GUEST POST by Zora Tyrant!
Out for Blood – A review of Ferocious: A Folk Tantric Manual on the Sapta Matrika Cult by the Sepulcher Society, Theion Publishing 2019
As an avid explorer of the female esoteric mysteries and ‘fiercer’ forms of spirituality, I recently purchased Ferocious: A Folk Tantric Manual on the Sapta Matrika Cult by the Sepulcher Society and released by Theion Publishing in 2019. It aims at elaborating the Tantric Cultus of the seven Matrikas, the terrifying ‘Little Mothers’ in theory and practice and gears towards making it practicable also for a western esoteric audience.
I own various other Theion titles such as Underworld and Benighted Path and have always found them to be extremely well presented and supportive of my unorthodox esoteric practice. Consequently, I had high expectations for Ferocious.
And let me tell you right away I was not disappointed, on the contrary! At first, though, I was a bit hesitant towards another book on Tantra. I have found most tantric releases to be of three categories: translations of tantric manuals with little value to the western or modern practitioner, academic treatises which are highly interesting and informative but also do little for the esoteric practitioner, and books of tantric practice by western occultists who obviously have no grip on sources and lack depth and sophistication. Ferocious is another kind of beast entirely.
So, let’s dive right in! Imagine a frenzied band of blood thirsty and violent goddesses, one of them sow headed, another a skeleton, slaying hordes of demons and striking fear even into the hearts of gods. While these terrific fiends can indeed become maternal protectors of their worshippers, just as their unassuming title ‘Little Mothers’ may suggest it takes dedication, caution and skill not to end up as their prey. In the first part of the book we are introduced to the field of Folk Tantra and how the Matrikas fit into this environment.
Personally I found one of the most important and motivating claims (backed up by sources) made in the book early on to be the statement that Folk Tantra with its antinomian attitude towards ‘scriptural’ Tantra and orthodox religious Hindu practice is embracing of everyone who feels drawn to its currents – regardless of caste, gender or even ethnicity and place of residence, whether you are Hindu or Westerner or anyone else. Folk Tantra with its relation to formerly marginal and polluted deities of the wilderness is potentially approachable by anyone with the right attitude and dedication and outside the rules and regulations of orthodoxy. The Sepulcher Society traces the developments of the Matrikas from liminal village deities to prominent tantric goddesses and discusses the reasons why modern practitioners would want to connect with such ferocious female energies. From material benefits to bestowing of Gnosis, the Matrikas are approachable for a wide variety of causes. Part 1 of the book concludes with important thoughts on sexuality, foundations of tantric rituals and Mantras.
The second part of Ferocious is dedicated to the Seven Matrikas individually. Each Goddess is portrayed in detail, her iconography, relations to the other Matrikas, her modern worship, how to construct her shrine, her offerings and images. We are also given rituals for each goddess. With great care and detail each goddess is explained as an ‘individual’ and as part of the group, her functions, character and field of magical/spiritual operation. They are also related to further aspects of tantric planetary magic and alchemy.
Following a concluding chapter, we are treated also to an appendix where an eighth Matrika, the lion headed Narasimhi, is described in the same fashion as her sisters in the previous chapters.
This is no superficial overview over a fascinating aspect of Tantric spirituality and magic but a deep investigation into the nature and essence of the Matrikas as approached in Folk Tantric practice. This is the ultimate work on the Matrika Goddesses but also an important contribution to the study of the wild manifestations of the divine feminine and its magical and esoteric applications. It is also an essential work on how to approach and apply tantric knowledge in a Western environment without losing any of its original intention and power.
Ferocious is a substantial work of over 260 pages, meticulously researched with plenty of footnotes and large bibliography which invites further independent study. Despite this wealth of information, the book is written in an approachable style never drifting off either into shallowness or unnecessary academic posturing. Ferocious is healthily undogmatic and always keeps the esoteric practitioner in sight making sure that this book is all you need when you embark on a wild ride of tantric practice with the Matrika Goddesses.
