Summarising from “Rocks” by Jan Zalasiewicz:
The Big Bang produced hydrogen, helium and lithium. These formed outrushing, expanding and cooling gas clouds. At some stage, gravity came into play. Gravity pulled these gas clouds together until they formed the first stars, igniting the nuclear furnaces that begin transmuting (metamorphosing) those original elements into the rest of the periodic table. It was the DEATH of large, fast-burning stars (supernovae) that explosively completed the elements we know today, flinging this new matter out into space. The new elements sped out as high-temperature plasma, and then cooled, condensed and solidified into the first minerals (detectable today in “presolar” grains of interstellar dust). Subsequently the gas clouds, this time including mineral dust (the crucial difference for future life), coalesced into rocks that collided, sometimes smashing apart, and sometimes aggregating to form planetesimals (kilometres across) that became the raw material for planets.
As humans living 4.6 billion years after the creation of our own planet, we are used to seeing that life leads to death – it is ever before our eyes, if not amongst our own kin and kind, then amongst the animals we slaughter in the billions each year or the red rose from a lover that wilts and sheds black petals. Yet look at two of the greatest myths of humanity – the Osiris myth and the Christ myth – both tell us of resurrection after death. Christianity has taken this at least amongst its worshippers to be a promise of another life after this one, eternal, better, in “another place” (the beyond, heaven, paradise), certainly not on this planet or in this phenomenal realm. The fear of death and hell have created out of the myth an idea of immortality, that as a believer (and only as a believer) one can pass by the door to damnation and be led through “the pearly gates” to join all the other righteous people.
But what if instead, these myths are a primal memory of the fact that our entire existence is owed to a dying star, that from death came life? Perhaps the myths are not promising a reductionist heavenly holiday camp, but in fact they are describing a primal process at the core of this phenomenal universe – that death births life which embodies death and eventually yields to its grasp only then to be reborn. Again, karma is another such mythological interpretation of the rebirth concept, but which (at least in the West) has become a comforting cipher for the idea that bad people will get their comeuppance (cf. the Rule of Three) – after all, life is so much easier to bear if we believe in some guiding structure of justice, even if there is little proof in the here and now that it actually exists … lucky that to many they can again comfort themselves with a belief in heaven and hell, or whatever equivalent. Their gods could never be unjust or indifferent – to believe fervently in a Creator, and yet to believe that “our Creator” (our original father/mother) could, seemingly indifferent, freely allow us to suffer and bad men to prosper throws us into a pit of existential fear and angst (perhaps the Abyss?). I have always thought that in this respect and many others, mankind’s vision is too insular, too microscopic, and too much up its own arse. Expanding one’s vision to the primal … not primal man but cosmic origins and primal space, even beyond the 4.6 billion years of our planet (of which man has existed for far less than even one half percent!), then one might perhaps see or sense the patterns, flows, energies, cycles that exist and persist – some recognisable to us within our life times and some that seem chaotic because they last beyond man’s capacity to record it – how anthropocentric of us to label things chaotic when our lifespan is that of a gnat commenting on the movements of a giant tortoise!
As any good witch knows, there are chthonic powers and daemonic beings that are far older than we are, and they inhabit places that again are older than us and shall outlast us. Doesn’t even the attempt to cling fast to mythological ideas as fundamentalist fact and truth – stories to comfort the star child in the dark expanse of space – seem ludicrous against the possibility that they are perhaps symbols and portals to understand (and access?) something beyond the capacity of our words and intellect. “Be as a child”, said Jesus … open yourself up to experiencing sensually and soulfully without the ability to name it and fragment it into intellectual categories.
Some might give up at the immensity of it all, while some might admit defeat by taking their inherited stories at face value; and I would blame neither person because to strike out on a different path that attempts to connect with the primal is terrifying; the chthonic world where the rocks dwell, the record keepers of the universe.
As I say daily to the Dead: Through me shall you live, through you shall I live. The world was born from death: It is Death’s womb that is fecund, and she who repeatedly ingests (em-bodies; makes part of her body) her Lover/Son and brings him to Life again through her starry loins.
Our Mother is Dark.
She is the fleshly womb that bore us,
She is the bones in the land that feeds us,
She is the rocks beneath our feet,
She is the expanse above our heads,
She is all we know and beyond all we know.
