GUEST POST by Zora Tyrant!
Out for Blood – A review of Ferocious: A Folk Tantric Manual on the Sapta Matrika Cult by the Sepulcher Society, Theion Publishing 2019
As an avid explorer of the female esoteric mysteries and ‘fiercer’ forms of spirituality, I recently purchased Ferocious: A Folk Tantric Manual on the Sapta Matrika Cult by the Sepulcher Society and released by Theion Publishing in 2019. It aims at elaborating the Tantric Cultus of the seven Matrikas, the terrifying ‘Little Mothers’ in theory and practice and gears towards making it practicable also for a western esoteric audience.
I own various other Theion titles such as Underworld and Benighted Path and have always found them to be extremely well presented and supportive of my unorthodox esoteric practice. Consequently, I had high expectations for Ferocious.
And let me tell you right away I was not disappointed, on the contrary! At first, though, I was a bit hesitant towards another book on Tantra. I have found most tantric releases to be of three categories: translations of tantric manuals with little value to the western or modern practitioner, academic treatises which are highly interesting and informative but also do little for the esoteric practitioner, and books of tantric practice by western occultists who obviously have no grip on sources and lack depth and sophistication. Ferocious is another kind of beast entirely.
So, let’s dive right in! Imagine a frenzied band of blood thirsty and violent goddesses, one of them sow headed, another a skeleton, slaying hordes of demons and striking fear even into the hearts of gods. While these terrific fiends can indeed become maternal protectors of their worshippers, just as their unassuming title ‘Little Mothers’ may suggest it takes dedication, caution and skill not to end up as their prey. In the first part of the book we are introduced to the field of Folk Tantra and how the Matrikas fit into this environment.
Personally I found one of the most important and motivating claims (backed up by sources) made in the book early on to be the statement that Folk Tantra with its antinomian attitude towards ‘scriptural’ Tantra and orthodox religious Hindu practice is embracing of everyone who feels drawn to its currents – regardless of caste, gender or even ethnicity and place of residence, whether you are Hindu or Westerner or anyone else. Folk Tantra with its relation to formerly marginal and polluted deities of the wilderness is potentially approachable by anyone with the right attitude and dedication and outside the rules and regulations of orthodoxy. The Sepulcher Society traces the developments of the Matrikas from liminal village deities to prominent tantric goddesses and discusses the reasons why modern practitioners would want to connect with such ferocious female energies. From material benefits to bestowing of Gnosis, the Matrikas are approachable for a wide variety of causes. Part 1 of the book concludes with important thoughts on sexuality, foundations of tantric rituals and Mantras.
The second part of Ferocious is dedicated to the Seven Matrikas individually. Each Goddess is portrayed in detail, her iconography, relations to the other Matrikas, her modern worship, how to construct her shrine, her offerings and images. We are also given rituals for each goddess. With great care and detail each goddess is explained as an ‘individual’ and as part of the group, her functions, character and field of magical/spiritual operation. They are also related to further aspects of tantric planetary magic and alchemy.
Following a concluding chapter, we are treated also to an appendix where an eighth Matrika, the lion headed Narasimhi, is described in the same fashion as her sisters in the previous chapters.
This is no superficial overview over a fascinating aspect of Tantric spirituality and magic but a deep investigation into the nature and essence of the Matrikas as approached in Folk Tantric practice. This is the ultimate work on the Matrika Goddesses but also an important contribution to the study of the wild manifestations of the divine feminine and its magical and esoteric applications. It is also an essential work on how to approach and apply tantric knowledge in a Western environment without losing any of its original intention and power.
Ferocious is a substantial work of over 260 pages, meticulously researched with plenty of footnotes and large bibliography which invites further independent study. Despite this wealth of information, the book is written in an approachable style never drifting off either into shallowness or unnecessary academic posturing. Ferocious is healthily undogmatic and always keeps the esoteric practitioner in sight making sure that this book is all you need when you embark on a wild ride of tantric practice with the Matrika Goddesses.
Another triumph for Theion Publishing, Ferocious is possibly its most beautiful production yet. The book comes as a sewn hardback with shimmering red cloth and lavish golden lettering. Metallic gold endpapers are a great touch and enhance the lavish feel of this gorgeous edition limited to just over 750 copies only. My rating overall: 10/10, a must have!
Link (Get your copy): https://theionpublishing.com/shop/ferocious-sapta-matrika/
By Zora Tyrant
Zora Tyrant is an artist and an explorer of transgressive spirituality and magic. She lives in the wilderness of North America.
A review of Ludwig Klages’ Of Cosmogonic Eros, Theion Publishing 2018
By Carl Schelling
“The light of Eros-Phanes flashes in the pregnant darkness of the Dionysian vortex.”
One could review this tremendous work from various angles such as the philosophical, metaphysical, religious as for each of these and other areas this release holds very important implications. And indeed, upon its first release in early 1920s Germany it influenced luminaries of various disciplines ranging from Walter Benjamin to Walter F. Otto and from C.G. Jung to Hermann Hesse. It did, however, also impact greatly on the spiritual and esoteric milieu of its time and it is from the perspective of an esoteric practitioner that I will attempt to review this publication.
