GUEST POST by Zora Tyrant!
Out for Blood – A review of Ferocious: A Folk Tantric Manual on the Sapta Matrika Cult by the Sepulcher Society, Theion Publishing 2019
As an avid explorer of the female esoteric mysteries and ‘fiercer’ forms of spirituality, I recently purchased Ferocious: A Folk Tantric Manual on the Sapta Matrika Cult by the Sepulcher Society and released by Theion Publishing in 2019. It aims at elaborating the Tantric Cultus of the seven Matrikas, the terrifying ‘Little Mothers’ in theory and practice and gears towards making it practicable also for a western esoteric audience.
I own various other Theion titles such as Underworld and Benighted Path and have always found them to be extremely well presented and supportive of my unorthodox esoteric practice. Consequently, I had high expectations for Ferocious.
And let me tell you right away I was not disappointed, on the contrary! At first, though, I was a bit hesitant towards another book on Tantra. I have found most tantric releases to be of three categories: translations of tantric manuals with little value to the western or modern practitioner, academic treatises which are highly interesting and informative but also do little for the esoteric practitioner, and books of tantric practice by western occultists who obviously have no grip on sources and lack depth and sophistication. Ferocious is another kind of beast entirely.
So, let’s dive right in! Imagine a frenzied band of blood thirsty and violent goddesses, one of them sow headed, another a skeleton, slaying hordes of demons and striking fear even into the hearts of gods. While these terrific fiends can indeed become maternal protectors of their worshippers, just as their unassuming title ‘Little Mothers’ may suggest it takes dedication, caution and skill not to end up as their prey. In the first part of the book we are introduced to the field of Folk Tantra and how the Matrikas fit into this environment.
Personally I found one of the most important and motivating claims (backed up by sources) made in the book early on to be the statement that Folk Tantra with its antinomian attitude towards ‘scriptural’ Tantra and orthodox religious Hindu practice is embracing of everyone who feels drawn to its currents – regardless of caste, gender or even ethnicity and place of residence, whether you are Hindu or Westerner or anyone else. Folk Tantra with its relation to formerly marginal and polluted deities of the wilderness is potentially approachable by anyone with the right attitude and dedication and outside the rules and regulations of orthodoxy. The Sepulcher Society traces the developments of the Matrikas from liminal village deities to prominent tantric goddesses and discusses the reasons why modern practitioners would want to connect with such ferocious female energies. From material benefits to bestowing of Gnosis, the Matrikas are approachable for a wide variety of causes. Part 1 of the book concludes with important thoughts on sexuality, foundations of tantric rituals and Mantras.
The second part of Ferocious is dedicated to the Seven Matrikas individually. Each Goddess is portrayed in detail, her iconography, relations to the other Matrikas, her modern worship, how to construct her shrine, her offerings and images. We are also given rituals for each goddess. With great care and detail each goddess is explained as an ‘individual’ and as part of the group, her functions, character and field of magical/spiritual operation. They are also related to further aspects of tantric planetary magic and alchemy.
Following a concluding chapter, we are treated also to an appendix where an eighth Matrika, the lion headed Narasimhi, is described in the same fashion as her sisters in the previous chapters.
This is no superficial overview over a fascinating aspect of Tantric spirituality and magic but a deep investigation into the nature and essence of the Matrikas as approached in Folk Tantric practice. This is the ultimate work on the Matrika Goddesses but also an important contribution to the study of the wild manifestations of the divine feminine and its magical and esoteric applications. It is also an essential work on how to approach and apply tantric knowledge in a Western environment without losing any of its original intention and power.
Ferocious is a substantial work of over 260 pages, meticulously researched with plenty of footnotes and large bibliography which invites further independent study. Despite this wealth of information, the book is written in an approachable style never drifting off either into shallowness or unnecessary academic posturing. Ferocious is healthily undogmatic and always keeps the esoteric practitioner in sight making sure that this book is all you need when you embark on a wild ride of tantric practice with the Matrika Goddesses.
