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A gentle liberation

Star of Seshat

I just saw the sunset. Golden glory piercing dark clouds, casting an orange-pink hue over the upper strata, while the crescent moon hung ready and impatient in the sky over the big hill.

Social networking is insidious, even blogging. I battled with a twitch to take photos to share with you, suddenly aware of how much of my life I live vicariously through others’ eyes. I don’t just see A Thing, I look through the eyes of another and imagine how they might see it, deftly placing myself at several removes from experiencing The Thing.

I shuffled my mental awareness and placed myself fully present, engaging with the landscape and the sky. And something wondrous happened…

The winter stubble of the wheat field stretching out to the horizon rose and sank with an ancient sigh. The hundred year old oak at my back rustled its dead leaves. Flocks of birds circled above – are they going late or coming early? The sunset and I … spoke? We exchanged a communication that was not words – an exchange of light and colour and beauty. My body which is too often wracked by stress and pain, breathed and sighed like the field and I felt deeply, deeply at peace.

It was revelatory to stand with the world around me, without any filter … no camera, no mental notes in order to share it with another. I jealously and selfishly drank it all in and held it inside for me alone. Maybe I am sharing a little of it with you now, but that is because I am full and overbrimming…

My cyber fast is stripping back the filters that I have laid over my eyes. I feel like I have been digitally fossilised and had forgotten what it was like to live so intimately with the world.

I remember my time in Germany when I used to run through the forests. I sometimes ran for 3 … 5 … 7 hours and would never encounter another human being. One time I climbed a ridge only to stumble out onto a cliff’s edge – before me was a deep three-sided valley full of trees. No roads or houses or signs of humanity. It literally took my breath away and I stood rapt in ecstasy, that to this day makes my chest ache with longng. It has been a long time since I felt so alive …

Kitchen witchcraft, armchair wizardry, bedroom magick … I’ve tried it all and nothing makes me feel so alive and connected as being in nature. As a teenager I would escape the house at midnight and race the 4 miles through fields up the big hill to sit in a lightning-struck tree and converse with the spirits of the old Bronze Age Fort there. I would hunker down in the cornfield under the full moon and fill my hands with dirt speaking to my deity. It is crazy that I could ever think my spiritual life could be distinct from THIS … so much has kept me confined.

It’s time for a gentle liberation. There’s no need to explode my life. I’ve done that in the past and even though I can seen (painfully) that it was for the best, I’m not Edith Piaf, I have plenty of regrets. I’m sure I could have got the same results without it being such a self-destructive path … but that’s a lesson in itself.

Suggestion for today: Step outside, grab two handfuls of earth and look up. Soak it in. No filters. For nobody else, except yourself.

©StarofSeshat 2017

 

Thoughts on cadavers and death

Star of Seshat

I’ve begun to read a book on the cadaver in German sorcery (more on that later). In the introduction it states that the remains of the dead, animal or human, still contain an essence that goes beyond death and which can be utilised in magic.

I was reminded of the day that I found a dead pigeon on the streets of my town. People passed it, ignoring it as the usual urban detritus. I was riveted and unable to pass by. I picked up the pigeon and walked a mile out into the countryside where I laid it to rest under a hazel bush next to an oak tree. More recently I found a dead juvenile rat on the concrete in front of my house. Luckily the house owner’s gardener was in that day, so I went through to him and asked him to dig a hole so that I could bury her. He is used to my madness and didn’t blink twice at my request.

Somehow the concrete of the town was life/death-denying in the way that it forced the cadavers to lie betwixt and between, unable to fester and rot away, to become part of the earth again. At worst, they would have been kicked around, at best swept up to be thrown onto some soul-less landfill. If we cannot rot and be re-consumed into the earth, do we ever really die?

Then my thoughts must turn to the ancient Egyptians who mummified their animals and fellow humans to perpetuate them for the afterlife. The Egyptians believed that as long as the Ren, or name, was spoken, they would live on. I cannot help but think of the future-denying mystes of Klagesian philosophy (of which I am still woozy but making brave efforts to understand) who tap into the eternal past through images … A name is after all but a way of conjuring up an image. Mythology has made much ado about the power of names – of angels and gods, but even Adam and Eve naming the plants and animals before their ejection from Eden. Only those dead re-membered live on, not just “in our hearts” as the Christians would have it, but in reality, beyond the illusory bluster of a world that has us not only deny life but death too.