The great biocentric Ludwig Klages, together with Alfred Schuler the head of the esoteric Cosmic Circle, waged a radical war against monotheism, logocentrism and human-centric positions. Against these currents he pitched an enchanting and ecstatic daemonic world of images which constitute a cyclical reality mediated by the powers of Eros. This world-creating, Cosmogonic Eros thus becomes the elemental power which manifests the true Real which is ‘lost’ to humankind behind the false reality mediated by the Logos. So central is this force to Klages’ thinking that he devoted an entire monograph to this sacred force, the same book, Of Cosmogonic Eros, which is finally available to us in English for the very first time.
Now onto the book itself:
Theion Publishing treats us to the full package here, adding two extra texts to the translation. Of Cosmogonic Eros itself is divided into seven chapters plus a preface, an appendix and a discussion of sources. As extras this book further contains an introduction by the preeminent contemporary expert on Klages in the English-speaking world, Dr. Paul Bishop, and an additional essay by Klages’ collaborator the mystic Alfred Schuler on the Ur-Gnosis.
Bishop’s introduction may already be worth the price of the book alone. His introductory essay of 60+ pages is in itself a mini-analysis of the entire Eros book, examining its most important concepts and how they relate to Klages’ overall metaphysical world of daemonic images.
Klages advances his elaborations on Eros in a very structured way allowing the reader to follow closely all his argument. With the razor-sharp mind of a scholar and the heart of a mystic Klages peels back layer after layer of misunderstandings and distortions in regards to the nature of Eros until he arrives at his essential qualities and powers. In a tour de force he differentiates Eros from Love, Sexus and emotionality before embarking on a discussion of the concept of Eros in antiquity. Amongst the topics treated in this chapter are the Eros of the Orphics, Eros Cults and Eros as a Mystery God.
In chapter 3 Klages elaborates on the essence of the Erotic state and then compares Erotic and Dionysian rapture before explaining the cosmogonic nature of Eros. A master of language Klages treats us here to passages like this:
While the ecstasy of satisfying the sexual drive is associated with the sexual union of two beings, there is presumably no limit to the opportunities that permit entry by the person bearing a soul into the fiery circle of erotic frenzy. It can consummate itself, or reach perfection, at the mere sight of a beloved being, and that may be a being of the opposite sex, but also one of the same sex, or it might be an animal, or a plant. And it can just as well consummate itself at the smell of a scent, the taste of a wine, the hearing of a sound, and the touch of a dripping branch. It can be roused while awake as if in the most stupefying dream. It celebrates its orgies beneath the breeze of spring storms, in the light of a star-studded heaven, in a hailstone shower, on a flaming mountain ridge, in the raging surf, in the lightning flash of “first love”, but not least in the embrace of fate that smites it. It is an ecstasy both of the ascent and descent; an ecstasy that transfigures dying and death into agonising bliss! The eternal moment of its perfection contains: unfettered frenzy or crystalline transport of delight.
Chapter 4 ‘on the ecstatic state’ is of the utmost importance to any spiritual practitioner interested in utilizing forms of ecstasy in their work. The author explains the crisis of ‘un-selfing’ and the pathway of Life through Death. Far ahead of his time he discusses the possible use of drugs in relation to mystical work and elaborates on 3 main forms of cosmic ecstasy, the heroic, the erotic and the magical forms. The chapter ends with the introduction of a truly mystical concept of distance in relation to Eros of which Klages says that:
The shiver of Eros however differs from this in that, in the moment of even the highest realisation, it remains an Eros of Distance and the intoxicated man remains a separate, never-intermingling second in relation to his partner, an eye of the universe watching him from out of the purple night! To surrender to this does not mean to lust after it or to embrace it. It does not mean: to become one with it; to be subsumed in it. It means: to awaken!
Chapter 5 takes us deep into the ‘nature of ecstasy’. Magical time and space, the relation of Eros and ecstasy to the daemonic images and the visionary power of the soul are all discussed in this chapter which leads over to chapter 6 ‘on ancestor veneration’ which should become mandatory reading for any contemporary pagan or heathen practitioner. Far beyond the shallow clichés and limits of the usual treatises on such topics Klages uncovers the deepest layers of the relation of Eros to Thanatos, the empowerment of the Living through the Dead and the transformative quality of the living soul.
A ‘concluding word on Eros and passion’ is then followed by a lengthy appendix which contains a highly fascinating treatment of the question as to ‘Why does it bring ruin to lift the Veil of Isis?’ You want the answer? Go and read this book, I won’t spoil it for you with an answer!
A true gem in this treasure chest of Gnosis is the included essay by Alfred Schuler. Klages mentions him in various places of the book as a mystic and as being instrumental in shaping his view on the Chthonic mysteries. Schuler, who also communicated with French esotericist Papus, was a highly mysterious figure whose oracular language and visionary ecstasies had a profound effect on his immediate circle. His pagan vision of a cyclical maternal world is closely associated with erotic mysteries, divine androgyny and necromantic teachings. The short essay presented here is an excellent example of Schuler’s unique approach and vision.