Another triumph for Theion Publishing, Ferocious is possibly its most beautiful production yet. The book comes as a sewn hardback with shimmering red cloth and lavish golden lettering. Metallic gold endpapers are a great touch and enhance the lavish feel of this gorgeous edition limited to just over 750 copies only. My rating overall: 10/10, a must have!
Link (Get your copy): https://theionpublishing.com/shop/ferocious-sapta-matrika/
By Zora Tyrant
Zora Tyrant is an artist and an explorer of transgressive spirituality and magic. She lives in the wilderness of North America.
I have never called myself a necromancer. My doings with the dead as an adult I have taken in my stride as a witch, although my dealings with the dead stretch back into childhood. I have had no initiation and no training and so often my encounters with spirits have been cackhanded and unsatisfactory. Over the past 15 years I have developed a devotion to the dead and relationships with Egyptian deities who guide, protect and smooth the path of calling on the Aakhu, the blessed and beautified dead. I have listened, learned and experimented on my own. So it has been fascinating, instructive and gratifying to read Underworld from Theion Publishing and to find that what I do and what I have experienced so far is confirmed by the author, who is very obviously not only exceptionally knowledgeable in this field but is an adept in the doing. I wish I had encountered this book 30 odd years ago, but hey, things come to us when we are ready.
The author depicts the Underworld and death deities from different cultural models/mythologies, drawing a thread through them all without falling foul of New Age hodgepodgery. I have attended rituals where mythologies, deities and sacred symbols are thrown together like fusion cookery that ends up tasting vile and setting my teeth on edge. Not so this book which instructs through mythologies, shrine building, offerings and rituals how best to approach the particular deity and which deities require extra care and forethought. The author leans heavily on tradition without being anachronistic, and he/she also allows for sensitive developments and responses to the present-day world.
I have read before of soul-travelling to the Underworld, and how important it is to 1. seek protection of the relevant ruling deity and 2. to know the way (maps, passwords, monsters, traps, symbols, etc.). The latter in itself is daunting and also antithetical to my own experiences. For as long as I can remember, the worlds of Here, There, The Liminal etc. have been fluid; The Other slips through to Here, in Dream I am carried to There, in my mind’s eye I can turn to The Liminal … and the Shadows do not always remain shadows. There is nothing linear in my world for me to follow a path down from Here to The Underworld as dictated by some magickal traditions. However, Underworld (the book) suggests a much more accessible and practicable method for entering the Underworld through meditation and/or dream – read the book if you wish to know what and how … As a side note, the book may give solid instructions on necromantic practice and tradition, yet it is not dictatorial, instead it allows for people’s personal proclivities to guide them … if you want to leap in and learn that way, go ahead, but the author gives his/her experience-based recommendations that are absolutely worth bearing in mind.
A word on protection: you will need it. Underworld gives practical instructions on how to protect your space (think poltergeists, for example) and where to set up your space for best effect. Great emphasis is placed on gaining the protection of the underworld ruler you choose to work with and I would heartily agree with this. It’s something that should be undertaken for a lengthy period of time, in my eyes, so that you utterly integrate the underworld ruler and its essence into your psyche and thus instinctively call upon it even in your dream world. Sleep is a vulnerable time for anyone open to spirits; throughout my life, since I was very little, I have had times of being “attacked” by amorphous, roaming spirits that barely have any sense of consciousness except for a will to enter a living body. As any magickal person knows, the boundaries between dream and “real” are tenuous and permeable. But I would also say that some encounters with spirits are horrendous and terrifying and that’s okay… I read a comment in a forum recently where a woman was struggling to abandon the good/bad, angels/demons of her Christian upbringing. She essentially didn’t want to carry across the idea of evil to her new pagan beliefs. She asked if instead she could just approach “all spirit beings and deities” as neutral. She’s allowed to approach them however she wishes, but the responses she gets may not fit into such a beige remit! Some of the most glorious encounters I have had have been terrifying, and yet I was left afterwards with a longing for that entity/entities to return – ecstasy can be found in dread! I have received visitations from two different entities to whom I gave a lot of attention over a long period of time (in one case years). They