How do we deny life when we celebrate birth and, now more than ever, we (in the Western World) can indulge our leisure time with so many “life-fulfilling” activities? Bucket list ticks are surely a testament to how much we LIVE LIFE?! But without death there is no life. Our eyes have become dulled by the litany of soul-less images from conflict zones around the world, and ever more so in our own backyards. We remember the dead in statistics. Grief counselling is A Thing, because we no longer know what to do when a person we love dies; how should we continue to relate to the dead? Of course, in the main, we don’t because the dead are just that … dead. What role do they play in life?

One can’t help but look back to past cultures, and the remnants of such, in ancestral cults, where there was no cessation of relationship with the person who died.

I am minded of the ever-growing number of Facebook profiles online of those who have passed on. Family and friends unable to, or unwilling to delete them … In many cases, people still post to the profiles randomly or on some anniversary, as if still in conversation with the dead. A cyber-necromancy. The need in us is there. It will out, in new and weirder ways.

I have no conclusions. These are just my initial mulling thoughts. I may expand on them and/or change them … but that’s just par for the course for my blog ūüôā Right from the initial post, this has been a place for me to explore, share and develop. I appreciate your company in this.

©StarofSeshat 2017

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Am I a fraud because I don’t have the words?

Crystal Study by StarofSeshat

My track record the last few years seems to have been to abandon my readers for most of the year, only to rally betwixt Yule and New Year with some kind of rah-rah polemic or opinion piece. I’m a little behind schedule in this respect, and I’m not sure I have anything worth saying as such.

The year has been fraught with the good and the bad, often the good coming first under the guise of the very bad. On some things the jury is still out; on other things it’s a case of adjusting and accommodating, remembering that life is not about avoiding discomfort but about ploughing on through to the other side. Discomfort does not mean you are on the wrong path … but then neither am I one of those people who believes that growth requires pain. Comme ci, comme √ßa! Life is not so easily put into boxes. The key is to remain flexible – something we can all improve at.

When I first began this blog, some 8 or 9 years ago, I used to pooh-pooh the occultists and pagans who seemed to hide behind their “secrets” and “initiated knowledge”. But now I am hesitant in my own writing because much of what I work on esoterically is private, not for public consumption because to bare all would be to bare my soul and make me more vulnerable than I am willing to be amongst strangers’ eyes; and a large part would not be understood by the main in the way that I understand and engage with it. For example, I laugh when I am still accused of being “wrong” and “immoral” for my LHP leanings, because that says nothing about me and everything about the ignorance of the accuser. Occasionally I am asked, “So what do you believe?” and I cannot answer that. The best answer I can give is to suggest that we have frequent discussions over the next few years and see. That is not to sound woo-woo or grandiloquent, it is just that words fail me to express the *experience*. Describe a sunset to someone who has been blind from birth. Even with my own spiritual mentors I struggle and I feel like such a fraud because I cannot put it into words. If I could open up my chest and push their hands inside and say, “Feel!”, that might help; if I could crack open my head and say, “Look!”, they would know. But instead, I read my studies and like a child I can only parrot, “Me too! Yeah, that’s how I feel/see/know!” So as much as I would wish to share my journey with you, I struggle. But “immoral” and “wrong” … >laughs out loud long and hard< oh boy, you’ll just never get it.

On a practical note, I am withdrawing from social media. I have spent the last day or so tidying up my web presence. I find the vacuous echo chambers tiring, draining, distracting and the epitome of delusion. Some manage to master their engagement so that it is beneficial to them. I applaud them. I cannot do that. To me it is at times an amusement, but for the most part vampiric. The plus side is that I shall instead be focusing more on blogging and writing. But this is primarily for myself. I have a secret hideaway elsewhere on the web that has become my writing haven, and I have here. Since I get few to zero comments and engagements on my blog, it will not demand the same ego-juggling (my own and others’) that social media like Facebook and Twitter do.

Since I intend to prioritise my occult study and practice this year, I am hoping that I will eventually find enough words to express tidbits of interest to you. It would be nice to see the fires burning again on this blog.

Until soon. Amour Amour.
Seshat

©StarofSeshat 2017

The Occult Digest by Black Moon Publishing

Originating in the 1920s, The Occult Digest is now reborn at the hands of Black Moon Publishing.

Quoting BMP:

…it is our goal to bring this time-tested entity into the present day to give voice to the many writers, artists and poets representing the myriad facets of esoteric thought, practice, and expression.

