step over the fundamentals of right/wrong, which as a social anthropologist I know to be severely culturally determined – no absolutes! (Cf. postmodern relativism) Instead of acting one way or the other in re-action to a moral duality, I now choose to act in accordance with my personal meaning; a meaning that is continuously fed by an indefinable thing that can only be know experientially through practice, study, integration and in-corporation (in corpore – in the body) of both and through putting aside egoic desires to be the same as/better than/different to XXX.
I guess you might define it as a life study in Becoming; I hesitate to say of “Being” – that potentially stagnant and anti-cosmic state of “I am that I am”. Instead I become Atum, self-engenderer from the primal chaos, bridge between what is “not” and what “comes forth” in a process of continuous unfolding.
And that’s another point: the path unfolds as I Become. Defining myself against the moral landscape around me at any particular moment belies the truth of existence. It places a premature and deceptive full-stop against a life that should at any point em-body the pregnant sentiment of dot-dot-dot … to be continued …
“Art is another language which, if you undertake to learn it, will open up a new world that permeates, surrounds and elevates this dull metropolis.” ~ Seshat
When first you enter the pagan or occult world, you will be faced with all sorts of good (and bad) advice. So let me just throw my glove into the ring with a suggestion of my own.
For those of you who are regularly readers (for which I thank you), you will know that I am a great proponent of using one’s imagination (see HERE for my latest article on the subject). Aside from sitting by the fire day dreaming, some might wonder where on earth to start with honing their creative and imaginistic muscles. First and foremost I would recommend art … although that might feel to turgid and bound by rules of aesthetics and skill … so let’s expand that word to “the arts and crafts” which could include everything expressive from music to painting to woodwork and textiles, such as sewing or even knitting. I know that last might baffle you – what benefit could something like knitting have to a magickal life?! But I would ask you to put aside such “art snobbery” and be open to the idea of creation.
Creating A Thing is a practice that involves making and holding a vision, imagination, commitment to follow through and skill to execute. No part of that sequence involves any judgement over “good” or “bad”, “beautiful” or ugly”, “useful” or “useless”. This is not the realm for debating “What is art?” – this is the domain of learning to envision, create and manifest. Sounds a little like the basics of magick and spellwork, right?
And even though creating artistically can indeed give expression to the subconscious mind (I am a supporter of therapeutic art), this does not mean that I equate magick with the mere machinations of one’s own unconscious, or even the collective unconscious. Magick is not mere psychology and the entities one encounters are not necessarily (although they can be) projections of your own mind. So let’s just make that clear. I am proposing some form of artistic involvement as a means to develop the full spectrum of imagination: a process of shifting a thing from energy into matter. This does indeed include music, as I consider sound vibrations to be a material manifestation. So my remit for “arts and crafts” really does include all forms of creativity.
So, now I shall expand a little on my own artistic practices:
Some people, especially in occult practices, like to work fast and furiously on their art, allowing no room for internal censorship. One of my art practices begins like this, in that I put pen to paper, close my eyes, draw madly in swirls and lines for a few seconds and then stop. But that is the fastest I get in my art. In fact, my art – whether it is sketching, felt painting, or textile work – is characterised by an exceptionally slow pace. It can literally take me months to complete a piece. Surely, when working so slowly, I have to battle often with the censor and conscious mind forcing it into a particular conceptual mould? Yes and no. Certainly I occasionally have to battle with the censor, but the processes for my art are often described by others as tedious and boring; I frequently hear, “I would never have the patience to do that!” But for me, it requires no patience. Due to the minute focus that is required, I slip into a hypnagogic state where the boundaries between conscious censor and fluid unconscious are permeable and mobile. This allows my imagination free reign and expression, often with surprising results. I never know when I start a piece, how it is going to turn out. But where’s that “vision” I spoke about as the starting point? For me, the vision is merely the unmistakeable physical pull and urge to create; it is a very corporeal as well as mental drive – for me personally, this is my vision and the manifestation is a process of welcoming the Other that nudged my psychic senses and bringing into a material form. The process will most likely be different for other people, but maybe some of you can identify with my own experience and methods.