began to manifest more and more tangibly until I could hear the one with my physical ears and touch the other with my hands, like holding onto hard air. And then on each occasion I freaked, I gave in to fear, and banished them because I didn’t know what to do or how to control things, even though in those two cases each entity seemed well-disposed towards me. And how I have regretted those banishments. Protection is vital, but don’t expect “perfect protection” to circumvent a natural sense of fear. Only the reckless and foolish feel nothing and rush in with a sense of entitlement. The rational mind is good at quelling fear, but it is also excellent at banishing, at erecting walls between Here and There. And this is why I would encourage readers of Underworld not to stop at reading the words but to dwell on them awake and as you fall asleep to encourage and open up a dialogue between you and the dead/deity as to how you should proceed further. The more you align yourself through the practices in the book, the more you will know how to hone that practice. I have certainly felt nudges to apply more effort, beginning with thoroughly cleaning and re-laying one of my altars that I had let go to dust and being more generous in my offerings …
But what are the dead for? Honestly, I struggle with this. The question itself implies that they are a means to an end, which feels reductive to me. Underworld speaks of the wealth of knowledge that the dead have and naturally points to divination as a way to access this information. As a teenager I engaged with a male spirit through bibliomancy. He gave me very accurate predictions and advice to all my teenage angsts and petty concerns. If only I had taken account of his advice in my actions, it would have saved me a lot of trouble. But hey, I was a teenager, who DID I listen to at that age?!
Underworld gives examples of rituals that ask for certain things from the death deities, certain very tangible, this-world things. I have done the same, petitioning the Neteru and the Aakhu. Some death deities, as the book says, are naturally inclined to help with particular things, others really couldn’t give a toss and you’d be hard pushed to make them take an interest (the same could be said of all deities – pick your allies carefully). Some say the dead themselves understand better the needs of a human living this life and if you treat them well, they will lend their bony hand. But it would be a waste to get stuck on merely what materialistic things can be attained, although to everything there is a time. The majority of my dead-time is spent in devotional work to the Neteru and the dead. Through that devotion (prayer, meditation, offerings, contemplation, art) they guide, they teach, they open my eyes to the possibilities of More.
“Through me shall you live, through you shall I live.”
Underworld is a fantastic book for anyone walking the path of the dead. It’s not a self-contained book, by which I mean that the copious information contained therein will spur you on, hungry to know more in both the cerebral and experiential sense of gnowing. If you read the words and feel the call of the dead, you will not be able to help yourself but to reach out and answer that call.
Underworld is available for purchase from Theion Publishing at THIS LINK! (This is not a sponsored post, I just really recommend the book!)
On Saturday I met a neo-Nazi. And I don’t think anyone else around him even realised. I was at a warehouse buying a bike. He manages the warehouse. He was covered in tattoos … even more than me. His head was covered in militaristic symbols (German) and emblazoned across his scalp were the English words, “Blood and Honour”. Now the phrase “Blut und Ehre”, as it is in the original German, was the motto etched onto the knife blades of the Nazi Youth Movement. These days “Blood and Honour” is the name of a neo-Nazi music group and political movement, white supremacists, blah, blah, blah. Unless you know this stuff, you just don’t know, and you don’t “see” the neo-Nazi in front of you, you just see a surly tattooed guy.
Ironically he showed an especially gruff demeanour when I gave him my obviously foreign name, because the dullard didn’t realise that my name was German. And what I would never have told him, for my own safety, is that my origins are German-Jewish, and that I lost most of my family in the Shoah (the Holocaust). A long time ago now I did a year of research in Germany on the Shoah and wrote my Masters dissertation on the portrayal of the Holocaust in German fiction, specifically by a man called Edgar Hilsenrath. So I know my history. Let me rephrase that: I know MY history. I know my origins.
My German family (the ones who survived) ultimately fled Russian occupied Berlin because they were blacklisted by the Russians due to a book my uncle had written about 10 Catholic men who had been assassinated by the Russian government. My family fled to America, leaving only my great-grandfather behind. He took refuge in a convent in West Germany and spent his final days with the nuns. When I was 9, I visited this convent for the first of many, many times.
