GUEST POST by Zora Tyrant!
Out for Blood – A review of Ferocious: A Folk Tantric Manual on the Sapta Matrika Cult by the Sepulcher Society, Theion Publishing 2019
As an avid explorer of the female esoteric mysteries and ‘fiercer’ forms of spirituality, I recently purchased Ferocious: A Folk Tantric Manual on the Sapta Matrika Cult by the Sepulcher Society and released by Theion Publishing in 2019. It aims at elaborating the Tantric Cultus of the seven Matrikas, the terrifying ‘Little Mothers’ in theory and practice and gears towards making it practicable also for a western esoteric audience.
I own various other Theion titles such as Underworld and Benighted Path and have always found them to be extremely well presented and supportive of my unorthodox esoteric practice. Consequently, I had high expectations for Ferocious.
And let me tell you right away I was not disappointed, on the contrary! At first, though, I was a bit hesitant towards another book on Tantra. I have found most tantric releases to be of three categories: translations of tantric manuals with little value to the western or modern practitioner, academic treatises which are highly interesting and informative but also do little for the esoteric practitioner, and books of tantric practice by western occultists who obviously have no grip on sources and lack depth and sophistication. Ferocious is another kind of beast entirely.
So, let’s dive right in! Imagine a frenzied band of blood thirsty and violent goddesses, one of them sow headed, another a skeleton, slaying hordes of demons and striking fear even into the hearts of gods. While these terrific fiends can indeed become maternal protectors of their worshippers, just as their unassuming title ‘Little Mothers’ may suggest it takes dedication, caution and skill not to end up as their prey. In the first part of the book we are introduced to the field of Folk Tantra and how the Matrikas fit into this environment.
Personally I found one of the most important and motivating claims (backed up by sources) made in the book early on to be the statement that Folk Tantra with its antinomian attitude towards ‘scriptural’ Tantra and orthodox religious Hindu practice is embracing of everyone who feels drawn to its currents – regardless of caste, gender or even ethnicity and place of residence, whether you are Hindu or Westerner or anyone else. Folk Tantra with its relation to formerly marginal and polluted deities of the wilderness is potentially approachable by anyone with the right attitude and dedication and outside the rules and regulations of orthodoxy. The Sepulcher Society traces the developments of the Matrikas from liminal village deities to prominent tantric goddesses and discusses the reasons why modern practitioners would want to connect with such ferocious female energies. From material benefits to bestowing of Gnosis, the Matrikas are approachable for a wide variety of causes. Part 1 of the book concludes with important thoughts on sexuality, foundations of tantric rituals and Mantras.
The second part of Ferocious is dedicated to the Seven Matrikas individually. Each Goddess is portrayed in detail, her iconography, relations to the other Matrikas, her modern worship, how to construct her shrine, her offerings and images. We are also given rituals for each goddess. With great care and detail each goddess is explained as an ‘individual’ and as part of the group, her functions, character and field of magical/spiritual operation. They are also related to further aspects of tantric planetary magic and alchemy.
Following a concluding chapter, we are treated also to an appendix where an eighth Matrika, the lion headed Narasimhi, is described in the same fashion as her sisters in the previous chapters.
This is no superficial overview over a fascinating aspect of Tantric spirituality and magic but a deep investigation into the nature and essence of the Matrikas as approached in Folk Tantric practice. This is the ultimate work on the Matrika Goddesses but also an important contribution to the study of the wild manifestations of the divine feminine and its magical and esoteric applications. It is also an essential work on how to approach and apply tantric knowledge in a Western environment without losing any of its original intention and power.
Ferocious is a substantial work of over 260 pages, meticulously researched with plenty of footnotes and large bibliography which invites further independent study. Despite this wealth of information, the book is written in an approachable style never drifting off either into shallowness or unnecessary academic posturing. Ferocious is healthily undogmatic and always keeps the esoteric practitioner in sight making sure that this book is all you need when you embark on a wild ride of tantric practice with the Matrika Goddesses.
Another triumph for Theion Publishing, Ferocious is possibly its most beautiful production yet. The book comes as a sewn hardback with shimmering red cloth and lavish golden lettering. Metallic gold endpapers are a great touch and enhance the lavish feel of this gorgeous edition limited to just over 750 copies only. My rating overall: 10/10, a must have!
Link (Get your copy): https://theionpublishing.com/shop/ferocious-sapta-matrika/
By Zora Tyrant
Zora Tyrant is an artist and an explorer of transgressive spirituality and magic. She lives in the wilderness of North America.
I have never called myself a necromancer. My doings with the dead as an adult I have taken in my stride as a witch, although my dealings with the dead stretch back into childhood. I have had no initiation and no training and so often my encounters with spirits have been cackhanded and unsatisfactory. Over the past 15 years I have developed a devotion to the dead and relationships with Egyptian deities who guide, protect and smooth the path of calling on the Aakhu, the blessed and beautified dead. I have listened, learned and experimented on my own. So it has been fascinating, instructive and gratifying to read Underworld from Theion Publishing and to find that what I do and what I have experienced so far is confirmed by the author, who is very obviously not only exceptionally knowledgeable in this field but is an adept in the doing. I wish I had encountered this book 30 odd years ago, but hey, things come to us when we are ready.