To conclude: Of Cosmogonic Eros is an epic achievement, an intellectual and esoteric masterpiece which deserves the closest attention and should be mandatory reading for anyone interested in or practicing any form of Pagan spirituality. Some passages of this book, especially in the beginning, demand proper intellectual focus as they can be complex but it is worth persisting. It is a work you will go back to time and time again.
The publication of this book could not be more timely also in regards to another matter: Klages tirelessly pointed out how environmental destruction and ruthless exploitation of nature is one of the disastrous manifestations of Western ideologies and reality. In a time where more and more people wake up to the terrible consequences of environmental collapse Klages can give us crucial insights into possible alternative avenues and strategies.
The book is published in a limited cloth hardcover edition (a deluxe edition is sold out) of 745 copies. Theion Publishing is known for their quality productions and this book is no exception. Beautiful quality blue cloth and exquisite endpapers make this book a delight to hold. A special mention must go to translator Mav Kuhn who did an outstanding job translating this work.
Carl Schelling is a lifelong student of the esoteric. After pursuing academic studies in philosophy and anthropology he traveled internationally for more than 3 decades in the search for spiritual truth. He now lives in a rural setting on the European continent and focuses his spiritual heart on venerating the ancestors and the genius loci.
Many thanks to Carl Schelling for allowing me to share his review of Of Cosmogonic Eros which is a book that has influenced my own thinking and spirituality. I was lucky enough to immerse myself in the text as its translator and I very much recommend it to anyone seriously interested in pagan spirituality. Mr Schelling’s review is a fantastic enticement to those who have ears to hear and eyes to see … Seshat
I have found a wilding place. There is no credit to my sleuthing skills in the fact that it is at the bottom of my own garden.
I moved to this place nearly two years ago. The garden is more than twice the size of the ground plan of the house, but it is split with two thirds being the “public” garden and one third being hidden behind trees and bushes. That latter third is where the shed lives and where a drive would have been. It’s an area that has been left fallow so the curly willow looks like my hair in the morning and brambles have begun to take over.
Recently I found that, even in winter, there is a spot in the wilding place where I can stand and not be seen by any of the neighbouring houses.
So I have reignited my outdoor QiGong practice … even now as we experience the so-called “Siberian blast”. Sure I start off cold but by the end I have charged up enough heat/energy to keep me warm for the rest of the day, irrespective of the temperature.
What surprised me after my first foray into QiGong in the wilding place was that the place revealed itself to me as I was leaving. By this I mean that my vision shifted and I saw everything there as extant beings, certainly not human or anthropomorphised – there are no fairies at the bottom of my garden – but the wild things looked back at me as I “saw” them.
In reconnecting with this wild place, I must remember other wildernesses that I saw with my “other eyes”. First and foremost I recall the strong impulse I had to climb the extinct volcano that is Arthur’s Seat in Edinburgh … in a storm … at night. And my “Drang” was so intense that I didn’t take the circuitous path route up to the top but decided to climb straight up the rocks – as the crow flies … if the crow could climb! When I reached the top I sat down on the rocks and the stone felt hot beneath my hands. I “saw” spirits flying around in the storm like the painting by Luis Ricardo Falero. Only then did I question why the stone was hot. I lifted my hand in shock as I realised this was illogical and irrational … when I put my hand back down, the rock was cool and the storm was no longer spirit-filled but windy and cold. My rational mind had broken the connection to what my body and soul were experiencing as reality.
Sustaining that vision is difficult once the reasoning mind has kicked in and I have broken a few intense spirit connections through reason … except is it reason? Or is it not in fact fear? Fear that makes me question the unusual and otherly even as I experience it phenomenally. The rational mind is a fear-monger. It may or may not be my lizardy amygdala that triggers fight or flight in an attempt to keep me safe … yet, why then am I so calm (focused, yes; exhilarated, yes; bursting with vibrancy, yes) climbing volcanoes in storms and talking to manifesting spirits … until my rational mind tells me this is strange and therefore frightening? I am merely playing with ideas here but I might be tempted to say that in fact my lizard brain is quite happy with the other … the atavistic, the anachronic … because it is itself ancient and “outside of this time”. No, I would guess that in fact it is my modern day brain that challenges the wildness and seeks to analyse and categorise things to death; it is the scientist who in seeking to find the reason for the beauty of a deer kills it and guts it … for knowledge. Oh false knowledge!
I’m not expounding a return to all things prehistoric, but in terms of vision – true sight, an all-encompassing seeing – I do believe we have to learn to bypass the rational, dissecting mind. If not bypass, then harness and train so that we can see all of phenomenal existence and not just the catalogued shells that our analytical minds permit us to see.
There is more to be seen than our minds will allow.