Once I reached adulthood, one of the oldest nuns took me aside and told me the story of my Jewish family and their time in Berlin under the Nazis. She took my hands in hers and said, “Blut zeigt sich!” which means, “You can’t hide from your blood” or “Blood will always show itself!” I think in her wise old heart she knew that I was never going to be a Catholic like the rest of my family (who converted). For some reason, she marked me out to carry on the history of my family and importantly to carry the heritage of those who died.
This was in part why I chose the Masters’ subject that I did and why I worked so damn hard to learn German (I was not brought up bilingually – my mother married an Englishman and I was brought up in England; in fact, German was forbidden at home until my father left). I have always felt that I have had to make up for the diaspora of my family, the immigrants who settled in America and abandoned everything German.
My grandmother joined my uncle (her brother) when they fled Berlin from the Russians. My uncle never lost his accent but he became an AMERICAN with a German background; my grandmother, on the other hand, always remained displaced – a GERMAN living in America. Last year my grandmother died. She asked for her ashes to be scattered in the New Mexican desert where she lived. My Catholic family riotously objected and so she was ultimately buried in England – a country she had no ties to in any respect. It still makes me sad (read: furious) to this day.
You would think with this heritage running strongly in me, perhaps more than anyone else in the family, I would have a strong spirit connection with my blood ancestors. But I don’t. In fact I can’t. I’ve tried. I have tried four times to establish ancestor shrines and to welcome and engage with the spirits of my dead family, and each time my life was blighted with so much bad luck that it belied coincidence. Within a day of me dismantling the shrine/altar each time, the bad luck dissipated and peace would return to my life.
Even at my grandmother’s funeral I sought to connect with her (too soon perhaps) and a piece of ceramic fell from the earth over her grave at my feet. On the ceramic piece was the word “malade”, which is French for sickness or madwoman. Of course it was the broken off piece from a MARmalade jar, but the message to me was clear. My grandmother and I communicated in German but she always signed off her letters in French. I felt her disapproval of my spiritualist ways in relation to her and so I left her in peace.
The fact is that my family have undergone horrific times during life and I fear they carry it with them in death. Relatives were killed in Auschwitz or died under dreadful conditions. Those who survived had to flee their home country for their lives and all have lived under the shadow of the past. My grandmother would hide under tables when planes went overhead; she wielded an enormous gun at strangers on her property; she trusted no one, least of all authorities because she knew that an apathetic nation could allow tyrants to rule and neighbours are ready to betray you if the price is right.
So in connecting with spirits I leave my ancestors alone. I wish that one day I could bring them some semblance of peace, but I don’t know how. For now I connect to the nameless ones, the forgotten ones, the faceless ones; the blessed Aakhu who have passed the test of Ma’at and have her feather of truth tattooed on their tongues. Blessed are the Doo spirits who are good to me always.
But my encounter with the Nazi made my blood stir. I love Germany and I love the Germanic past, before it was distorted and misappropriated. I feel a calling but it is soft and indistinct. Maybe I am not yet ready to hear it. Maybe I need someone to spell it out for me. My shyness often converts into reticence and gives me cloth ears to my own destiny. For now I shall set it before the spirits, and quietly pray that my ancestors rest in peace.
[DEDICATED TO THE DEATH DAY OF ANDI D.]
Do birds sing at night in the cities
While darkness reigns on the land?
Lights imbue the air with iridescent glow
That tarnishes midnight creating
A subterfuge of sleep.
I lay awake three nights in a row
Listening to a lone blackbird sing
Even though dawn was a dream away,
Fantasy in the mind of Nut;
The morning star still hidden in her belly.
My world upturned while he sang a song
Of dawn, pressed into night’s breast;
His throat trilled vibrations of the sun
Into the bosom of Night, pricking her skin
So she bled into my mouth: I could not breathe.
Nature was inverted during those nights;
The spirit of day had invaded the Du’at,
The bark of Ra dragged screaming
Through the underworld where the dead
Heard the song of the thrice-black bird.