And I must make an aside, regarding textile art (e.g. knitting, although in my case not knitting per se as I have injured hands and can no longer knit without pain). I embroider and create knot ropes; again, both techniques are laborious and easily induce a light trance state due to the focus and repetition. My knot ropes (for which I use spools, or French knitting dolls, but also the Anglo-Saxon lucet) may seem banal to onlookers, but to me they are invested with thought and emotion. By doing such repetitive work, importantly while focusing on a particular thing (a solution to a problem, a state you wish to come into being, magick you wish to actuate, or a person) you anchor that thing in muscle memory for a start, making the thing you create a part of your body (mundane example: the first time I watched The Shining I was knitting socks. The next day after watching the film, I picked up my socks and experienced such powerful flashbacks from the film that I could no longer continue knitting. It took a week for the muscle memory to abate enough for me to pick up again). But also, by taking the slow route, one comes to know the Thing one creates intimately well: that point where the shade of wool changes a fraction, that slip in the stitch that creates a loose mark, that struggle to tie in a bead or feather… So what’s the point, you may ask? The point is to enhance concentration, memory, focus, experiencing creation with the body not just the mind, and of course exercising of the imagination. Never underestimate the simple rural crafts such as knotting, spinning, carding, weaving, crocheting, and yes, knitting. They hold an equal place in my heart alongside the more “mainstream” arts of painting and sketching.
The proof is in the pudding. Try it. Try everything. I have sung, played classical guitar, painted, sketched, used textiles and wool, knotted and finger painted! And in each I have been able to reach that hypnagogic state – not always, because it’s not always appropriate – but at will, which is a sign that it has developed into a discipline. The neural pathways are laid, the psychic arteries are flowing, my imagination is working.
The wonderful thing about art is that it is a life-long companion. There is always room to improve your creative and imaginistic skills. Remember that cerebral judgement about “art” does not apply here. If you can think it, you can do it – and that is not a literal adjuration to do whatever you like. Not everything should be enacted literally, but that is the beauty of imagination and art, – there are no rules. I have seen art created by finger painting with menstrual blood, alongside the “Fine Art” painted canvases; I have seen thread embroidered into the very skin on the hand of an artist, alongside ecclesiastical gold embroidery. The end product is almost irrelevant; it is the inner journey that is important – the vision, the actuation, the material manifestation. But like all good magick, don’t hang on the results. Once you’ve finished a piece, do not rest on your laurels, but immediately begin the next! Only so (I suggest) will you develop invaluable skills to your occult, pagan and magickal practices.
My acquaintanceship with spirits began at a very young age. I saw and heard things that others didn’t and I was told to keep quiet about it because people would think I was mad (great message to send to a child!); so I withdrew further from the mainstream world and inhabited my own world of imagination and spirit.
…one must be cautious not to chuck the imaginative baby out with the imagined bathwater!
I am often asked, “How will I know when something spirit-based happens? How will I know it’s not just my imagination?” To which I reply, “You won’t know and you will know, and imagination is the key to knowing.” “Imagination” is given a hard time in every arena except the creative. “It’s just your imagination!” is a dismissive comment we bring out when people try to describe things outside the norm. Whereas it is indeed irritating when you get people who claim that every creaking floorboard is a ghost, and every feather floating to the ground is a sign of an angel passing by, one must be cautious not to chuck the imaginative baby out with the imagined bathwater!
…imagination is the connecting language between here and there, between this world and Other. Without it we are merely flesh sacks excreting, eating and fucking.
The imagination works with symbols and sign and all the senses. When asked to imagine a scene most vividly, we are encouraged to draw upon our sensory memory to recreate the scene in our minds. This creates a connecting language between our internal world and our external world. This language is the stuff that spirit encounters are made of. When a spirit makes its presence known in this world, it is partly here, partly there; it is both wave and particle. Our minds have the same capacity to occupy more than just the visible, material world … some might say it is our spirits or souls that stand with a foot in each realm. If that is so, most people spend the majority of their life unaware of the half of their “body” that stands in the Other. How would one go about rediscovering this Other half? The first step must surely be to imagine it, to conceive of the possibility that it exists, to bring the image of it into consciousness. As I said, imagination is the connecting language between here and there, between this world and Other. Without it we are merely flesh sacks excreting, eating and fucking.
…believing the impossible and allowing it to remain an impossible belief made manifest exactly because it was impossible.