She is the supernovae – gone billions of years ago
Yet visible still in the heavens to those who look.
I just saw the sunset. Golden glory piercing dark clouds, casting an orange-pink hue over the upper strata, while the crescent moon hung ready and impatient in the sky over the big hill.
Social networking is insidious, even blogging. I battled with a twitch to take photos to share with you, suddenly aware of how much of my life I live vicariously through others’ eyes. I don’t just see A Thing, I look through the eyes of another and imagine how they might see it, deftly placing myself at several removes from experiencing The Thing.
I shuffled my mental awareness and placed myself fully present, engaging with the landscape and the sky. And something wondrous happened…
The winter stubble of the wheat field stretching out to the horizon rose and sank with an ancient sigh. The hundred year old oak at my back rustled its dead leaves. Flocks of birds circled above – are they going late or coming early? The sunset and I … spoke? We exchanged a communication that was not words – an exchange of light and colour and beauty. My body which is too often wracked by stress and pain, breathed and sighed like the field and I felt deeply, deeply at peace.
It was revelatory to stand with the world around me, without any filter … no camera, no mental notes in order to share it with another. I jealously and selfishly drank it all in and held it inside for me alone. Maybe I am sharing a little of it with you now, but that is because I am full and overbrimming…
My cyber fast is stripping back the filters that I have laid over my eyes. I feel like I have been digitally fossilised and had forgotten what it was like to live so intimately with the world.
I remember my time in Germany when I used to run through the forests. I sometimes ran for 3 … 5 … 7 hours and would never encounter another human being. One time I climbed a ridge only to stumble out onto a cliff’s edge – before me was a deep three-sided valley full of trees. No roads or houses or signs of humanity. It literally took my breath away and I stood rapt in ecstasy, that to this day makes my chest ache with longng. It has been a long time since I felt so alive …
Kitchen witchcraft, armchair wizardry, bedroom magick … I’ve tried it all and nothing makes me feel so alive and connected as being in nature. As a teenager I would escape the house at midnight and race the 4 miles through fields up the big hill to sit in a lightning-struck tree and converse with the spirits of the old Bronze Age Fort there. I would hunker down in the cornfield under the full moon and fill my hands with dirt speaking to my deity. It is crazy that I could ever think my spiritual life could be distinct from THIS … so much has kept me confined.
It’s time for a gentle liberation. There’s no need to explode my life. I’ve done that in the past and even though I can seen (painfully) that it was for the best, I’m not Edith Piaf, I have plenty of regrets. I’m sure I could have got the same results without it being such a self-destructive path … but that’s a lesson in itself.
Suggestion for today: Step outside, grab two handfuls of earth and look up. Soak it in. No filters. For nobody else, except yourself.
My track record the last few years seems to have been to abandon my readers for most of the year, only to rally betwixt Yule and New Year with some kind of rah-rah polemic or opinion piece. I’m a little behind schedule in this respect, and I’m not sure I have anything worth saying as such.
The year has been fraught with the good and the bad, often the good coming first under the guise of the very bad. On some things the jury is still out; on other things it’s a case of adjusting and accommodating, remembering that life is not about avoiding discomfort but about ploughing on through to the other side. Discomfort does not mean you are on the wrong path … but then neither am I one of those people who believes that growth requires pain. Comme ci, comme ça! Life is not so easily put into boxes. The key is to remain flexible – something we can all improve at.
When I first began this blog, some 8 or 9 years ago, I used to pooh-pooh the occultists and pagans who seemed to hide behind their “secrets” and “initiated knowledge”. But now I am hesitant in my own writing because much of what I work on esoterically is private, not for public consumption because to bare all would be to bare my soul and make me more vulnerable than I am willing to be amongst strangers’ eyes; and a large part would not be understood by the main in the way that I understand and engage with it. For example, I laugh when I am still accused of being “wrong” and “immoral” for my LHP leanings, because that says nothing about me and everything about the ignorance of the accuser. Occasionally I am asked, “So what do you believe?” and I cannot answer that. The best answer I can give is to suggest that we have frequent discussions over the next few years and see. That is not to sound woo-woo or grandiloquent, it is just that words fail me to express the *experience*. Describe a sunset to someone who has been blind from birth. Even with my own spiritual mentors I struggle and I feel like such a fraud because I cannot put it into words. If I could open up my chest and push their hands inside and say, “Feel!”, that might help; if I could crack open my head and say, “Look!”, they would know. But instead, I read my studies and like a child I can only parrot, “Me too! Yeah, that’s how I feel/see/know!” So as much as I would wish to share my journey with you, I struggle. But “immoral” and “wrong” … >laughs out loud long and hard< oh boy, you’ll just never get it.