Grief has wrong-footed me twice this year. And today continues the theme. It is the death day of my Seelenopa, my “soul grandpa”. His death several years ago now, like the other deaths this year, came as a shock, out of the blue. “I’ll write to you as soon as I come around from the operation!” he promised. It was a routine operation on his foot. He wrote to me as promised having begged paper off the nurse, his spidery writing even more inscrutable than ever due to the anaesthetic. A couple of days letter I received another letter – this one bordered in black. I had never received such a letter before. I saw that it was from his wife. I remember the bright curiosity that turned so rapidly into shock – dead “due to unexpected complications” – and then a wailing caw of grief. Grief is so dramatic. Like love it calls for big gestures and words that reach down into the soul, that grab the heart, cry tears of blood and wrench one from the ordinary, from the doldrums of living life one foot in front of the other. Suddenly the path is crooked – in love or in grief – and everything is questioned.
My tagline for this blog right from the start has been “A thought making crooked all that is straight”. It expresses the way I see the world – crooked, twisted, inside-out. I am not an academic thinker in spite of my academic background. I can’t quote you book, chapter and verse but once I get the scent of a thing, I can describe the essence of it in such a way that others lift their snouts to the wind and can smell it too. Not everyone. But enough people.
There was a time when I wrote out of a place of love, not just profane, although often enough that, but these days I seem stuck in a rut of grief. It catches in my throat because I like to write things that uplift others and so I censor myself and resort to silence. Absence. Which is what grief feels like – lack and loss, a negative space, an emptiness that hurts physically. Just as love flips the stomach and sight of one’s beloved clenches the heart in sweet pain, so grief cuts and grinds but without that sweetness. Lovers are happy masochists; those who grieve merely suffer.
I saw an interview the other day with a woman in her late nineties. She described how she spoke to her dead children every day. They were not absent but present. She smiled and said that others must think her “crackers”, but, she said, “I’m not. I know what I’m doing.” Yet the pain of grief still crumpled up her wrinkled face, the loss of her infant children 7 decades ago. She took obvious pleasure in her daily conversations but the pain was still there.
And perhaps that’s the point: life is not without pain. We are swamped by entertainment media that tells us life should be all hearts and flowers; anything less is failure or flawed. Can you Instagram your pain? There must be a filter for that … And so our tolerance for the hard times is worn away by an impossible expectation that turns the circuitous motions of life’s natural ups and downs into a plastic-fantastic treadmill. Worse than the straight path is the life that purports to move you forwards while tricking you into never moving from the same spot.
However, I am not glorifying pain, not saying that you are not living a true and fulsome life without a rock in your stomach, but I am suggesting that grief is to be embraced like love. Both are dramatic in their expression, and both NEED to be in order for us to bear the weight of them. A quiet, discrete love hidden under a bushel is no love at all – at most that is the scratching of an itch, the containment of a neurosis. Likewise, grief should not be shamed into silence – that cultural demand to keep a stiff upper lip, to not dwell on things or, god forbid, be a “whinger”.
And by placing love and grief side by side I do not mean to put them at opposite ends of a spectrum, just because one may appear more pleasant and desirable than the other. No. In grieving fully I give myself permission to love fully. Love in death. Death in love.
The path is never straight, it is forever crooked.
At a certain point in my exploration of and attempted living of a Left-Hand Path esoteric life, my morality was suspended, but this was not a liberated state where I moved unencumbered by external strictures. It was a place without life meaning or significance.
I was caught in the grip of adversarial paralysis.
Some LHP-ers live hedonistic, countercultural lifestyles, turning their upbringing, the norms of the culture they live in and the dominant religion on their heads. They take the above as a guide and do the opposite or a diametrical offshoot of it … but then consider themselves “free” in that adversarial state, without realising that they may have struck off the path and written their own map but their True North is still the things they often despise so vehemently, namely mainstream culture and established religion. If you define yourself in opposition to A Thing you are not free as you still require The Thing to determine your opposition.
If the majority stand BY a wall but you decide to lean AGAINST the wall, you are still in a position relative to the wall. In my mind, the point was to negate the wall entirely and see how freely I could move without any self-imposed limitation (bearing in mind that I live within a world of limits, perceptively anyhow).
If you live in a culture where drinking is “the norm” then choosing to drink absinthe (a common LHP-er’s tipple) is neither original nor daring, it is merely imbibing another alcoholic liquid, albeit one with a romantic backstory. In addition to a pleasant high, the best you might get out of it is to live the lives vicariously of all the poets and social fringe dwellers known to imbibe in the stuff.
In a society where everything is sexualised, down to the social experience and expression of children/childhood to the selling of commodities, then merely having sex a lot, even with multiple partners, even with multiple genders, is not that daring or enlightening per se.
In a society where drugs are the norm from the socially acceptable stimulants and depressants like sugar, coffee and alcohol to the medically widely prescribed opiates and amphetamines, then going to “the man on the corner” for your drug supply makes you neither a maverick nor particularly savvy – play the system better and get your drugs on repeat for free (at least if you live in the UK)!
So in contemplating the above I experimented subsequently with the nominal counter-counter norms of abstinence and celibacy – if you want to live an adversarial position to mainstream culture you might want to announce that you are a celibate, teetotal vegan! … then learn what it is to live in opposition to the norm.