I am proud to say that this edition also includes my interview with Sean Woodward, Grand Master for Great Britain & Ireland of the Ordo Templi Orientis Antiqua & La Couleuvre Noire. He is a contemporary esotericist, with over three and a half decades of dedicated magickal experience and seeks to create artistic portals and magickal machines of illumination and devotion to the Hoodoo and Les Vudu. You can find more about Sean HERE.

To preview the contents and buy a copy of THE OCCULT DIGEST, please follow the link below:

The Occult Digest :: Vol I, Issue I
A Journal of Esoteric Thought, Practice, and Expression
Edited by Dr. Louie Martinié

LHP – living without morals

At a certain point in my exploration of and attempted living of a Left-Hand Path esoteric life, my morality was suspended, but this was not a liberated state where I moved unencumbered by external strictures. It was a place without life meaning or significance.

I was caught in the grip of adversarial paralysis.

Some LHP-ers live hedonistic, countercultural lifestyles, turning their upbringing, the norms of the culture they live in and the dominant religion on their heads. They take the above as a guide and do the opposite or a diametrical offshoot of it … but then consider themselves “free” in that adversarial state, without realising that they may have struck off the path and written their own map but their True North is still the things they often despise so vehemently, namely mainstream culture and established religion. If you define yourself in opposition to A Thing you are not free as you still require The Thing to determine your opposition.

If the majority stand BY a wall but you decide to lean AGAINST the wall, you are still in a position relative to the wall. In my mind, the point was to negate the wall entirely and see how freely I could move without any self-imposed limitation (bearing in mind that I live within a world of limits, perceptively anyhow).

If you live in a culture where drinking is “the norm” then choosing to drink absinthe (a common LHP-er’s tipple) is neither original nor daring, it is merely imbibing another alcoholic liquid, albeit one with a romantic backstory. In addition to a pleasant high, the best you might get out of it is to live the lives vicariously of all the poets and social fringe dwellers known to imbibe in the stuff.

In a society where everything is sexualised, down to the social experience and expression of children/childhood to the selling of commodities, then merely having sex a lot, even with multiple partners, even with multiple genders, is not that daring or enlightening per se.

In a society where drugs are the norm from the socially acceptable stimulants and depressants like sugar, coffee and alcohol to the medically widely prescribed opiates and amphetamines, then going to “the man on the corner” for your drug supply makes you neither a maverick nor particularly savvy – play the system better and get your drugs on repeat for free (at least if you live in the UK)!

So in contemplating the above I experimented subsequently with the nominal counter-counter norms of abstinence and celibacy – if you want to live an adversarial position to mainstream culture you might want to announce that you are a celibate, teetotal vegan! … then learn what it is to live in opposition to the norm.

But yet again, this state of opposition merely helped me to shake up my assumptions, I was not liberated from being defined by the things I rejected. I fell into a pit of meaninglessness, a place where neither The Thing nor The Opposite of the Thing had significance or meaning to me. And without meaning I spiraled into depression as I was caught in the grip of adversarial paralysis.

The only way out of this was to admit that what I was doing wasn’t working for me. I began to observe others who appeared happier, more focused and more creative (in their artistic, professional, spiritual and/or emotional lives) than me. And this included the “hippie-dippy-shitty-airy-fairy brigade” – a group of people I was used to criticising and (yet again) defining myself in opposition to. My ego protested, but I remonstrated with it that, up till now, its decisions had been isolating, deflating and unhealthy – in fact un-inspiring (inspire: to fill with an animating, quickening, or exalting influence).

I did a lot of “fake it till you make it” which ironically is a state of aligning yourself against someone else’s norm, hardly an adversarial stance; the difference being that I had to still my shrieking ego. Over time I found my own meaning and significance. The key? To lay aside ego. My meaning? That is not relevant to you as it is my path and my journey, my baggage, history and personal make-up. Your meaning will be uniquely your own.

In freeing myself from defining myself “as X” and “as NOT X” I have managed to step over the fundamentals of right/wrong, which as a social anthropologist I know to be severely culturally determined – no absolutes! (Cf. postmodern relativism) Instead of acting one way or the other in re-action to a moral duality, I now choose to act in accordance with my personal meaning; a meaning that is continuously fed by an indefinable thing that can only be know experientially through practice, study, integration and in-corporation (in corpore – in the body) of both and through putting aside egoic desires to be the same as/better than/different to XXX.