The author depicts the Underworld and death deities from different cultural models/mythologies, drawing a thread through them all without falling foul of New Age hodgepodgery. I have attended rituals where mythologies, deities and sacred symbols are thrown together like fusion cookery that ends up tasting vile and setting my teeth on edge. Not so this book which instructs through mythologies, shrine building, offerings and rituals how best to approach the particular deity and which deities require extra care and forethought. The author leans heavily on tradition without being anachronistic, and he/she also allows for sensitive developments and responses to the present-day world.
I have read before of soul-travelling to the Underworld, and how important it is to 1. seek protection of the relevant ruling deity and 2. to know the way (maps, passwords, monsters, traps, symbols, etc.). The latter in itself is daunting and also antithetical to my own experiences. For as long as I can remember, the worlds of Here, There, The Liminal etc. have been fluid; The Other slips through to Here, in Dream I am carried to There, in my mind’s eye I can turn to The Liminal … and the Shadows do not always remain shadows. There is nothing linear in my world for me to follow a path down from Here to The Underworld as dictated by some magickal traditions. However, Underworld (the book) suggests a much more accessible and practicable method for entering the Underworld through meditation and/or dream – read the book if you wish to know what and how … As a side note, the book may give solid instructions on necromantic practice and tradition, yet it is not dictatorial, instead it allows for people’s personal proclivities to guide them … if you want to leap in and learn that way, go ahead, but the author gives his/her experience-based recommendations that are absolutely worth bearing in mind.
A word on protection: you will need it. Underworld gives practical instructions on how to protect your space (think poltergeists, for example) and where to set up your space for best effect. Great emphasis is placed on gaining the protection of the underworld ruler you choose to work with and I would heartily agree with this. It’s something that should be undertaken for a lengthy period of time, in my eyes, so that you utterly integrate the underworld ruler and its essence into your psyche and thus instinctively call upon it even in your dream world. Sleep is a vulnerable time for anyone open to spirits; throughout my life, since I was very little, I have had times of being “attacked” by amorphous, roaming spirits that barely have any sense of consciousness except for a will to enter a living body. As any magickal person knows, the boundaries between dream and “real” are tenuous and permeable. But I would also say that some encounters with spirits are horrendous and terrifying and that’s okay… I read a comment in a forum recently where a woman was struggling to abandon the good/bad, angels/demons of her Christian upbringing. She essentially didn’t want to carry across the idea of evil to her new pagan beliefs. She asked if instead she could just approach “all spirit beings and deities” as neutral. She’s allowed to approach them however she wishes, but the responses she gets may not fit into such a beige remit! Some of the most glorious encounters I have had have been terrifying, and yet I was left afterwards with a longing for that entity/entities to return – ecstasy can be found in dread! I have received visitations from two different entities to whom I gave a lot of attention over a long period of time (in one case years). They began to manifest more and more tangibly until I could hear the one with my physical ears and touch the other with my hands, like holding onto hard air. And then on each occasion I freaked, I gave in to fear, and banished them because I didn’t know what to do or how to control things, even though in those two cases each entity seemed well-disposed towards me. And how I have regretted those banishments. Protection is vital, but don’t expect “perfect protection” to circumvent a natural sense of fear. Only the reckless and foolish feel nothing and rush in with a sense of entitlement. The rational mind is good at quelling fear, but it is also excellent at banishing, at erecting walls between Here and There. And this is why I would encourage readers of Underworld not to stop at reading the words but to dwell on them awake and as you fall asleep to encourage and open up a dialogue between you and the dead/deity as to how you should proceed further. The more you align yourself through the practices in the book, the more you will know how to hone that practice. I have certainly felt nudges to apply more effort, beginning with thoroughly cleaning and re-laying one of my altars that I had let go to dust and being more generous in my offerings …
But what are the dead for? Honestly, I struggle with this. The question itself implies that they are a means to an end, which feels reductive to me. Underworld speaks of the wealth of knowledge that the dead have and naturally points to divination as a way to access this information. As a teenager I engaged with a male spirit through bibliomancy. He gave me very accurate predictions and advice to all my teenage angsts and petty concerns. If only I had taken account of his advice in my actions, it would have saved me a lot of trouble. But hey, I was a teenager, who DID I listen to at that age?!
Underworld gives examples of rituals that ask for certain things from the death deities, certain very tangible, this-world things. I have done the same, petitioning the Neteru and the Aakhu. Some death deities, as the book says, are naturally inclined to help with particular things, others really couldn’t give a toss and you’d be hard pushed to make them take an interest (the same could be said of all deities – pick your allies carefully). Some say the dead themselves understand better the needs of a human living this life and if you treat them well, they will lend their bony hand. But it would be a waste to get stuck on merely what materialistic things can be attained, although to everything there is a time. The majority of my dead-time is spent in devotional work to the Neteru and the dead. Through that devotion (prayer, meditation, offerings, contemplation, art) they guide, they teach, they open my eyes to the possibilities of More.
“Through me shall you live, through you shall I live.”
Underworld is a fantastic book for anyone walking the path of the dead. It’s not a self-contained book, by which I mean that the copious information contained therein will spur you on, hungry to know more in both the cerebral and experiential sense of gnowing. If you read the words and feel the call of the dead, you will not be able to help yourself but to reach out and answer that call.