The fact that I withdrew into my internal world as a child was a great boon to me in that it allowed me to become fluent in “Imagination” so that my mind was all ears and eyes, open to receiving the Other when it came. Some things I have seen with my physical eyes, which, for me, is a very frightening way of perceiving things. Likewise I was majorly disturbed by a ghost cat as a child that would jump on my bed and settle in amongst my blankets (that was fine); but when he began to claw at my carpet I was frightened and told him to stop scaring me, and he did. Sadly, my ghost cat disappeared entirely. This is another factor that I have experienced repeatedly: apparitions, the ones that truly want to connect with you, come through gradually. They appear at first like imagined moments – noises, smells, tactile sensations – and become more concrete and perceptual over time (in one case, a being took about 3 years until it manifested nearly completely – I was able to touch him and it was like touching hard air. Not all take quite this long though …). BUT once I queried the experience or applied some logical understanding to it, even if the logic was based in pseudo-magickal psychology (e.g. my desire for XX has manifested in the physical expression of YY), then the apparitions disappeared never to return again. In each case, it was vital for me to maintain a state of mind anchored in imagination and credulity – believing the impossible and allowing it to remain an impossible belief made manifest exactly because it was impossible. This may sound like gibberish to some, but I think to others it will make perfect sense.
It is difficult to maintain that fine line between megalomaniacal fantasies and true spirit experiences, but this is where you need to develop your self, including unrelenting self-honesty.
As far as advice goes, when wishing to open yourself up to the spirit world, do not be afraid of a little imagination. Believing that a knock COULD be a spirit, opens up the impossible possibility that a future knock IS a spirit. [At which point in writing, my housemate knocked on my door! Haha!] It is difficult to maintain that fine line between megalomaniacal fantasies and true spirit experiences, but this is where you need to develop your self, including unrelenting self-honesty. Experiencing spirits in isolation will bring you nothing; this is a path of full and comprehensive self-development/self-loss/self-transformation. If you are looking for kicks or a good story, you will find neither or possibly be so shit scared by something that you wish you’d never dabbled in the first place (I have met people like this).
Begin with a meditation discipline … something appropriate, not “I meditate while I do the gardening/chores etc.” That’s not meditation. And use meditation to expand the sensory capacity of your mind. If you can think it with all your senses, it can be; if you can conceive it, it can manifest. But when it does, be reserved with your questioning and logic, or risk chasing away the very thing that you seek.
Edit: I found this rather appropriate quote by Kenneth Grant, so am adding this after the fact:
In all forms of magick, the imagination or image-making faculty is the most important factor.
So my lucet arrived… Isn’t he beautiful?
He was hand-carved from cherry wood and feels amazing in my hand. It didn’t take me long at all to get the hang of it (thanks to some YouTube videos). I dove straight in and worked a contrast thread (the gimp cord). Imagine now knotting in pearls and semi-precious bead stones, small feathers … Beautiful. And if you don’t know what I’m talking about, please refer to THIS POST ABOUT KNOT MAGIC.
Even though there is room for much elaboration, my initial experiment with knot magic and the lucet was a much more basic and plain affair. I sat in candlelight with my lucet and two threads of the appropriate colour (in this instance black and red). I began to weave, focusing all my thoughts into each knot, binding my intent into the cord. Once done, I knotted off the cord, tied it into a circle (further binding it into itself) and placed it like a halter around the neck of one of my fetishes. I lit a candle and made offerings to the fetish for one night. The next night, I placed the “done spell” into my Atua. When I have sufficient cords in my Atua I will burn them, but for now they are fine there, “magickally fermenting” in a spirit atmosphere. Spell work has always felt like cooking for me … ingredients, stewing, fermenting, rising, baking off, cooking till its “done”… and often, disposing of the remains, preferably composting it to earth or burning off with fire.
On another note, my writing career is starting to take off, and consequently spending a few moments on this blog chatting with you, feels a little like sneaking out the back of the office for a quick smoke. I am ghostwriting and editing, along with some translation work again (although wildly different to what I used to translate); and I’ve started writing a book on fear. It’s a theme that comes up recurrently in profane AND sacred life. I don’t know anyone who hasn’t experienced fear, except for the sociopath whose emotions are by nature limited to the shallows. And yes, I’ve met a few of them. Thank you, The Internet.
Although these days my life seems mostly free from dastardly types and this is a testament to how I have overcome my own fear in laying down the boundaries of my identity. I used to be swayed so easily like driftwood on the sea, but these days, although I am flexible, I am no longer merely a mirror to egos stronger than my own. It’s okay to have preferences and limits. Being a mirror to others does not mean that I am more enlightened or less bound by my own ego-urges. Maybe quite the contrary, that I end up in a battle between my own ego and that of the other person.