I guess you might define it as a life study in Becoming; I hesitate to say of “Being” – that potentially stagnant and anti-cosmic state of “I am that I am”. Instead I become Atum, self-engenderer from the primal chaos, bridge between what is “not” and what “comes forth” in a process of continuous unfolding.

And that’s another point: the path unfolds as I Become. Defining myself against the moral landscape around me at any particular moment belies the truth of existence. It places a premature and deceptive full-stop against a life that should at any point em-body the pregnant sentiment of dot-dot-dot … to be continued …

©StarofSeshat 2016

Re-membering the Dead

This week I celebrated my birthday, except it was an exceptionally bittersweet day … The afternoon before my birthday I found out that the man I consider and love as my childhood father and spiritual father was dying. The morning of my birthday, I was told he had died in the night.

Before now, I have loved, lost and grieved my adopted Navajo mother and a man I referred to as my “Spirit-Grandfather”. Each of them taught me so much and allowed me to unfold as I needed to at the time. The relationships were not perfect …; these were multi-faceted, loving, poetic, challenging, supportive, joyous and in all we focused as much on the spiritual as the profane, in differing ways.

Memory:

Sitting in a castle dungeon in Germany, writing an essay on the Holocaust, the sunlight streaming through the open door, when suddenly all went dark … a tall man stood in the doorway, like a shadow, the backlit sun obscuring his features in darkness. His booming voice filled the dungeon as he began, without any greeting, to recite poetry to me in German. This was the moment I met my Spirit-Grandfather.

Memory:

Travelling through the New Mexican desert with my adopted mother, visiting Hopi First Mesa. The Hopi women staring suspiciously at the Native American and the white woman, wondering how the hell we fit together. Shim√°, my mother, explains to them that I am her adopted daughter. The women smile and laugh and open their arms welcomingly. They feed us blue bread which is so fine that it breaks apart like ashes and floats off in the wind as I laugh.

Memory:

Visiting my childhood father at the monastery where he was abbot. He hugs me hello and it’s the best and safest hug I have every experienced. I cry. He sits me down with a bowl of tea. I am fascinated that the monks drink tea and coffee from big bowls. My father tells me he refuses to hear any confession from me, that I am a child and have committed no sin. Instead we pray and then he recites poetry to me. This time it’s his turn to cry as he always does when he recites poetry. I hold his hand and we sit quietly before the Muse.

The memories are in my blood. They reside within me. May Ma’at’s feather be on their tongues. May they pass into the Du’at. May their souls be elevated so they join the blessed Aakhu. I grieve the loss of them, yet I know they are not truly lost, merely dis-placed, a shift in time and place, multi-layered eternity. Like Isis re-membering Osiris, so my memories allow them to be both dead and alive.

resurrection plant

The so-called “Resurrection Plant”

©StarofSeshat 2016

Art as grammar of the magickal imagination

The Empress by StarofSeshat

©StarofSeshat

“Art is another language which, if you undertake to learn it, will open up a new world that permeates, surrounds and elevates this dull metropolis.” ~ Seshat

When first you enter the pagan or occult world, you will be faced with all sorts of good (and bad) advice. So let me just throw my glove into the ring with a suggestion of my own.

For those of you who are regularly readers (for which I thank you), you will know that I am a great proponent of using one’s imagination (see HERE for my latest article on the subject). Aside from sitting by the fire day dreaming, some might wonder where on earth to start with honing their creative and imaginistic muscles. First and foremost I would recommend art … although that might feel to turgid and bound by rules of aesthetics and skill … so let’s expand that word to “the arts and crafts” which could include everything expressive from music to painting to woodwork and textiles, such as sewing or even knitting. I know that last might baffle you – what benefit could something like knitting have to a magickal life?! But I would ask you to put aside such “art snobbery” and be open to the idea of creation.

Devil Birds by StarofSeshat

©StarofSeshat

Creating A Thing is a practice that involves making and holding a vision, imagination, commitment to follow through and skill to execute. No part of that sequence involves any judgement over “good” or “bad”, “beautiful” or ugly”, “useful” or “useless”. This is not the realm for debating “What is art?” – this is the domain of learning to envision, create and manifest. Sounds a little like the basics of magick and spellwork, right?