Underworld is available for purchase from Theion Publishing at THIS LINK! (This is not a sponsored post, I just really recommend the book!)
“Art is another language which, if you undertake to learn it, will open up a new world that permeates, surrounds and elevates this dull metropolis.” ~ Seshat
When first you enter the pagan or occult world, you will be faced with all sorts of good (and bad) advice. So let me just throw my glove into the ring with a suggestion of my own.
For those of you who are regularly readers (for which I thank you), you will know that I am a great proponent of using one’s imagination (see HERE for my latest article on the subject). Aside from sitting by the fire day dreaming, some might wonder where on earth to start with honing their creative and imaginistic muscles. First and foremost I would recommend art … although that might feel to turgid and bound by rules of aesthetics and skill … so let’s expand that word to “the arts and crafts” which could include everything expressive from music to painting to woodwork and textiles, such as sewing or even knitting. I know that last might baffle you – what benefit could something like knitting have to a magickal life?! But I would ask you to put aside such “art snobbery” and be open to the idea of creation.
Creating A Thing is a practice that involves making and holding a vision, imagination, commitment to follow through and skill to execute. No part of that sequence involves any judgement over “good” or “bad”, “beautiful” or ugly”, “useful” or “useless”. This is not the realm for debating “What is art?” – this is the domain of learning to envision, create and manifest. Sounds a little like the basics of magick and spellwork, right?
And even though creating artistically can indeed give expression to the subconscious mind (I am a supporter of therapeutic art), this does not mean that I equate magick with the mere machinations of one’s own unconscious, or even the collective unconscious. Magick is not mere psychology and the entities one encounters are not necessarily (although they can be) projections of your own mind. So let’s just make that clear. I am proposing some form of artistic involvement as a means to develop the full spectrum of imagination: a process of shifting a thing from energy into matter. This does indeed include music, as I consider sound vibrations to be a material manifestation. So my remit for “arts and crafts” really does include all forms of creativity.
So, now I shall expand a little on my own artistic practices:
Some people, especially in occult practices, like to work fast and furiously on their art, allowing no room for internal censorship. One of my art practices begins like this, in that I put pen to paper, close my eyes, draw madly in swirls and lines for a few seconds and then stop. But that is the fastest I get in my art. In fact, my art – whether it is sketching, felt painting, or textile work – is characterised by an exceptionally slow pace. It can literally take me months to complete a piece. Surely, when working so slowly, I have to battle often with the censor and conscious mind forcing it into a particular conceptual mould? Yes and no. Certainly I occasionally have to battle with the censor, but the processes for my art are often described by others as tedious and boring; I frequently hear, “I would never have the patience to do that!” But for me, it requires no patience. Due to the minute focus that is required, I slip into a hypnagogic state where the boundaries between conscious censor and fluid unconscious are permeable and mobile. This allows my imagination free reign and expression, often with surprising results. I never know when I start a piece, how it is going to turn out. But where’s that “vision” I spoke about as the starting point? For me, the vision is merely the unmistakeable physical pull and urge to create; it is a very corporeal as well as mental drive – for me personally, this is my vision and the manifestation is a process of welcoming the Other that nudged my psychic senses and bringing into a material form. The process will most likely be different for other people, but maybe some of you can identify with my own experience and methods.
And I must make an aside, regarding textile art (e.g. knitting, although in my case not knitting per se as I have injured hands and can no longer knit without pain). I embroider and create knot ropes; again, both techniques are laborious and easily induce a light trance state due to the focus and repetition. My knot ropes (for which I use spools, or French knitting dolls, but also the Anglo-Saxon lucet) may seem banal to onlookers, but to me they are invested with thought and emotion. By doing such repetitive work, importantly while focusing on a particular thing (a solution to a problem, a state you wish to come into being, magick you wish to actuate, or a person) you anchor that thing in muscle memory for a start, making the thing you create a part of your body (mundane example: the first time I watched The Shining I was knitting socks. The next day after watching the film, I picked up my socks and experienced such powerful flashbacks from the film that I could no longer continue knitting. It took a week for the muscle memory to abate enough for me to pick up again). But also, by taking the slow route, one comes to know the Thing one creates intimately well: that point where the shade of wool changes a fraction, that slip in the stitch that creates a loose mark, that struggle to tie in a bead or feather… So what’s the point, you may ask? The point is to enhance concentration, memory, focus, experiencing creation with the body not just the mind, and of course exercising of the imagination. Never underestimate the simple rural crafts such as knotting, spinning, carding, weaving, crocheting, and yes, knitting. They hold an equal place in my heart alongside the more “mainstream” arts of painting and sketching.
The proof is in the pudding. Try it. Try everything. I have sung, played classical guitar, painted, sketched, used textiles and wool, knotted and finger painted! And in each I have been able to reach that hypnagogic state – not always, because it’s not always appropriate – but at will, which is a sign that it has developed into a discipline. The neural pathways are laid, the psychic arteries are flowing, my imagination is working.