So often I have sacrificed myself to another, especially in relationships. My needs took back place and I squeezed myself small into the mould they made for me. But eventually I would spring out of the mould, slightly deformed, but still different from what they wanted me to be, and then I would be rejected. It was a cycle I repeated way too often. These days, perhaps it’s age, I am averse to moulds; I recognise big egos and I walk around them; I am less swayed by the externals. My relationship with spirits has helped; if I find myself dancing to another’s tune, I get a nudge from Spirit because such inauthenticity detaches me from my ability to connect with Other. Being authentic is not a place of comfort and often it would be easier and feel more secure (although it is a false security) to hand over responsibility for the dance to someone else. It’s a truth that only I can dance with my own feet … forget walking in my shoes, you can have my shoes … but no one walks this earth – skin on dirt – like I do (or like you do).
Empathy is a wonderful thing, but it can sometimes tilt one towards living too much inside other people’s heads. I grew up with no separation between myself and others due to my psychism and my sensitive empathy. But at the age of 20 I attended a workshop in a small village in Germany. There I was introduced to the phrases: “Ich bin bei mir” and “Ich bin bei dir”, which loosely translate as “I am within me” and “I am within you” (bei translates variously as with, in, at, by … but I choose in this instance the word “within”). At the workshop I was challenged in my thinking and actions again and again: Are you within yourself or within another? And I realised that I was predominantly within other people, thinking and feeling what they felt and adjusting my own behaviour accordingly. I was reactive to every person I met. I rarely acted from a spontaneous base of me-ness. Yes, you could look at the psychology and say it was a defence and way to keep myself safe, which is true. My upbringing was not a safe one and knowing what other people were thinking/feeling or going to do before they even knew it themselves kept me safe. But as an adult it was a disempowering habit that kept me in a regressed emotional and spiritual state.
I rapidly learned to recognise when I was “within another” and I tempered my responses, although it has taken years to form a solid identity of my own that is not defined by other people (remembering also that we are coloured by all experiences, including very much the people we allow into our lives). It is a life-long journey because each day we step into the river and it is never the same … neither are we.
So, dear folks, it’s time to put out my metaphorical cigarette (as I don’t smoke!) and step back into the office. Thanks for dwelling a while with me as I pondered a few things. Till next time!
[DEDICATED TO THE DEATH DAY OF ANDI D.]
Do birds sing at night in the cities
While darkness reigns on the land?
Lights imbue the air with iridescent glow
That tarnishes midnight creating
A subterfuge of sleep.
I lay awake three nights in a row
Listening to a lone blackbird sing
Even though dawn was a dream away,
Fantasy in the mind of Nut;
The morning star still hidden in her belly.
My world upturned while he sang a song
Of dawn, pressed into night’s breast;
His throat trilled vibrations of the sun
Into the bosom of Night, pricking her skin
So she bled into my mouth: I could not breathe.
Nature was inverted during those nights;
The spirit of day had invaded the Du’at,
The bark of Ra dragged screaming
Through the underworld where the dead
Heard the song of the thrice-black bird.
Cadavers quaked at the sound with longing
Remembering dawns when the blood
Pulsed, throbbed and rose in their veins –
A bloody dawn inside their own bodies
That now rotted in the earth.
I heard the dead groan at the agony
Of Beauty – Cosmic Shivers – that ululated
From that bird. As I lay listening,
Breath stilled under the Midnight Sun
I pondered my own death that surely must come.
Many moons ago I heard the old wives’ tale that when a woman is in labour all the doors in the house should be kept open to facilitate any easy birth; a closed door equals a block or obstacle. I pondered on this and subsequent study has shown that creating or releasing a blockage sympathetically can have powerful repercussions psychically and magickally: when we feel defensive we cross our arms and/or our legs, which is implied to mean creating a psychological barrier, but which also creates a psychic/energetic block and protects us. Consider also the superstition of crossing one’s fingers for luck; this is another way of creating protection by sealing ourselves off psychically. I have studied healing methods that require one to touch feet and hands together, expressly to create a self-contained energy circuit for the purposes of harnessing and directing healing energy.
So from all this, it was not much of a leap for me to dive into knot magic in my late teens. [As an aside, in Britain there is the tame yet still rude alternative to telling someone to “Fuck off!” which is to tell them to “Get knotted!”]