But yet again, this state of opposition merely helped me to shake up my assumptions, I was not liberated from being defined by the things I rejected. I fell into a pit of meaninglessness, a place where neither The Thing nor The Opposite of the Thing had significance or meaning to me. And without meaning I spiraled into depression as I was caught in the grip of adversarial paralysis.
The only way out of this was to admit that what I was doing wasn’t working for me. I began to observe others who appeared happier, more focused and more creative (in their artistic, professional, spiritual and/or emotional lives) than me. And this included the “hippie-dippy-shitty-airy-fairy brigade” – a group of people I was used to criticising and (yet again) defining myself in opposition to. My ego protested, but I remonstrated with it that, up till now, its decisions had been isolating, deflating and unhealthy – in fact un-inspiring (inspire: to fill with an animating, quickening, or exalting influence).
I did a lot of “fake it till you make it” which ironically is a state of aligning yourself against someone else’s norm, hardly an adversarial stance; the difference being that I had to still my shrieking ego. Over time I found my own meaning and significance. The key? To lay aside ego. My meaning? That is not relevant to you as it is my path and my journey, my baggage, history and personal make-up. Your meaning will be uniquely your own.
In freeing myself from defining myself “as X” and “as NOT X” I have managed to step over the fundamentals of right/wrong, which as a social anthropologist I know to be severely culturally determined – no absolutes! (Cf. postmodern relativism) Instead of acting one way or the other in re-action to a moral duality, I now choose to act in accordance with my personal meaning; a meaning that is continuously fed by an indefinable thing that can only be know experientially through practice, study, integration and in-corporation (in corpore – in the body) of both and through putting aside egoic desires to be the same as/better than/different to XXX.
I guess you might define it as a life study in Becoming; I hesitate to say of “Being” – that potentially stagnant and anti-cosmic state of “I am that I am”. Instead I become Atum, self-engenderer from the primal chaos, bridge between what is “not” and what “comes forth” in a process of continuous unfolding.
And that’s another point: the path unfolds as I Become. Defining myself against the moral landscape around me at any particular moment belies the truth of existence. It places a premature and deceptive full-stop against a life that should at any point em-body the pregnant sentiment of dot-dot-dot … to be continued …
My acquaintanceship with spirits began at a very young age. I saw and heard things that others didn’t and I was told to keep quiet about it because people would think I was mad; so I withdrew further from the mainstream world and inhabited my own world of imagination and spirit.
…one must be cautious not to chuck the imaginative baby out with the imagined bathwater!
I am often asked, “How will I know when something spirit-based happens? How will I know it’s not just my imagination?” To which I reply, “You won’t know and you will know, and imagination is the key to knowing.” “Imagination” is given a hard time in every arena except the creative. “It’s just your imagination!” is a dismissive comment we bring out when people try to describe things outside the norm. Whereas it is indeed irritating when you get people who claim that every creaking floorboard is a ghost, and every feather floating to the ground is a sign of an angel passing by, one must be cautious not to chuck the imaginative baby out with the imagined bathwater!
The imagination works with symbols and signs and all the senses. When asked to imagine a scene most vividly, we are encouraged to draw upon our sensory memory to recreate the scene in our minds. This creates a connecting language between our internal world and our external world. This language is the stuff that spirit encounters are made of. When a spirit makes its presence known in this world, it is partly here, partly there; it is both wave and particle. Our minds have the same capacity to occupy more than just the visible, material world … some might say it is our spirits or souls that stand with a foot in each realm. If that is so, most people spend the majority of their life unaware of the half of their “body” that stands in the Other. How would one go about rediscovering this Other half? The first step must surely be to imagine it, to conceive of the possibility that it exists, to bring the image of it into consciousness. As I said, imagination is the connecting language between here and there, between this world and Other. Without it we are merely flesh sacks excreting, eating and fucking.
The fact that I withdrew into my internal world as a child was a great boon to me in that it allowed me to become fluent in “Imagination” so that my mind was all ears and eyes, open to receiving the Other when it came. Some things I have seen with my physical eyes, which, for me, is a very frightening way of perceiving things. Likewise I was majorly disturbed by a ghost cat as a child that would jump on my bed and settle in amongst my blankets (that was fine); but when he began to claw at my carpet I was frightened and told him to stop scaring me, and he did. Sadly, my ghost cat disappeared entirely. This is another factor that I have experienced repeatedly: apparitions, the ones that truly want to connect with you, come through gradually. They appear at first like imagined moments – noises, smells, tactile sensations – and become more concrete and perceptual over time (in one case, a being took about 3 years until it manifested nearly completely – I was able to touch him and it was like touching hard air. Not all take quite this long though …). BUT once I queried the experience or applied some logical understanding to it, even if the logic was based in pseudo-magickal psychology (e.g. my desire for XX has manifested in the physical expression of YY), then the apparitions disappeared never to return again. In each case, it was vital for me to maintain a state of mind anchored in imagination and credulity – believing the impossible and allowing it to remain an impossible belief made manifest exactly because it was impossible. This may sound like gibberish to some, but I think to others it will make perfect sense.