The wonderful thing about art is that it is a life-long companion. There is always room to improve your creative and imaginistic skills. Remember that cerebral judgement about “art” does not apply here. If you can think it, you can do it – and that is not a literal adjuration to do whatever you like. Not everything should be enacted literally, but that is the beauty of imagination and art, – there are no rules. I have seen art created by finger painting with menstrual blood, alongside the “Fine Art” painted canvases; I have seen thread embroidered into the very skin on the hand of an artist, alongside ecclesiastical gold embroidery. The end product is almost irrelevant; it is the inner journey that is important – the vision, the actuation, the material manifestation. But like all good magick, don’t hang on the results. Once you’ve finished a piece, do not rest on your laurels, but immediately begin the next! Only so (I suggest) will you develop invaluable skills to your occult, pagan and magickal practices.
Many moons ago I heard the old wives’ tale that when a woman is in labour all the doors in the house should be kept open to facilitate any easy birth; a closed door equals a block or obstacle. I pondered on this and subsequent study has shown that creating or releasing a blockage sympathetically can have powerful repercussions psychically and magickally: when we feel defensive we cross our arms and/or our legs, which is implied to mean creating a psychological barrier, but which also creates a psychic/energetic block and protects us. Consider also the superstition of crossing one’s fingers for luck; this is another way of creating protection by sealing ourselves off psychically. I have studied healing methods that require one to touch feet and hands together, expressly to create a self-contained energy circuit for the purposes of harnessing and directing healing energy.
So from all this, it was not much of a leap for me to dive into knot magic in my late teens. [As an aside, in Britain there is the tame yet still rude alternative to telling someone to “Fuck off!” which is to tell them to “Get knotted!”]
In fact, my first dalliance with knot magic began with a severe cold. I woke in the night virtually unable to breathe. I was suffering greatly and sleep eluded me because my sinuses were entirely blocked up. Instinctively I took a cord that I had lying on my altar and I began to knot. I knotted everything into the cord that I felt had contributed to my ill-health. Each knot represented a thing/person/event/feeling. It was important to vocalise each thing and … unlike much magick … I had to REMEMBER every thing that I knotted into the cord. Once the cord was a bundle of knots, I knotted it in on itself until it was like a fist in my hand (the fist is yet another expression of self-protection – a “hand knot”). Then I meditated upon pushing everything I felt and thought about each knot into the scrambled tangle in my hands. After a significant amount of “charging” came the reason for needing to remember each knot; I began to UNknot the cord, again vocalising that I was releasing/unknotting each thing/person/event/feeling. It did not matter if I got the order wrong, but I did have to remember each thing in order to release it. If I forgot something, then the blockage/knot would remain even if the cord was untangled. Once I had finished I lay the cord smoothly and in an open fashion, i.e. not a single overlap or crossing of the cord, on my altar. By the end of the unknotting I was already able to breathe freely and, by the morning, the virus which had plagued me for several days was completely gone.
This is how I came to begin using knot magic. It is great for releasing blockages and healing, but naturally, it can be good for cursing and binding and creating blockages – you just leave the cord tangled, bury it … hide it … whatever.
I am a textile crafter and much of my spellwork/magic involves making things (poppets, spirit receptacles, etc.). Now, some of the crafted stuff takes several hours to create (sewing, embroidering sigils, etc.); it would be more convenient to make up the things beforehand, and only consecrate and charge it in Circle. But, I do find that the distractions outside of Circle dilute the crafted item considerably. How much more can be imbued in a magickal item if you have the staying power to make it from start to finish IN Circle where your intent is focused solely and exclusively on what you wish to manifest!
I remember that my most potent servitor was created in just such a way. (I understand that not everyone creates servitors in a Circle, but I do and it works for me.) I gathered everything I needed, cast the Circle and sat for three and a half hours making “his” home. The result was a thing of power.
Recently I have been doing French Knitting (or spool knitting as I think the Americans call it). I have been using a 4-pin and an 8-pin spool. The project is just for fun and not interesting to you folks, I’m sure. While knitting I pondered the process which is essentially creating one tiny knot after another, all linked together to create a cord. I began to fantasize about spool knitting in Circle, adding feathers, teeth, bones, herbs, hair … Then, by chance I was researching something when I came across 2-pin French knitting, which is called “Lucet weaving”. This is a technique dating back to Viking times and was used to make thin cords. The design of the Lucet (look HERE) just spoke to me … nay, shouted at me … the Devil horns screamed, “Use me!” and all my pondering and fantasising coalesced into a plan! So I have ordered myself a hand-carved, cherry wood Lucet. Sadly it must come all the way from Canada so I have to wait for it. But whoop! When it arrives I shall happily “get knotted”!
I feel like I’m in a strange place in my life at the moment. This year has been one of extreme change – all internal. My external world putters along pretty much unchanged.
Sancho Panza has been ramping up the pressure on me to be my authentic self. Firstly I had to learn what my authentic self was; then I had to learn not to fear it but accept it; and finally I am learning to express it. This engagement with the authentic self carries with it power. Some might call it “being self-empowered” but I would extend it further than that to a sense of power in general.
Often in the pagan community we have quite an ambiguous relationship with the concept of power. After all, power can be abused and misused. Power implies a hierarchy – the empowered “above” the powerless. Hierarchies, to many people, involve implicit abuse because we don’t like to compare or judge others as less than … God forbid that we would put ourselves ABOVE other people or be made to feel that we are LOWER than other people. But we are primates, it is part of our genetic biology to exist in social groups made up of hierarchies, so I dismiss any faintheartedness over who’s better and who’s worse. It’s like attractiveness – there will always be someone uglier than you and there will always be someone prettier than you. The same goes for character, power and influence. Get used to it.