On a practical note, I am withdrawing from social media. I have spent the last day or so tidying up my web presence. I find the vacuous echo chambers tiring, draining, distracting and the epitome of delusion. Some manage to master their engagement so that it is beneficial to them. I applaud them. I cannot do that. To me it is at times an amusement, but for the most part vampiric. The plus side is that I shall instead be focusing more on blogging and writing. But this is primarily for myself. I have a secret hideaway elsewhere on the web that has become my writing haven, and I have here. Since I get few to zero comments and engagements on my blog, it will not demand the same ego-juggling (my own and others’) that social media like Facebook and Twitter do.
Since I intend to prioritise my occult study and practice this year, I am hoping that I will eventually find enough words to express tidbits of interest to you. It would be nice to see the fires burning again on this blog.
Until soon. Amour Amour.
At a certain point in my exploration of and attempted living of a Left-Hand Path esoteric life, my morality was suspended, but this was not a liberated state where I moved unencumbered by external strictures. It was a place without life meaning or significance.
I was caught in the grip of adversarial paralysis.
Some LHP-ers live hedonistic, countercultural lifestyles, turning their upbringing, the norms of the culture they live in and the dominant religion on their heads. They take the above as a guide and do the opposite or a diametrical offshoot of it … but then consider themselves “free” in that adversarial state, without realising that they may have struck off the path and written their own map but their True North is still the things they often despise so vehemently, namely mainstream culture and established religion. If you define yourself in opposition to A Thing you are not free as you still require The Thing to determine your opposition.
If the majority stand BY a wall but you decide to lean AGAINST the wall, you are still in a position relative to the wall. In my mind, the point was to negate the wall entirely and see how freely I could move without any self-imposed limitation (bearing in mind that I live within a world of limits, perceptively anyhow).
If you live in a culture where drinking is “the norm” then choosing to drink absinthe (a common LHP-er’s tipple) is neither original nor daring, it is merely imbibing another alcoholic liquid, albeit one with a romantic backstory. In addition to a pleasant high, the best you might get out of it is to live the lives vicariously of all the poets and social fringe dwellers known to imbibe in the stuff.
In a society where everything is sexualised, down to the social experience and expression of children/childhood to the selling of commodities, then merely having sex a lot, even with multiple partners, even with multiple genders, is not that daring or enlightening per se.
In a society where drugs are the norm from the socially acceptable stimulants and depressants like sugar, coffee and alcohol to the medically widely prescribed opiates and amphetamines, then going to “the man on the corner” for your drug supply makes you neither a maverick nor particularly savvy – play the system better and get your drugs on repeat for free (at least if you live in the UK)!
So in contemplating the above I experimented subsequently with the nominal counter-counter norms of abstinence and celibacy – if you want to live an adversarial position to mainstream culture you might want to announce that you are a celibate, teetotal vegan! … then learn what it is to live in opposition to the norm.
But yet again, this state of opposition merely helped me to shake up my assumptions, I was not liberated from being defined by the things I rejected. I fell into a pit of meaninglessness, a place where neither The Thing nor The Opposite of the Thing had significance or meaning to me. And without meaning I spiraled into depression as I was caught in the grip of adversarial paralysis.
The only way out of this was to admit that what I was doing wasn’t working for me. I began to observe others who appeared happier, more focused and more creative (in their artistic, professional, spiritual and/or emotional lives) than me. And this included the “hippie-dippy-shitty-airy-fairy brigade” – a group of people I was used to criticising and (yet again) defining myself in opposition to. My ego protested, but I remonstrated with it that, up till now, its decisions had been isolating, deflating and unhealthy – in fact un-inspiring (inspire: to fill with an animating, quickening, or exalting influence).