In fact, my first dalliance with knot magic began with a severe cold. I woke in the night virtually unable to breathe. I was suffering greatly and sleep eluded me because my sinuses were entirely blocked up. Instinctively I took a cord that I had lying on my altar and I began to knot. I knotted everything into the cord that I felt had contributed to my ill-health. Each knot represented a thing/person/event/feeling. It was important to vocalise each thing and … unlike much magick … I had to REMEMBER every thing that I knotted into the cord. Once the cord was a bundle of knots, I knotted it in on itself until it was like a fist in my hand (the fist is yet another expression of self-protection – a “hand knot”). Then I meditated upon pushing everything I felt and thought about each knot into the scrambled tangle in my hands. After a significant amount of “charging” came the reason for needing to remember each knot; I began to UNknot the cord, again vocalising that I was releasing/unknotting each thing/person/event/feeling. It did not matter if I got the order wrong, but I did have to remember each thing in order to release it. If I forgot something, then the blockage/knot would remain even if the cord was untangled. Once I had finished I lay the cord smoothly and in an open fashion, i.e. not a single overlap or crossing of the cord, on my altar. By the end of the unknotting I was already able to breathe freely and, by the morning, the virus which had plagued me for several days was completely gone.
This is how I came to begin using knot magic. It is great for releasing blockages and healing, but naturally, it can be good for cursing and binding and creating blockages – you just leave the cord tangled, bury it … hide it … whatever.
I am a textile crafter and much of my spellwork/magic involves making things (poppets, spirit receptacles, etc.). Now, some of the crafted stuff takes several hours to create (sewing, embroidering sigils, etc.); it would be more convenient to make up the things beforehand, and only consecrate and charge it in Circle. But, I do find that the distractions outside of Circle dilute the crafted item considerably. How much more can be imbued in a magickal item if you have the staying power to make it from start to finish IN Circle where your intent is focused solely and exclusively on what you wish to manifest!
I remember that my most potent servitor was created in just such a way. (I understand that not everyone creates servitors in a Circle, but I do and it works for me.) I gathered everything I needed, cast the Circle and sat for three and a half hours making “his” home. The result was a thing of power.
Recently I have been doing French Knitting (or spool knitting as I think the Americans call it). I have been using a 4-pin and an 8-pin spool. The project is just for fun and not interesting to you folks, I’m sure. While knitting I pondered the process which is essentially creating one tiny knot after another, all linked together to create a cord. I began to fantasize about spool knitting in Circle, adding feathers, teeth, bones, herbs, hair … Then, by chance I was researching something when I came across 2-pin French knitting, which is called “Lucet weaving”. This is a technique dating back to Viking times and was used to make thin cords. The design of the Lucet (look HERE) just spoke to me … nay, shouted at me … the Devil horns screamed, “Use me!” and all my pondering and fantasising coalesced into a plan! So I have ordered myself a hand-carved, cherry wood Lucet. Sadly it must come all the way from Canada so I have to wait for it. But whoop! When it arrives I shall happily “get knotted”!
I keep pet rats and have done for over 15 years. To my friends I am known as “the Rat Witch”. Rats are a wonderful pet; they answer to their names, give and love to receive affection, respond to commands and have enormous personalities that seem to far outweigh the size of their corporeal selves. The down side about pet rats is that they only live for 2 to 2.5 years (the latter if you are lucky). Wild rats barely survive for a year. Fancy rats (including Dumbo, Siamese, Rex and standard breeds) have been bred to survive much longer but consequently they die frequently of cancers and tumours due to their excessively unnatural life span.
In the past, I had a “friend” who got angry with me for keeping rats. She had issues with death and was furious that I exposed myself to the death of my beloved companions every 2 years or so. It’s true. It is a lot of grief. A lot of death-mongering – I have always had to decide when it’s their time to pass, when the suffering is too much. Just as it’s my responsibility to ensure they have a good life, it’s my responsibility to ensure they have a good death. Without exception I have held every rat in my arms until they have passed on. Because rats are so small, the fatal injection cannot be given into the heart as with cats and dogs; instead, it is injected into their stomachs and then we have to wait until the substance has worked its way around their system and they die. This can take anywhere between 10 and 50 minutes. The latter death was traumatic for me due to the way she fought in spirit to hold onto life. Trust me, it was her time to go, but a rat’s tenacity to life is indomitable.