Cadavers quaked at the sound with longing
Remembering dawns when the blood
Pulsed, throbbed and rose in their veins –
A bloody dawn inside their own bodies
That now rotted in the earth.
I heard the dead groan at the agony
Of Beauty – Cosmic Shivers – that ululated
From that bird. As I lay listening,
Breath stilled under the Midnight Sun
I pondered my own death that surely must come.
Steel balls of aural vibration swing back and forth between my ears oscillating my cerebral hemispheres, creating a circle of outward moving ripples rippling inward outward – phantasm. Furrows in my brow and brain; the earthy land seeds the dirt in waves ploughed straight unlike my mind. The thought making crooked all that is straight. Smudged skulls push up from the earth faceless faces upturned to the sky. They stare open mouthed slack jawed speaking black words from tongue-less cracked-toothed chasms. The mouth is the channel downward down into the cavernous darkness underworld where spirits in bony form push away from the burning core, flames-not-hell, gravitas of the earth’s core, molten metal pulling down to seal the coffin. Bending low, crouched with yoni open to the earth, lowering my mouth – open above and so below – I breathe in the earth and exhume the dead up into flesh, my wombless womb and pounding lungs. Inhabit me. Fingers gripping the clay heavy red earth blood on the landscape, everywhere is DeathLife. I a conduit joining two, a portal gateway passing point liminal body where spirits may dwell as my heart shunts blood in a pulsing roar from artery to vein. Cut me here to bleed on the ground and feed the revenant’s gaping mouth. Poking fingers in and through the empty eyes, blind yet seeing more than I could ever see with these brown-green dotted irises and pupils black blacker blackest. Night-time vision seeing Them. In seeing I am seen and all become visible to the dark light, the midnight sun that rises up between my legs, ascending to pinnacle in a place that is me transcending all times and places – the point of congress egress ingress by the haunting spirits. Aakhu blessed dead coming forth. Face to the earth, now the worms crawl into my nostrils as I inhale the dirt and dig my body back into the darkness whence it came and always comes. Come morning I will bleed again and lift my head to sky seeing through the blue of heaven – the first face – onwards through the stratosphere and onwards home to the faceless face of All.
In times of stress and fear, we generally default to those beliefs and ideas that we feel in our heart of hearts are most protective and empowering – what you might call our “original” or fundamental beliefs. The agnostic in battle flings up a prayer to god; the lapsed Catholic makes the sign of the cross at a near-miss car crash; and the child seeks out mum or dad … presuming that those parental figures are safe and protective. Mine weren’t, so in times of stress as a child I fled inward and to the spirits.
I had an intense introduction to Roman Catholicism after my father left us. Before his departure there had been absolutely no religion in the family so I had had no boundaries around my psychic adventures, astral journeys and ghostly friends (nor did I have help when entities were not so friendly). I was able to unfold in as natural a way as was possible for me, up till the age of 9.
It was not at all a conventional Catholic upbringing as my mother immersed herself into Benedictine monasticism and so throughout my formative teenage years our family friends and visitors were ALL (no exception) priests, monks and nuns. My baptism in Germany, at the age of 9, was a beautiful affair: I was surrounded by a large circle of nuns between the ages of 25 and 90. I walked around and stopped in front of each woman to receive a cross drawn on my forehead with their fingers. It was magical. I had flowers in my hair. And frankly, it was all very pagan. My catechism was given either in the large gardens as we tended the flowers (all godly symbols explained through symbols in nature) or in a red boat as my sister instructor rowed us around the moat of this old German castle, which now served as the abbey home.
My devotion to Catholicism was intense (not least because I found safety amongst the nuns and everything about the castle and my lessons in nature appealed to the romantic in me), although (and this was a major problem) I had no place for Jesus in my pantheon, and I never understood the concept of original sin (helped by my confessional priest who refused to hear my “sins” as he said I was too young to sin and we should just pray together). However, my belief in Christianity crumbled in my teens for two reasons: one, I started to read about witchcraft and paganism and realised that this is who and what I was; and two, I began to study the gospels and Pauline letters in the original Greek. The latter was an issue because so much of the gospels has been redacted in English, changing female disciples’ names into male names, for example, because the established Church finds it too threatening to consider that women were equals in the early Church! If I had been lied to about something as fundamental as this, what else was poppycock?