So let’s just take hierarchy as a fact of life and return to the idea of “power”. It would be extremely easy to mistake power for something that we generate inside ourselves, that we CREATE power and direct it by our wills. This is an ego-driven misrepresentation of power. In my experience, the best and purest form of power is when you step out of your own way and allow the power to flow through you. If you can learn to call down the power, it will flow through you and like a funnel you can direct it towards certain areas of your life and invoke change.
That is, I think, a key point to remember with power, and by extension magick: it is most effective in affecting change. Life is in a continual state of flux. Our purpose is to develop and grow, to evolve towards the divine (either to be consumed by divinity, or to become divine); any attempt to put the brakes on a situation subverts the natural flow of life.
So the power that I am referring to is an external force, channelled by myself, which I can direct and apply at will (or more accurately BY my will). In knowing my authentic self, I remove blockages to the flow of that power; I can approach the source of my power (in my case, the spirits) with a truly honest heart. Know Thyself, was the maxim at the Temple of Delphi, and this goes deeper than any ego-centric, superficial knowledge of who you are, the mundane face that you show to the world. In my relationship with the spirits, the first thing I learned was “honesty”. If I want something, I need to be honest about it without guilt, without reticence or excuses.
Often we are taught that we should only desire “good” things because we are good people, or worse, we should have no desires at all. So we sublimate our desires and displace our need for A by giving ourselves the more readily available and perhaps more socially acceptable B. If you go to the spirits asking for B, when your heart is longing for A, either nothing will happen, or you will get B and feel dissatisfied or you will get a slap upside the head for being dishonest with the spirits. You can’t approach them with your neuroses and complexes and expect them to weed through the shit in your head to understand the poor little flower you are inside. No. YOU have to work through the shit. YOU have to learn radical honesty with yourself.
Sometimes I can’t always express the honest desire. I am aware of it, and I feel it, but I cannot adequately verbalise it. That is something different. In such cases, I can still sit before the spirits, explain what I can, then I open my heart and allow them to see the true desire, while I take full responsibility for the outcome of asking for my true will to become manifest.
If you want “something bad” to happen to another person, really want it with no scruples or hang-ups, then it will happen when you apply your own power: “your own power” being your relationship with the spirits and your skills in magick.
So I have learned to know my authentic self and I am applying my authenticity to my relationships by admitting my vulnerability AND not hiding my strength. Sometimes it is not always about hiding your vulnerabilities but also about down-playing your strength so you don’t intimidate or scare other people off. Humans can be very deceptive; the key is not to lose awareness of the masks you wear – always remember the true face under the mask less you one day wake up and believe that a mask is the true you … then, frankly, you’re fucked, and your magick won’t work and a whole host of other things in your life won’t work either.
Authenticity leads to greater power; greater power is a better relationship with spirits and a more effective magickal life. For me, these things combined together dampen the ever-present fear I have lived with throughout my life. Sancho Panza calls it my Lizard Brain: this is the Amygdala, that part of the brain which has been evolving for nearly 300 million years; the part of the brain that controls our fight or flight reactions; the animal part within us that responds to stress not as a civilised human but as an animal (you hurt me, I hurt you OR you hurt me, I keel over and play dead). An over-stimulated Lizard Brain leads to paranoia, aggressiveness or, like in my case, a constant state of frozen fear that has gradually exhausted me mentally and physically leading to chronic illness. My Lizard Brain is knackered from having been exposed to too many life-threatening situations. My Lizard was flat on his back, legs in the air; he had given up and was playing dead.
By expressing your authentic self you can calm the Lizard Brain. If the Lizard is calmer, he can rest and recover. My ever-growing power makes me courageous and counter-acts the habit of fear. This too will calm my injured Lizard Brain, giving me room and space for healing.
I am hopeful that through authenticity, my magickal practice and my developing relationship with the Akhu, the Beautified Spirits, who are always generous, I can look towards a future of health and wholeness. So mote it be.
At the end of July, David Cameron, UK Prime Minister, announced plans for a nationwide ISP porn filter. Apparently, by 2014, broadband users will have to voluntarily opt IN to view porn as the default setting will be to block porn sites. This is supposedly in an effort to restrict paedophiles and protect young people from inappropriate material.
However, the Open Rights Group quickly found out that it wasn’t just porn that was falling under the censor’s axe but also subjects such as anorexia and eating disorder websites, alcohol, smoking, web forums, and “esoteric material” to name but a few (see HERE).
The pagan community in the UK has rightly gone up in arms. Some are dismissing the hoo-ha and saying “It’s been debunked” … although what they think has been debunked I don’t know as the censorship plans still stand in spite of the petitions being signed. Others say it’s a non-issue because it’s “easy to opt in” but my first thought to that is, yes and then the ISP has YOUR details as one of the people opting in to see blocked content (what better way for the government to keep an eye on the rabble-rousers and those who run against the ever growing conservative line in British society?). “Esoteric material” can cover everything from Satanism to Wicca, information sites to business sites and, let’s not forget, blogs! On a point of principle, why should I as an occultist and pagan have to opt IN to express my spiritual beliefs when a Christian, Jew or Moslem does not have to? Where is MY freedom of expression and choice?