So for me, death is a large part of my relationship to rats. Death is in the room with me right now. Tomorrow I will be taking my oldest girl to be put down. Her spirit is still lively and she is bright as a kitten, but her body is ridden with tumours and she can barely walk due to a massive tumour that has deformed both her back legs. She is the oldest surviving rat I have ever had. She is my “eternal girl”. I will miss her very much when she passes.
I am preparing myself to be a Death Doula tomorrow evening. I have felt this decision weighing on me since before Christmas. Sometimes I have wanted to look away from Death’s face, to ignore this part of our life. I wish I could be callous and leave her to die on her own, have the responsibility taken away from me. But part of my role as Death Doula is that *I* take on the pain of death. It is not for me to leave her till her tumours rupture and she dies in agony, or till she can no longer eat and drink and she starves slowly to death. As a Rat Witch, my role is to give them joy in life, and to smoothe the transition to Death as best I can by lethal injection and having them fall asleep in my arms as my heart breaks.
I once had a boyfriend who refused to accompany me to the final appointment with the vet, because he found it “too hard”. To this day I am astounded and annoyed because the implication was that it was easy for me. It’s not. It is the hardest thing ever and I admit that at times I have thrown myself into a bottle of alcohol or a pile of pills afterwards because the pain is so excruciating. But when I welcome a rat into my life, I welcome their death too – I take all parts of them into my hands. However difficult it is, I have no choice … or maybe I do, I choose to hold them as Death takes their soul. I choose to cradle their bodies as their muscles spasm releasing their spirit and their final death rattle is squeaked from their lungs … their final word.
It’s a big responsibility to choose the time of another creature’s death. I am not talking about animal sacrifice, which I abhor and reject unreservedly. I am talking about compassion which is truly a Merciless Path; to live with compassion means to take on the pain. In some circles they speak of taking on the Passion of Christ, being killed on the cross with him. I know some of you will be rolling your eyes at such a comparison with the death of a “mere rat”. Vermin, right? To you maybe. But to me they are massive souls in tiny bodies. They are companions, and they have literally saved my life on several occasions.
As much as I enjoy the life of my rats, I must also honour their death and be Death Doula helping them to die into Death as much as we are born into life. Tomorrow I will hold my old girl in my arms and stroke her, calling her all my affectionate names and singing to her until she passes.
To my Beautiful Girl with a smoky nose and eyes like pomegranate seeds: I shall miss you. Let me take on the pain of your death, so that you may no longer suffer. So mote it be.
In times of stress and fear, we generally default to those beliefs and ideas that we feel in our heart of hearts are most protective and empowering – what you might call our “original” or fundamental beliefs. The agnostic in battle flings up a prayer to god; the lapsed Catholic makes the sign of the cross at a near-miss car crash; and the child seeks out mum or dad … presuming that those parental figures are safe and protective. Mine weren’t, so in times of stress as a child I fled inward and to the spirits.
I had an intense introduction to Roman Catholicism after my father left us. Before his departure there had been absolutely no religion in the family so I had had no boundaries around my psychic adventures, astral journeys and ghostly friends (nor did I have help when entities were not so friendly). I was able to unfold in as natural a way as was possible for me, up till the age of 9.
It was not at all a conventional Catholic upbringing as my mother immersed herself into Benedictine monasticism and so throughout my formative teenage years our family friends and visitors were ALL (no exception) priests, monks and nuns. My baptism in Germany, at the age of 9, was a beautiful affair: I was surrounded by a large circle of nuns between the ages of 25 and 90. I walked around and stopped in front of each woman to receive a cross drawn on my forehead with their fingers. It was magical. I had flowers in my hair. And frankly, it was all very pagan. My catechism was given either in the large gardens as we tended the flowers (all godly symbols explained through symbols in nature) or in a red boat as my sister instructor rowed us around the moat of this old German castle, which now served as the abbey home.
My devotion to Catholicism was intense (not least because I found safety amongst the nuns and everything about the castle and my lessons in nature appealed to the romantic in me), although (and this was a major problem) I had no place for Jesus in my pantheon, and I never understood the concept of original sin (helped by my confessional priest who refused to hear my “sins” as he said I was too young to sin and we should just pray together). However, my belief in Christianity crumbled in my teens for two reasons: one, I started to read about witchcraft and paganism and realised that this is who and what I was; and two, I began to study the gospels and Pauline letters in the original Greek. The latter was an issue because so much of the gospels has been redacted in English, changing female disciples’ names into male names, for example, because the established Church finds it too threatening to consider that women were equals in the early Church! If I had been lied to about something as fundamental as this, what else was poppycock?