As far as advice goes, when wishing to open yourself up to the spirit world, do not be afraid of a little imagination. Believing that a knock COULD be a spirit, opens up the impossible possibility that a future knock IS a spirit. It is difficult to maintain that fine line between megalomaniacal fantasies and true spirit experiences, but this is where you need to develop your self, including unrelenting self-honesty. Experiencing spirits in isolation will bring you nothing; this is a path of full and comprehensive self-development/self-loss/self-transformation. If you are looking for kicks or a good story, you will find neither or possibly be so shit scared by something that you wish you’d never dabbled in the first place (I have met people like this).
Begin with a meditation discipline … something appropriate, not “I meditate while I do the gardening/chores etc.” That’s not meditation, that’s mindfulness. And use meditation to expand the sensory capacity of your mind. If you can think it with all your senses, it can be; if you can conceive it, it can manifest. But when it does, be reserved with your questioning and logic, or risk chasing away the very thing that you seek.
Edit: I found this rather appropriate quote by Kenneth Grant, so am adding this after the fact:
In all forms of magick, the imagination or image-making faculty is the most important factor.
So my lucet arrived… Isn’t he beautiful?
He was hand-carved from cherry wood and feels amazing in my hand. It didn’t take me long at all to get the hang of it (thanks to some YouTube videos). I dove straight in and worked a contrast thread (the gimp cord). Imagine now knotting in pearls and semi-precious bead stones, small feathers … Beautiful. And if you don’t know what I’m talking about, please refer to THIS POST ABOUT KNOT MAGIC.
Even though there is room for much elaboration, my initial experiment with knot magic and the lucet was a much more basic and plain affair. I sat in candlelight with my lucet and two threads of the appropriate colour (in this instance black and red). I began to weave, focusing all my thoughts into each knot, binding my intent into the cord. Once done, I knotted off the cord, tied it into a circle (further binding it into itself) and placed it like a halter around the neck of one of my fetishes. I lit a candle and made offerings to the fetish for one night. The next night, I placed the “done spell” into my Atua. When I have sufficient cords in my Atua I will burn them, but for now they are fine there, “magickally fermenting” in a spirit atmosphere. Spell work has always felt like cooking for me … ingredients, stewing, fermenting, rising, baking off, cooking till its “done”… and often, disposing of the remains, preferably composting it to earth or burning off with fire.
On another note, my writing career is starting to take off, and consequently spending a few moments on this blog chatting with you, feels a little like sneaking out the back of the office for a quick smoke. I am ghostwriting and editing, along with some translation work again (although wildly different to what I used to translate); and I’ve started writing a book on fear. It’s a theme that comes up recurrently in profane AND sacred life. I don’t know anyone who hasn’t experienced fear, except for the sociopath whose emotions are by nature limited to the shallows. And yes, I’ve met a few of them. Thank you, The Internet.
Although these days my life seems mostly free from dastardly types and this is a testament to how I have overcome my own fear in laying down the boundaries of my identity. I used to be swayed so easily like driftwood on the sea, but these days, although I am flexible, I am no longer merely a mirror to egos stronger than my own. It’s okay to have preferences and limits. Being a mirror to others does not mean that I am more enlightened or less bound by my own ego-urges. Maybe quite the contrary, that I end up in a battle between my own ego and that of the other person.
So often I have sacrificed myself to another, especially in relationships. My needs took back place and I squeezed myself small into the mould they made for me. But eventually I would spring out of the mould, slightly deformed, but still different from what they wanted me to be, and then I would be rejected. It was a cycle I repeated way too often. These days, perhaps it’s age, I am averse to moulds; I recognise big egos and I walk around them; I am less swayed by the externals. My relationship with spirits has helped; if I find myself dancing to another’s tune, I get a nudge from Spirit because such inauthenticity detaches me from my ability to connect with Other. Being authentic is not a place of comfort and often it would be easier and feel more secure (although it is a false security) to hand over responsibility for the dance to someone else. It’s a truth that only I can dance with my own feet … forget walking in my shoes, you can have my shoes … but no one walks this earth – skin on dirt – like I do (or like you do).
Empathy is a wonderful thing, but it can sometimes tilt one towards living too much inside other people’s heads. I grew up with no separation between myself and others due to my psychism and my sensitive empathy. But at the age of 20 I attended a workshop in a small village in Germany. There I was introduced to the phrases: “Ich bin bei mir” and “Ich bin bei dir”, which loosely translate as “I am within me” and “I am within you” (bei translates variously as with, in, at, by … but I choose in this instance the word “within”). At the workshop I was challenged in my thinking and actions again and again: Are you within yourself or within another? And I realised that I was predominantly within other people, thinking and feeling what they felt and adjusting my own behaviour accordingly. I was reactive to every person I met. I rarely acted from a spontaneous base of me-ness. Yes, you could look at the psychology and say it was a defence and way to keep myself safe, which is true. My upbringing was not a safe one and knowing what other people were thinking/feeling or going to do before they even knew it themselves kept me safe. But as an adult it was a disempowering habit that kept me in a regressed emotional and spiritual state.