Another triumph for Theion Publishing, Ferocious is possibly its most beautiful production yet. The book comes as a sewn hardback with shimmering red cloth and lavish golden lettering. Metallic gold endpapers are a great touch and enhance the lavish feel of this gorgeous edition limited to just over 750 copies only. My rating overall: 10/10, a must have!
Link (Get your copy): https://theionpublishing.com/shop/ferocious-sapta-matrika/
By Zora Tyrant
Zora Tyrant is an artist and an explorer of transgressive spirituality and magic. She lives in the wilderness of North America.
[A brief introduction to Lilith]
Lilith is a predominant demon and goddess figure in the LHP tradition, although she inhabits the darker corners of the RHP tradition as well.
Semitic mythology describes her as the first wife of Adam. She asserted her equality with him, whereas he tried to assert his dominance over her. This was famously expressed in an argument over who was to take the top position during sex. Once Lilith saw that discussion with Adam was hopeless, she flew into the air and fled. The Abrahamic god sent angels to call her back by force if necessary. She refused to return stating that she was created to afflict male babies up to 8 days old and female babies up to 12 days old with fatal disease. Some myths leave it at this with an open question as to why she wasn’t forced to return as god demanded. However, other myths have Lilith citing Torah, that a woman who has left her husband and been defiled may not return to her husband (one can almost see the smirk on her face as she quotes scripture to confound god’s own commands). The defiler in this instance was named The Great Demon who went on to be known as Samael. Indeed the pairing of Lilith and Samael was seen as a dark reflection of that other pairing Adam and Eve.
In this Semitic myth we see traces of the Mesopotamian and Assyrian Lilith (although she is found in other cultures too). Earliest reference show her as a storm demon associated with wind and air (illustrated by the Semitic Lilith flying into the air). And her role as bringer of disease and death, especially to women and children, is confirmed in all myths alluding to her.
She is also described as being sexually predatory. In my mind, there is a certain patriarchal morality clothing her nakedness in some myths: her sexual voraciousness is described in conjunction with her inability ‘to copulate normally’ (although exactly how she did copulate is left to our imaginations), to lactate or to bear children. I think the concept of a female deity who is sexually confident and powerful would have to have her feminine wings clipped in what is essentially patriarchal mythology by denying her any expression of full, ‘normal’ womanliness. On the other hand, her barrenness ties together conceptually with her role as bringer of plague and death. Alternatively, other traditions describe her great fecundity in birthing demons. Indeed to stop these demons from swamping the world, the Abrahamic god castrated Samael. This would have not stopped Lilith in her role as succubus visiting men at night with her lusty sexual appetite with the intention of getting herself pregnant. Men were encouraged to recite incantations to prevent the offspring from becoming demons. And one charming myth says that Lilith laughs whenever a pious Christian man has a wet dream (a woman with my sense of humour!).
Apart from being associated with storms, air, plague, death and prostitution, she is also linked to birds of prey (the Anzu bird, variously translated as eagle, vulture or owl), lions and serpents. She herself is sometimes depicted as a serpent, a lion-headed creature or a sphinx.
In Luciferianism, Lilith is considered the consort of Lucifer. The fruit of their union is the androgynous Baphomet. Lilith is one of the highest goddess forms, often shown as forming an infernal trinity with Samael and Cain.
Dante Gabriel Rossetti’s Poem “Lilith,” Later Published as “Body’s Beauty”(1868)
Of Adam’s first wife, Lilith, it is told
(The witch he loved before the gift of Eve,)
That, ere the snake’s, her sweet tongue could deceive,
And her enchanted hair was the first gold.
And still she sits, young while the earth is old,
And, subtly of herself contemplative,
Draws men to watch the bright web she can weave,
Till heart and body and life are in its hold.
The rose and poppy are her flower; for where
Is he not found, O Lilith, whom shed scent
And soft-shed kisses and soft sleep shall snare?
Lo! as that youth’s eyes burned at thine, so went
Thy spell through him, and left his straight neck bent
And round his heart one strangling golden hair. (Collected Works, 216).