But even though I abandoned Christianity (not acrimoniously because I respect Christian mysticism), and although I went on to explore and devote myself to witchcraft, I found myself still, in times of spiritual distress, calling on the Abrahamic image of deity as I had experienced him through those formative years. This puzzled me and frustrated me. But it need not have. Archetypes come in many forms, and the cipher with which our mind envisages the archetype is not always within our conscious control. Ultimately we have to explore and examine our beliefs and be totally honest about them. If I am cavorting with spirits and things go tits up, then it really matters what deity or entity I call upon because it may be cool to call on Sekhmet, but if your inner belief is still stuck on the Virgin Mary then you’re going to get an ‘up side the head’ because your inner spiritual integrity is split, which presents a weak face to the spirits you’re trying to work with. Some “beliefs” have deeper roots than others. Like gardening, our spiritual landscape needs constant tending. And this is also why so often in LHP literature, a lot of time is spent on deconstructing and challenging a person’s, generally, Christian faith. If you are going to choose instead to work with Lucifer, then you need to relinquish any guilt you might feel about that, because that guilt will bite you on the bum.
So, I’ve been thinking about all this recently because I am going through a really difficult and stressful time. Everything is in flux, including my accommodation. I am moving to a temporary place and my future is totally unclear right now. In fact, every area of my life is undergoing some kind of transitional phase. And guess what! I hate change. I loathe it. I am a fan of routine and predictability. I like a quiet life because my emotions are on my sleeve and I FEEL so intensely that it hurts. The only way to dull the pain is to maintain a staid and stable life. So I’m hurting right now. My body feels it. My mind feels it. And I’m noticing what I’m doing with all that stress … I am taking it to the spirits. I feel like I have come full circle to the little girl taking her astral journeys “back home” for granted and placing more confidence in the protection of spirits than the humans in her life.
My altar is like an eternal flame right now. As soon as one set of candles burns out, I light the next, muttering my prayers and invocations … ‘Let me feel the joy of your presence … come forth …’ Clouds of incense. Cups of coffee. Glass of water. And love, love, love and gratitude pouring out from my hands to the spirits.
Half my furniture and a large proportion of my stuff has been given to charity. A third of my remaining stuff is in storage, and the rest is predominantly in boxes. But my altar remains standing till the last minute and will only be packed on the morning of my move.
In times of stress, we default to what we believe in, to where our hearts lie and our foundation is strong … at least I do. I wonder if others can identify. Can you? And is your answer coherent with your projected identity? Or is there a split between your inner world and your outer persona?
I studied in Edinburgh, Scotland, the so-called “Athens of the North”, also known as “Auld Reekie”. It is thought to be one of the most haunted cities in Europe. Perhaps. I generally find spirits wherever I go, so statistically my “hit rate” is a tad skewed.
In my first year at university I got involved with an older man. He had a face like a badger that had been shot against a brick wall. Sometimes he wore a beard. Sometimes he wore a kilt. Sometimes he wore fishnet stockings and evening gloves. But that’s another story. Before becoming a mature student he had worked as a ranger in the Highlands of Scotland. His best friend was a medium, an electrician, who went around his clients’ houses “releasing” trapped spirits while fixing the wiring. We’ll call my ex-boyfriend, Gordie.
Gordie lived in a fairly new block of student flats bordering on The Meadows region of Edinburgh. In the previous century (the 19th) this had been an old mill. As all mills around that time, conditions were dire and on-the-job fatalities were common. Gordie’s room was at the back of the block, on the ground floor. It was “L”-shaped, where the lower part of the “L” formed the entrance hallway and the longer part was the room itself. The room was messy. Black clothes lay on the floor amidst crumpled, semen-stained underwear. A fug hung in the room. It was male. Shrek meets Hugh Hefner. And in case you’re wondering, yes, at that stage (and for many years afterwards) I had stunningly low standards for the men I slept with!
I had been warned by the spirits to not get involved with him. In my late teens and early twenties, I was a keen bibliomancer, and I was very good at it (not so much these days). I had received information that had predicted the future accurately. I had also engaged with a mischievous spirit who claimed to be my brother, but he was a piss artist. He did however tell me some amazingly precise predictions. Anyway, I was wanting to show off one evening, so I grabbed a book and started “a conversation”. “The book” clearly described Gordie to a “T”, including mentioning the fact that he was sitting right next to me … just so there was no mistake who they meant. I was then told to leave him alone, that he “belonged” to a particular group of spirits and I wasn’t to get involved. I had been sharing this conversation with Gordie. He freaked. I felt embarrassed and played it down but over the next year it did pan out badly for me. However, my relationship mishaps are not relevant or interesting.