I rapidly learned to recognise when I was “within another” and I tempered my responses, although it has taken years to form a solid identity of my own that is not defined by other people (remembering also that we are coloured by all experiences, including very much the people we allow into our lives). It is a life-long journey because each day we step into the river and it is never the same … neither are we.
So, dear folks, it’s time to put out my metaphorical cigarette (as I don’t smoke!) and step back into the office. Thanks for dwelling a while with me as I pondered a few things. Till next time!
[DEDICATED TO THE DEATH DAY OF ANDI D.]
Do birds sing at night in the cities
While darkness reigns on the land?
Lights imbue the air with iridescent glow
That tarnishes midnight creating
A subterfuge of sleep.
I lay awake three nights in a row
Listening to a lone blackbird sing
Even though dawn was a dream away,
Fantasy in the mind of Nut;
The morning star still hidden in her belly.
My world upturned while he sang a song
Of dawn, pressed into night’s breast;
His throat trilled vibrations of the sun
Into the bosom of Night, pricking her skin
So she bled into my mouth: I could not breathe.
Nature was inverted during those nights;
The spirit of day had invaded the Du’at,
The bark of Ra dragged screaming
Through the underworld where the dead
Heard the song of the thrice-black bird.
Cadavers quaked at the sound with longing
Remembering dawns when the blood
Pulsed, throbbed and rose in their veins –
A bloody dawn inside their own bodies
That now rotted in the earth.
I heard the dead groan at the agony
Of Beauty – Cosmic Shivers – that ululated
From that bird. As I lay listening,
Breath stilled under the Midnight Sun
I pondered my own death that surely must come.
I keep pet rats and have done for over 15 years. To my friends I am known as “the Rat Witch”. Rats are a wonderful pet; they answer to their names, give and love to receive affection, respond to commands and have enormous personalities that seem to far outweigh the size of their corporeal selves. The down side about pet rats is that they only live for 2 to 2.5 years (the latter if you are lucky). Wild rats barely survive for a year. Fancy rats (including Dumbo, Siamese, Rex and standard breeds) have been bred to survive much longer but consequently they die frequently of cancers and tumours due to their excessively unnatural life span.
In the past, I had a “friend” who got angry with me for keeping rats. She had issues with death and was furious that I exposed myself to the death of my beloved companions every 2 years or so. It’s true. It is a lot of grief. A lot of death-mongering – I have always had to decide when it’s their time to pass, when the suffering is too much. Just as it’s my responsibility to ensure they have a good life, it’s my responsibility to ensure they have a good death. Without exception I have held every rat in my arms until they have passed on. Because rats are so small, the fatal injection cannot be given into the heart as with cats and dogs; instead, it is injected into their stomachs and then we have to wait until the substance has worked its way around their system and they die. This can take anywhere between 10 and 50 minutes. The latter death was traumatic for me due to the way she fought in spirit to hold onto life. Trust me, it was her time to go, but a rat’s tenacity to life is indomitable.
So for me, death is a large part of my relationship to rats. Death is in the room with me right now. Tomorrow I will be taking my oldest girl to be put down. Her spirit is still lively and she is bright as a kitten, but her body is ridden with tumours and she can barely walk due to a massive tumour that has deformed both her back legs. She is the oldest surviving rat I have ever had. She is my “eternal girl”. I will miss her very much when she passes.
I am preparing myself to be a Death Doula tomorrow evening. I have felt this decision weighing on me since before Christmas. Sometimes I have wanted to look away from Death’s face, to ignore this part of our life. I wish I could be callous and leave her to die on her own, have the responsibility taken away from me. But part of my role as Death Doula is that *I* take on the pain of death. It is not for me to leave her till her tumours rupture and she dies in agony, or till she can no longer eat and drink and she starves slowly to death. As a Rat Witch, my role is to give them joy in life, and to smoothe the transition to Death as best I can by lethal injection and having them fall asleep in my arms as my heart breaks.
I once had a boyfriend who refused to accompany me to the final appointment with the vet, because he found it “too hard”. To this day I am astounded and annoyed because the implication was that it was easy for me. It’s not. It is the hardest thing ever and I admit that at times I have thrown myself into a bottle of alcohol or a pile of pills afterwards because the pain is so excruciating. But when I welcome a rat into my life, I welcome their death too – I take all parts of them into my hands. However difficult it is, I have no choice … or maybe I do, I choose to hold them as Death takes their soul. I choose to cradle their bodies as their muscles spasm releasing their spirit and their final death rattle is squeaked from their lungs … their final word.
It’s a big responsibility to choose the time of another creature’s death. I am not talking about animal sacrifice, which I abhor and reject unreservedly. I am talking about compassion which is truly a Merciless Path; to live with compassion means to take on the pain. In some circles they speak of taking on the Passion of Christ, being killed on the cross with him. I know some of you will be rolling your eyes at such a comparison with the death of a “mere rat”. Vermin, right? To you maybe. But to me they are massive souls in tiny bodies. They are companions, and they have literally saved my life on several occasions.