But even though I abandoned Christianity (not acrimoniously because I respect Christian mysticism), and although I went on to explore and devote myself to witchcraft, I found myself still, in times of spiritual distress, calling on the Abrahamic image of deity as I had experienced him through those formative years. This puzzled me and frustrated me. But it need not have. Archetypes come in many forms, and the cipher with which our mind envisages the archetype is not always within our conscious control. Ultimately we have to explore and examine our beliefs and be totally honest about them. If I am cavorting with spirits and things go tits up, then it really matters what deity or entity I call upon because it may be cool to call on Sekhmet, but if your inner belief is still stuck on the Virgin Mary then you’re going to get an ‘up side the head’ because your inner spiritual integrity is split, which presents a weak face to the spirits you’re trying to work with. Some “beliefs” have deeper roots than others. Like gardening, our spiritual landscape needs constant tending. And this is also why so often in LHP literature, a lot of time is spent on deconstructing and challenging a person’s, generally, Christian faith. If you are going to choose instead to work with Lucifer, then you need to relinquish any guilt you might feel about that, because that guilt will bite you on the bum.
So, I’ve been thinking about all this recently because I am going through a really difficult and stressful time. Everything is in flux, including my accommodation. I am moving to a temporary place and my future is totally unclear right now. In fact, every area of my life is undergoing some kind of transitional phase. And guess what! I hate change. I loathe it. I am a fan of routine and predictability. I like a quiet life because my emotions are on my sleeve and I FEEL so intensely that it hurts. The only way to dull the pain is to maintain a staid and stable life. So I’m hurting right now. My body feels it. My mind feels it. And I’m noticing what I’m doing with all that stress … I am taking it to the spirits. I feel like I have come full circle to the little girl taking her astral journeys “back home” for granted and placing more confidence in the protection of spirits than the humans in her life.
My altar is like an eternal flame right now. As soon as one set of candles burns out, I light the next, muttering my prayers and invocations … ‘Let me feel the joy of your presence … come forth …’ Clouds of incense. Cups of coffee. Glass of water. And love, love, love and gratitude pouring out from my hands to the spirits.
Half my furniture and a large proportion of my stuff has been given to charity. A third of my remaining stuff is in storage, and the rest is predominantly in boxes. But my altar remains standing till the last minute and will only be packed on the morning of my move.
In times of stress, we default to what we believe in, to where our hearts lie and our foundation is strong … at least I do. I wonder if others can identify. Can you? And is your answer coherent with your projected identity? Or is there a split between your inner world and your outer persona?
I was going to write a small series of articles teaching you (that is, anyone who cares to know) about how to connect with nature spirits. But I felt very uncomfortable with the “teacher” role and there were too many caveats because each person is different and your clairvoyant strengths may not be mine. I’m good at taking an individual by the hand and introducing them to nature and low magick, but I’m pants at attempting to be one of the many pagan gurus online. My blog, right from the start, was about me and my big mouth, just mouthing off about stuff that was important to me, what I did and do, etc. So, instead of trying to convey a universal truth (a what?!), I’m just going to grab a coffee, sit down and share with ye a little about what I’ve experienced. If you want to know more or have questions, please post them in the comments below.
I’ve had experiences with spirits since I was a child (ghosts, astral travelling, spirit guides, etc.). In my teen years I began to delve into Dianic witchcraft and nature witchcraft. As I meditated more, using visualisation of various symbols from ankh to the all-seeing eye, more things began to open up to me. That is one thing that I would encourage anyone to do: develop a daily meditation practice. I find that my ability to sense spirits grows in proportion to the degree of inner quiet I can sustain. If my mind is chattering about mundane rubbish, I remain distracted very often from the things right under my nose. I remember that as a young child I would sing to chase spirits away that scared me; I would focus so hard on the words and the tune of the song and sing it with every fibre of my being (“She’ll be coming ‘round the mountain” was my favourite). This distraction process created a kind of barrier between me and these parasitic spirits which closed down my “openness” and protected me.