It’s at times like these that social networking really comes into its own and I have been thrilled to see how quickly government e-petitions were drafted:
(Please follow the hyperlinks and sign if you are a UK resident.)
But in addition to this, pagans and occultists of all kinds have rallied to form a group waging a magical battle against the curtailing of freedom of expression and the rise of censorship in the UK.
I would like to draw your attention to The Magickal Battle of Britain, a Facebook event that gathers together an ecumenical group of occultists and pagans of every shade you could imagine with the sole purpose of building a cone of power in the run-up to 17th December. Here is the group’s statement of purpose:
Freedom to express and create is essential for human development, and in the U.K this freedom has been steadily undermined in an exponential way, that is near impossible to keep track of, let alone protest.
The title of this group,’The Magickal Battle of Britain’ harks back to a time time when war was necessarily fought on other levels, in less than conventional ways.
Our freedom can be fought for with our own weapons. The weapons of art and magick, or if you prefer, the weapons of art and suspension of disbelief.
Images, sound, cut-ups, sigilisation, meditation, sex with focus, charms, fetish and mantra. These are only some of our creative tools and these can create clarity in focus and chaos in their ability to subvert oppression.
This page is about creating change.This isnt about which angle your approach comes from,but about where it is directed.
Directed at fighting oppression, censorship and control of expression.
If we start building the energy now,by the 17th of December when we gather in spirit and intent (whatever your actual geographical location)we will have built one immense and VERY effective cone of power!
Group and individual meditations every Sunday at 9 pm Greenwich Mean Time until the 17th December.
These can be done anywhere and aim to join us in solidarity, focus and snowballing strength.
If you don’t have much time, you can tune in by glancing at the sigil created by Dis, that is on the banner of the page (above St Pauls) Otherwise a meditation on a strong image of what we don’t want (authoritarian controlling state, police with batons, misrepresentative puppet media for example) followed by an image of what we do want. Individual Freedom of Expression.
This is an open event/group so please follow this link HERE to join and add your personal creative magickal expression to a battle that is long overdue.
If you do nothing then, in my mind, you forfeit your right to complain as the government slowly and inexorably curtails your individual creative and spiritual modes of expression. This IS still an issue, and until we have won the battle against fundamentalist, conservative (with a little ‘c’) censors it will remain an issue. If you wish to continue to enjoy your place on the fringes as different, other, unique, creative, pagan and FREE to do as you please (And it harm none, do what thou wilt … Do what you will shall be the whole of the law …) then shake off the apathy! Sign the petitions! And join the battle on the astral to keep our country a place of extreme creativity, love, lust, magick and freedom of personal expression!
It’s easy after months of not blogging to develop something like a phobia against tapping at the keyboard again. Much has been happening in my private/spiritual life that is not for public consumption; not everything has to be announced to the world. And as I practice my reserve, I find it becomes more and more natural just to remain quiet. So why break the silence? It’s not because I have something to declare or important things to share, it is merely an inner urge to write – and this is my forum.
The year has begun with a huge focus on the physical body and health. As many of you know, my health is not the best and hasn’t been for the last 9 years. I had been looking forward to my 30s, but instead I fell ill when I was 29 and have spent nearly a decade reeling from one health crisis to another.
In January I had a hysterectomy to get rid of fibroid tumours in my womb. I am still in recovery having to take things a little easier than normal … initially a lot easier as I wasn’t allowed to lift anything heavier than a large glass of water.
New Year’s passed me by because in my head this operation was my “New Year”. It is major surgery and entailed risky complications at the very least. If I survived … if I didn’t succumb to infection or complications … then it would be a new beginning, a new relationship with my body – this is what I thought to myself.
I spent 2 months prior to the operation researching the effect of hysterectomies on gender identity and the essence of what it is to be a woman. I read medical texts and feminist literature. I read about bodies, hearts, minds and social roles. The only conclusion I came to from all the personal interviews was that I could not in any way predict how I would feel after the hysterectomy: some women who never wanted children, suddenly found that they grieved their childlessness, other women who were secure in their womanliness felt threatened and “less” of a woman.
My own response has been balanced and undramatic. I think I did all my grieving, questioning, worrying and oscillating in the months before so that after the operation I could just focus on my body. And that is what I have done.
Recently I have changed my diet to a low fat rawfood vegan diet (no more cooking!). According to the Mayo Clinic (the leading body for scientific research into Fibromyalgia), this is the best diet in terms of reducing symptoms of Fibromyalgia. Would I recommend this diet to other people? Am I going to become a vehement advocate preaching the benefits to non-Vegan cooks? Nope. In fact I would go so far as to advise people not to do this diet unless they absolutely, definitely wanted to. It’s a tough diet and not for anyone who is half-hearted about their health or looking for a quick fix. I hope I can stick at it. I already see the benefits for me personally, and that’s the most important thing. If you’re interested in learning more about the raw vegan diet, see my Minimalist blog: HERE
Since losing my womb I have made a conscious effort to connect with the cycles of the moon. I am once again doing regular ritual work at the new and full moon. It’s been a busy time since my operation what with Imbolc, the moon cycles and the upcoming Spring Equinox. It’s good to exercise my ritual finger after it being so long dormant. Ritual connects me with the seasonal cycles, the astrological movements, my own body’s rhythms and the spirit world. It is healing and empowering on so many levels.