As much as I enjoy the life of my rats, I must also honour their death and be Death Doula helping them to die into Death as much as we are born into life. Tomorrow I will hold my old girl in my arms and stroke her, calling her all my affectionate names and singing to her until she passes.
To my Beautiful Girl with a smoky nose and eyes like pomegranate seeds: I shall miss you. Let me take on the pain of your death, so that you may no longer suffer. So mote it be.
In times of stress and fear, we generally default to those beliefs and ideas that we feel in our heart of hearts are most protective and empowering – what you might call our “original” or fundamental beliefs. The agnostic in battle flings up a prayer to god; the lapsed Catholic makes the sign of the cross at a near-miss car crash; and the child seeks out mum or dad … presuming that those parental figures are safe and protective. Mine weren’t, so in times of stress as a child I fled inward and to the spirits.
I had an intense introduction to Roman Catholicism after my father left us. Before his departure there had been absolutely no religion in the family so I had had no boundaries around my psychic adventures, astral journeys and ghostly friends (nor did I have help when entities were not so friendly). I was able to unfold in as natural a way as was possible for me, up till the age of 9.
It was not at all a conventional Catholic upbringing as my mother immersed herself into Benedictine monasticism and so throughout my formative teenage years our family friends and visitors were ALL (no exception) priests, monks and nuns. My baptism in Germany, at the age of 9, was a beautiful affair: I was surrounded by a large circle of nuns between the ages of 25 and 90. I walked around and stopped in front of each woman to receive a cross drawn on my forehead with their fingers. It was magical. I had flowers in my hair. And frankly, it was all very pagan. My catechism was given either in the large gardens as we tended the flowers (all godly symbols explained through symbols in nature) or in a red boat as my sister instructor rowed us around the moat of this old German castle, which now served as the abbey home.
My devotion to Catholicism was intense (not least because I found safety amongst the nuns and everything about the castle and my lessons in nature appealed to the romantic in me), although (and this was a major problem) I had no place for Jesus in my pantheon, and I never understood the concept of original sin (helped by my confessional priest who refused to hear my “sins” as he said I was too young to sin and we should just pray together). However, my belief in Christianity crumbled in my teens for two reasons: one, I started to read about witchcraft and paganism and realised that this is who and what I was; and two, I began to study the gospels and Pauline letters in the original Greek. The latter was an issue because so much of the gospels has been redacted in English, changing female disciples’ names into male names, for example, because the established Church finds it too threatening to consider that women were equals in the early Church! If I had been lied to about something as fundamental as this, what else was poppycock?
But even though I abandoned Christianity (not acrimoniously because I respect Christian mysticism), and although I went on to explore and devote myself to witchcraft, I found myself still, in times of spiritual distress, calling on the Abrahamic image of deity as I had experienced him through those formative years. This puzzled me and frustrated me. But it need not have. Archetypes come in many forms, and the cipher with which our mind envisages the archetype is not always within our conscious control. Ultimately we have to explore and examine our beliefs and be totally honest about them. If I am cavorting with spirits and things go tits up, then it really matters what deity or entity I call upon because it may be cool to call on Sekhmet, but if your inner belief is still stuck on the Virgin Mary then you’re going to get an ‘up side the head’ because your inner spiritual integrity is split, which presents a weak face to the spirits you’re trying to work with. Some “beliefs” have deeper roots than others. Like gardening, our spiritual landscape needs constant tending. And this is also why so often in LHP literature, a lot of time is spent on deconstructing and challenging a person’s, generally, Christian faith. If you are going to choose instead to work with Lucifer, then you need to relinquish any guilt you might feel about that, because that guilt will bite you on the bum.
So, I’ve been thinking about all this recently because I am going through a really difficult and stressful time. Everything is in flux, including my accommodation. I am moving to a temporary place and my future is totally unclear right now. In fact, every area of my life is undergoing some kind of transitional phase. And guess what! I hate change. I loathe it. I am a fan of routine and predictability. I like a quiet life because my emotions are on my sleeve and I FEEL so intensely that it hurts. The only way to dull the pain is to maintain a staid and stable life. So I’m hurting right now. My body feels it. My mind feels it. And I’m noticing what I’m doing with all that stress … I am taking it to the spirits. I feel like I have come full circle to the little girl taking her astral journeys “back home” for granted and placing more confidence in the protection of spirits than the humans in her life.
My altar is like an eternal flame right now. As soon as one set of candles burns out, I light the next, muttering my prayers and invocations … ‘Let me feel the joy of your presence … come forth …’ Clouds of incense. Cups of coffee. Glass of water. And love, love, love and gratitude pouring out from my hands to the spirits.
Half my furniture and a large proportion of my stuff has been given to charity. A third of my remaining stuff is in storage, and the rest is predominantly in boxes. But my altar remains standing till the last minute and will only be packed on the morning of my move.
In times of stress, we default to what we believe in, to where our hearts lie and our foundation is strong … at least I do. I wonder if others can identify. Can you? And is your answer coherent with your projected identity? Or is there a split between your inner world and your outer persona?