And even though creating artistically can indeed give expression to the subconscious mind (I am a supporter of therapeutic art), this does not mean that I equate magick with the mere machinations of one’s own unconscious, or even the collective unconscious. Magick is not mere psychology and the entities one encounters are not necessarily (although they can be) projections of your own mind. So let’s just make that clear. I am proposing some form of artistic involvement as a means to develop the full spectrum of imagination: a process of shifting a thing from energy into matter. This does indeed include music, as I consider sound vibrations to be a material manifestation. So my remit for “arts and crafts” really does include all forms of creativity.

Chaos by StarofSeshat

©StarofSeshat

So, now I shall expand a little on my own artistic practices:

Some people, especially in occult practices, like to work fast and furiously on their art, allowing no room for internal censorship. One of my art practices begins like this, in that I put pen to paper, close my eyes, draw madly in swirls and lines for a few seconds and then stop. But that is the fastest I get in my art. In fact, my art – whether it is sketching, felt painting, or textile work – is characterised by an exceptionally slow pace. It can literally take me months to complete a piece. Surely, when working so slowly, I have to battle often with the censor and conscious mind forcing it into a particular conceptual mould? Yes and no. Certainly I occasionally have to battle with the censor, but the processes for my art are often described by others as tedious and boring; I frequently hear, “I would never have the patience to do that!” But for me, it requires no patience. Due to the minute focus that is required, I slip into a hypnagogic state where the boundaries between conscious censor and fluid unconscious are permeable and mobile. This allows my imagination free reign and expression, often with surprising results. I never know when I start a piece, how it is going to turn out. But where’s that “vision” I spoke about as the starting point? For me, the vision is merely the unmistakeable physical pull and urge to create; it is a very corporeal as well as mental drive – for me personally, this is my vision and the manifestation is a process of welcoming the Other that nudged my psychic senses and bringing into a material form. The process will most likely be different for other people, but maybe some of you can identify with my own experience and methods.

Octopi by StarofSeshat

©StarofSeshat

And I must make an aside, regarding textile art (e.g. knitting, although in my case not knitting per se as I have injured hands and can no longer knit without pain). I embroider and create knot ropes; again, both techniques are laborious and easily induce a light trance state due to the focus and repetition. My knot ropes (for which I use spools, or French knitting dolls, but also the Anglo-Saxon lucet) may seem banal to onlookers, but to me they are invested with thought and emotion. By doing such repetitive work, importantly while focusing on a particular thing (a solution to a problem, a state you wish to come into being, magick you wish to actuate, or a person) you anchor that thing in muscle memory for a start, making the thing you create a part of your body (mundane example: the first time I watched The Shining I was knitting socks. The next day after watching the film, I picked up my socks and experienced such powerful flashbacks from the film that I could no longer continue knitting. It took a week for the muscle memory to abate enough for me to pick up again). But also, by taking the slow route, one comes to know the Thing one creates intimately well: that point where the shade of wool changes a fraction, that slip in the stitch that creates a loose mark, that struggle to tie in a bead or feather… So what’s the point, you may ask? The point is to enhance concentration, memory, focus, experiencing creation with the body not just the mind, and of course exercising of the imagination. Never underestimate the simple rural crafts such as knotting, spinning, carding, weaving, crocheting, and yes, knitting. They hold an equal place in my heart alongside the more “mainstream” arts of painting and sketching.

Revelation by StarofSeshat

©StarofSeshat

The proof is in the pudding. Try it. Try everything. I have sung, played classical guitar, painted, sketched, used textiles and wool, knotted and finger painted! And in each I have been able to reach that hypnagogic state – not always, because it’s not always appropriate – but at will, which is a sign that it has developed into a discipline. The neural pathways are laid, the psychic arteries are flowing, my imagination is working.

The wonderful thing about art is that it is a life-long companion. There is always room to improve your creative and imaginistic skills. Remember that cerebral judgement about “art” does not apply here. If you can think it, you can do it – and that is not a literal adjuration to do whatever you like. Not everything should be enacted literally, but that is the beauty of imagination and art, – there are no rules. I have seen art created by finger painting with menstrual blood, alongside the “Fine Art” painted canvases; I have seen thread embroidered into the very skin on the hand of an artist, alongside ecclesiastical gold embroidery. The end product is almost irrelevant; it is the inner journey that is important – the vision, the actuation, the material manifestation. But like all good magick, don’t hang on the results. Once you’ve finished a piece, do not rest on your laurels, but immediately begin the next! Only so (I suggest) will you develop invaluable skills to your occult, pagan and magickal practices.

Seth by StarofSeshat

©StarofSeshat

©StarofSeshat 2016