In addition to ritual I am meditating more often, having found meditative approaches that work for me – sometimes mantra based, sometimes visualisation based, object focused or “blank mind”.
Every day I am making an effort to connect positively with my physical self. I am working hard at my own healing process, focused on the future and the will I wish to make manifest. Consequently I am feeling for the most part strong, content, positive, hopeful and physically connected. Yes, I still have wobbly moments and down days, but I am moving forwards and beyond that.
The key for me is a multi-directional approach: I do not work just with my body, but with my mind, heart and soul as well. No part of the self should remain untouched when striving for healing. We cannot compartmentalise our existence and focus on one part to the exclusion of the whole. Healing is a holistic experience, if not, then most likely we are just putting plasters over broken bones.
Worth listening to:
I don’t know how people can look down on the devotional work involved in being a witch or on a spiritual path, that you have to at some point “move away from devotional work” … it can be exhilarating and who wouldn’t want to plug themselves into a kosmic circuit occasionally?
Wonderful afternoon. I decided to take advantage of the sun and head for the river to say my thanks to Pomba Gira.
I thought I would avoid “Suicide Bay” as I call it but instead be positive in moving forward and head for “Cow Cove” instead. But Cow Cove was full of people and dogs, so I headed off into the woods for Suicide Bay.
Rather more overgrown than my last visit in January, but I managed to find the path down to the river.
And it couldn’t have been more beautiful.
The sun reflecting iridescent green off the water reeds.
I sat down and placed my three red roses in front of me, my vanilla flavoured cigarillos, my new silver lighter (oh, it has two hearts engraved in the top!), and a bottle of water.
I am not a smoker. But I will do anything for the spirits and god-forms I work with. There are things in this sensual world that they cannot directly experience, and it is my job as priestess to facilitate the experiences for them in return for favours. It is not full possession that takes place, more a meeting of peripheries that allows them to taste and feel through me. I have always found it a very easy state to slip into.
So, to begin. Light cigarillo. Hmm. Now, the man in the shop showed me how the lighter worked… he did something with his thumb and there was a flame… is this fire magic beyond me?! Something is meant to slide open … I’m buggered from the start if I can’t even work the lighter … Ah. Ok. Got it.
And then the choking inhalation. I have smoked spliffs before but never a cigarillo which is a heavier hit of tobacco on the lungs.
I chanted, smoked and plucked petals from the roses tossing them before me as I sat in the sunlight by the river. At one point the river seemed to flow backwards …
Two topless men plus “hard-man dog” appeared from round the bend in the river; they had waded through the shallow waters. They grinned at me. “You look happy,” said the one. “I am!” I replied, and meant it. I felt totally content, and now bemused at what they really thought of this woman sitting plucking petals off roses while choking on her vanilla cigarillo and muttering under her breath.
On the way back I encountered another topless man (it is hot today!) with six-pack stomach (not that I was looking). The cougar in me purred. He jogged towards me to open the kissing gate at the edge of the field so I didn’t have to lift a finger. We had “a moment” and I walked on smiling … no, I think smirking and grinning like a Cheshire cat would be a more honest description.
I feel like I have managed to put something behind me. Ritual grounds me, makes me feel whole and connected. Devotional work – aligning myself with god-forms, patrons and spirits – it’s all a necessary part of connecting the dots.
If you wish to copy this text, please link back to this blog and accredit me, the author. Thank you.
Nb: If you find two pagans who agree, you haven’t found two pagans! 😉
A pagan is person who practises a spiritual path; he or she follows either an established tradition under the “Pagan” umbrella or takes aspects of paganism, which are meaningful to him or her, and creates a way of living. A pagan is not somebody who only worships once a week or at special times in the year; a pagan path embraces all aspects of living and is a philosophy as well as a spirituality.
So what comes under the “Pagan” umbrella?
There are innumerable pagan paths: some draw on native religions such as the traditions and beliefs of Native Americans; some look to history and “re-kindle” Greek, Roman or Egyptian mythologies; then there are the neo-pagan religions of Wicca and the eclectic lifestyles and approaches of Green Witches, Hedgewitches and Kitchen Witches. There are Discordians and the followers of the Feri tradition, modern-day neo-shamans, magickians, wizards and witches. But not every pagan is a witch!
Pagans can be monotheists (believing in one god or goddess), polytheists (believing in two or more gods/goddesses), polyentheists (believing that god/goddess exists in all things) or even atheists (no belief in a god/goddess).
Paganism can (although does not have to) incorporate occult studies, and indeed some occultists would not describe themselves as pagan, although some definitely would. The occult world includes Thelemites (who follow the religion/philosophy of Aleister Crowley), Satanists (Satanism as created by Anton LeVey in the 1960s), Luciferians, Gnostics, Qabbalists … the list is virtually endless.
Isn’t it a bit vague having so many different paths under one word?
Yes and no. It can appear vague and confusing when you first approach paganism, but once you start learning, studying and exploring you will be overwhelmed with the richness both of paganism and the diversity of the people attracted to it. One thing is key amongst pagans: to accept the path that the other person walks. There is no preaching and there are no attempts to convert people. We are happy to be who we are, and we rejoice in seeing other people be who they truly are. Human diversity is celebrated within paganism!