As I worked at little rituals in my room, I also developed a practice of moon-gazing. Late at night I would slip out of the house and walk a couple of miles down an unlit road into the countryside. I clambered over styles, heading off into the fields until I was at the closest, darkest spot, right in the middle of a wheat field. I would crouch there amongst the wheat and gaze at the moon as it crested the hill. On top of the hill was a Bronze Age fort (now a clearing surrounded by Beech trees).
For months I would escape around the full and new moons to sit in the fields and listen. The only things I could really see were the black of black shadows against a black land, and above, the blinding brilliance of the moon. So my other senses took over. I heard small animals bustling around, the sound of cows chomping grass in the neighbouring field, owls screeching and the wind through the trees and grasses. I smelt the earth, a conglomeration of death and decay that smelled pungent and dark. I pressed my fingers into the dirt and stared up.
Then, after a few months, the call came. This call was to be repeated throughout my life at different times, from different landscapes, in all kinds of weather. The land called me. As I sat at home, tired and totally averse to going out, the land called me and all I could think about was being out there! It’s difficult to explain the compulsion that accompanies the call. It’s like the craving that someone gets for a cigarette when they are giving up; it’s the obsession over cake when you’ve given up all carbs; it’s an all-encompassing, physical and mental NEED for a drug, and if you don’t get it, your nerves will implode, your arteries will explode, your mind will shatter.
So I left the house, and ran down the road, off into the darkness and to the field; it was the hill that was calling me, so on I strode, up hill, through fields and orchards, over styles, past streams. It’s about 4 or 5 miles from my family house to the top of the hill. Bear in mind as well, that when the call comes, I could stride through the worst part of town and never be scared. The call overtakes any sense of fear or anxiety. So I walked through the night with absolutely no qualms about being hurt by man or beast.
At the top of the hill (which is shaped like a sleeping lion), on its rump, was the fort clearing surrounded by trees. I had been up to the hill a few times before in the daytime. I went to a jagged tree that was about three times my height but slashed black down the middle – dead, struck by lightning. I shinned my way into the cradle of the tree where it had broken apart and sat there cross-legged looking over the clearing. And that’s when I saw the spirits: black shapes, drifting back and forth, not walking but floating and sometimes flying through the air. When I see them, I see them through my forehead; when I hear them, I hear them with the back of my head. That’s the only way I can explain it. They were aware of me. I was permitted to be there. It is vital to have permission to be in such places at such times. I will tell you further stories about what can happen if you don’t.
These were human spirits (perhaps belonging originally to the Bronze Age fort), but the spirit that had called me was that of the hill. I had focused on it, spoken to it and cultivated a relationship with it in my mind, out of respect, during my moon gazing jaunts. I had opened my palms to it and greeted it – spirit to spirit – and asked permission to dwell there. Sometimes I got a great sense of “No!”; this would be accompanied by a growing feeling of unease and danger. When that happened I would turn around and head home, even if I had only just arrived. Through this method of communication, I had built a relationship of respect and trust with the land and hill spirits.
So, I guess the key aspects that led to my time amongst the Bronze Age fort spirits were meditation (being able to quieten my inner chatter), acknowledging the land spirits (whether you directly feel them or not to start with), trusting your gut (if you feel unnerved, go; if you feel safe and relaxed, stay), being part of the place you wish to communicate with (I knelt on the ground, put my hands in the earth, filled my nostrils with earthy night-air, I absorbed everything around me through my senses). And I did all of this on a regular basis, expecting nothing in return except the joy of being WITH the spirits, sharing that liminal space with them. It never occurred to me at the time to involve those spirits in spellwork. For me it was the only time I felt “normal” and that was enough for me.
Next time: The spirit of Arthur’s Seat in Edinburgh, Scotland, plus a dead mill-working girl, and why I’m generally not fond of the human dead.