So eventually I started staying over at Gordie’s place. We slept on mattresses on the floor. I slept level with the hallway part of the room (also the darkest corner … it was a liminal space, a passing-through space – architecturally it was just awkward). Things were fine at first. Nothing to report here, gov’ner. But then the chills started. Later in life I realised that the main way that I sense spirits is on my skin. It’s a chill, sometimes down my back, or on my arms, or on the crown of my head. The first chills began as I lay there one night trying to sleep. The crown of my head began to chill, until it was very painful. The rest of me was warm so it was unusual. I wondered if there was a draft. I ignored it and eventually fell asleep.
I was young and inexperienced. These days I would know straightaway that something was up. My internal sensor recognises the Strange. My entire body is primed like a taught wire to vibrate in the presence of spirits. But not then. The chills continued at night, and I ignored them. Then during the day, (Gordie was at a lecture) I walked into the room and was rooted to the spot in that liminal hallway. It was like I had expected the room to be empty, and it wasn’t … I was used to seeing the Strange with my forehead and hearing it from the space at the back of my head. I tuned into these other sensory faculties and sent out a big question mark. What are you? I sensed and saw a young woman. She was wearing dark, long 19th century working clothes, with a grubby white apron. She looked miserable, and everything that came from her was resentful and unhappy. Then she was gone.
Next time that the chills came, I knew it was her. I spoke to her in my head, firmly. “Leave me alone. I’m trying to sleep!” I have found that speaking directly and decisively to spirits gets a response. If they are resistant, I remind them that I am alive, and this is the living world, ergo they are a visitor to MY world and I have the stronger presence and power. This works.
But she never went permanently, and I felt disturbed by her unhappiness. I told Gordie about her and he was not as comfortable as I was with her presence. He began to blame all sorts of his own neurotic behaviour and emotions on her. He wanted her gone. He said he was going to contact his medium friend and ask his advice. I said that I could sort it. Gordie went off to find a phone box (that’s right children, no mobile phones back then!) and I sat down and “listened” to what the ghost girl wanted. I wrote it down: a red candle, a piece of yellow cloth, incense (something flowery). Gordie returned. “Right!” he said. “I spoke to my mate and he said we need a yellow scarf, a red candle and some lavender incense.” Well hey-ho. Even I was quite impressed with myself. So I went shopping and while Gordie was out I went to work in the room. I shifted all that funky maleness out and I “worked” for the ghost-girl. And she went.
Not long afterwards, Gordie and I moved out into a basement flat that was part of a large old house, surrounded by a small garden. One fond memory is that Gordie taught me to call Robins to my hand where they would feed on cheese, fluttering over my fingers.
It was a damp and cold basement flat. In fact it was so damp that I found a frog in my bed one day! The heating was old. Basically they were metal boxes attached to the wall with bricks inside. You’d turn the heating on (gas-fired) and the fire would heat up the bricks. It cost a fortune because it was so ineffective, so we did without heating most of the time.
My spider senses had begun to pick up on stuff again in this new place. I kept seeing a cat, or having thoughts about “my cat” even though I didn’t have one. And I saw flashes of a couple in their late 50s/early 60s. They just stood there together and watched. They were not sad like the ghost-girl, nor were they malevolent. They were just curious.
One day I was sitting in the living room, freezing my arse off, trying to study. Then suddenly the chills started up and down my back. I “looked” with my forehead and saw the couple standing behind me. I lost it. “For fuck’s sake! It’s fucking cold enough in this place without you going all woo-woo-wah-wah on my ass. Cut that shit out!” And they stopped. Like I said, if you are firm and clear, the spirits listen. They stayed as a presence in the house, and I remained on “hello” terms with them. Unlike Gordie’s medium friend I don’t find it necessary to “move on” every spirit I encounter. I find that is a busybody attitude and some things are just not my business!
As an aside, the floor above us was an empty flat and yet at night we would hear the sound of a child running back and forth across the floor (our ceiling).
So those were the *human* spirits I encountered in Edinburgh. Stay tuned folks for the spirits of the extinct Scottish volcano and how Gordie was spurned by spirits for his disrespectful attitude; a lesson to us all.