Is paganism a cult?
No, paganism is not a cult. There is no one figure who commands all pagans. Even though there are occasionally oddballs proclaiming that they are, for example, King or Queen of the Witches, this is something rejected by pagans and usually cause for much hilarity.
We abhor bullying and coercion in any area of life and this is something that goes very much against the Pagan Path. To reiterate the previous answer: There is no preaching and there are no attempts to convert people. We are happy to be who we are, and we rejoice in seeing other people be who they truly are. Human diversity is celebrated within paganism!
The word “cult” is often used as a slur word to disparage someone else’s religious or spiritual beliefs. Often people using the word “cult” have their own agenda of conflict and negativity, rather than a true desire to promote spirituality and personal growth.
Are pagans devil worshippers?
The majority of pagans do not believe in the devil; Satan or the devil for them is a construct of Judeo-Christian religions and mythology. There is a lot of confusion in this area as the pagan image of, for example, Pan (who is the god of nature, hunting and revelry) has been subsumed into Christian culture as the epitome of “what the devil looks like”. Pan is by no means an evil god, and many pagans would even dispute the existence of evil itself, but would say that “evil” is energy just as “good” is energy: a gun is only a piece of metal until the gun-holder decides how to use it. This is a key point within paganism: there is no doctrine telling us what is wrong or right. We each carry a heavy responsibility as to how we use this “moral energy”. It would be easier if we were told what to do, but instead we have to cultivate self-awareness, respect of others, sensitivity to the environment, a knowledge of cause and effect and make our decisions bearing all this in mind within our spiritual framework.
Are pagans witches?
Some pagans are witches, but the majority are not. Many pagans do not practise witchcraft or spellwork. Witches can come in many guises: some are Wiccans, some Dianic witches, Green Witches, Hedgewitches, Kitchen witches, etc. Traditional witchcraft and Voodoo even draw on the spellcraft of Pennsylvanian Christian pow wow magic. Witchcraft is like a river with many tributaries feeding it – some of which lead to surprising sources.
What is a pagan ritual?
The answer to this will depend very much on which tradition you choose to work with. A pagan ritual in general will aim at focusing the energy of the person or participants (if it is group work); this energy can be drawn from themselves or from any of the Five Elements: Earth, Air, Fire, Water and Ether/Spirit, for example. Sometimes the energy is focused on sending healing to people, or on blessing the group, reconnecting with deity or many other things.
Rituals can be either in a group or worked individually. Rituals can be as elaborate or as simple as you wish. The main point, however, is to learn the basics and for that there are many good books and (through the Herefordshire Moot) willing people to teach and advise you.
Do pagans believe in Jesus?
Some do and some do not. Many pagans believe in a wide variety of higher beings. Jesus is one of these beings for some pagans. Some believe he was a great spiritual teacher, but not a god. Some have no feelings about him at all.
Who is the pagan god?
There is no single pagan god. As mentioned before, some pagans believe in one god or goddess, some believe in two or more and some believe in none. It depends on the tradition you are called to work with.
What do pagans do?
Pagans are just like anybody else. You will find pagans working in industry, in the military, employed, unemployed, well, sick, happy, sad, divorced, married, hand-fasted (pagan marriage) and other. Most pagans will work around the pagan year honouring the equinoxes and solstices, marking the new moon and full moon. Some will do elaborate rituals in groups or on their own, some will do nothing more than light a candle and internally connect with what is important to them.
Do pagans pray?
Some pagans pray in what would be recognised as a “traditional way”, others use forms of meditation, drumming, chanting or dancing. There are many ways of connecting with deity and pagans are pragmatic in that, if it works, they’ll try it!
Where are the pagan churches?
Most pagans would say that their church is Nature and that She is where they worship. Others might say that when they cast a circle (create a sacred space), that is their church. Since pagans believe that deity is everywhere, however deity is conceived, the idea of a fixed building in which to worship is unnecessary.
How do you become a pagan?
Try firstly to read as much as you can about paganism and its different offshoots. Meet up with pagans. Ask lots of questions! When you feel the time is right, you will know how best to dedicate yourself to your chosen path and deity or deities. Most people begin with a personal, individual dedication. Groups, such as covens (not all groups of pagans are covens), do not usually allow people to join them until they have shown a commitment to studying and learning about that particular path. A moot, however, is a social environment for meeting pagans: you don’t even have to be pagan to come along, just bring your interest and respect for others.
What do I need to be a pagan?
You only need yourself and a sincere interest to learn, a yearning in your belly that this is where you belong, combined with an open heart and mind for your fellow pagans. No one is going to judge you if you step on this Path and decide at a later date it is not for you. Our Paths can be winding ones, and each step teaches us something valuable.
Why do people say bad things about pagans?
People often ridicule what they do not understand. Hollywood has also created many damaging and untrue stereotypes. This is why it is important for people genuinely interested in paganism to inform themselves from reputable authors and to meet up with real pagans. You cannot teach your paganism by watching “Charmed” or “The Craft” or any other light entertainment. Paganism is a spiritual way of living that requires commitment, soul-searching, self-awareness and hard work. Nothing worth having comes easily, but the joy of finding yourself on the right Path with like-minded others can’t be overestimated.