I did a lot of “fake it till you make it” which ironically is a state of aligning yourself against someone else’s norm, hardly an adversarial stance; the difference being that I had to still my shrieking ego. Over time I found my own meaning and significance. The key? To lay aside ego. My meaning? That is not relevant to you as it is my path and my journey, my baggage, history and personal make-up. Your meaning will be uniquely your own.
In freeing myself from defining myself “as X” and “as NOT X” I have managed to step over the fundamentals of right/wrong, which as a social anthropologist I know to be severely culturally determined – no absolutes! (Cf. postmodern relativism) Instead of acting one way or the other in re-action to a moral duality, I now choose to act in accordance with my personal meaning; a meaning that is continuously fed by an indefinable thing that can only be know experientially through practice, study, integration and in-corporation (in corpore – in the body) of both and through putting aside egoic desires to be the same as/better than/different to XXX.
I guess you might define it as a life study in Becoming; I hesitate to say of “Being” – that potentially stagnant and anti-cosmic state of “I am that I am”. Instead I become Atum, self-engenderer from the primal chaos, bridge between what is “not” and what “comes forth” in a process of continuous unfolding.
And that’s another point: the path unfolds as I Become. Defining myself against the moral landscape around me at any particular moment belies the truth of existence. It places a premature and deceptive full-stop against a life that should at any point em-body the pregnant sentiment of dot-dot-dot … to be continued …
“Art is another language which, if you undertake to learn it, will open up a new world that permeates, surrounds and elevates this dull metropolis.” ~ Seshat
When first you enter the pagan or occult world, you will be faced with all sorts of good (and bad) advice. So let me just throw my glove into the ring with a suggestion of my own.
For those of you who are regularly readers (for which I thank you), you will know that I am a great proponent of using one’s imagination (see HERE for my latest article on the subject). Aside from sitting by the fire day dreaming, some might wonder where on earth to start with honing their creative and imaginistic muscles. First and foremost I would recommend art … although that might feel to turgid and bound by rules of aesthetics and skill … so let’s expand that word to “the arts and crafts” which could include everything expressive from music to painting to woodwork and textiles, such as sewing or even knitting. I know that last might baffle you – what benefit could something like knitting have to a magickal life?! But I would ask you to put aside such “art snobbery” and be open to the idea of creation.
Creating A Thing is a practice that involves making and holding a vision, imagination, commitment to follow through and skill to execute. No part of that sequence involves any judgement over “good” or “bad”, “beautiful” or ugly”, “useful” or “useless”. This is not the realm for debating “What is art?” – this is the domain of learning to envision, create and manifest. Sounds a little like the basics of magick and spellwork, right?
And even though creating artistically can indeed give expression to the subconscious mind (I am a supporter of therapeutic art), this does not mean that I equate magick with the mere machinations of one’s own unconscious, or even the collective unconscious. Magick is not mere psychology and the entities one encounters are not necessarily (although they can be) projections of your own mind. So let’s just make that clear. I am proposing some form of artistic involvement as a means to develop the full spectrum of imagination: a process of shifting a thing from energy into matter. This does indeed include music, as I consider sound vibrations to be a material manifestation. So my remit for “arts and crafts” really does include all forms of creativity.
So, now I shall expand a little on my own artistic practices:
Some people, especially in occult practices, like to work fast and furiously on their art, allowing no room for internal censorship. One of my art practices begins like this, in that I put pen to paper, close my eyes, draw madly in swirls and lines for a few seconds and then stop. But that is the fastest I get in my art. In fact, my art – whether it is sketching, felt painting, or textile work – is characterised by an exceptionally slow pace. It can literally take me months to complete a piece. Surely, when working so slowly, I have to battle often with the censor and conscious mind forcing it into a particular conceptual mould? Yes and no. Certainly I occasionally have to battle with the censor, but the processes for my art are often described by others as tedious and boring; I frequently hear, “I would never have the patience to do that!” But for me, it requires no patience. Due to the minute focus that is required, I slip into a hypnagogic state where the boundaries between conscious censor and fluid unconscious are permeable and mobile. This allows my imagination free reign and expression, often with surprising results. I never know when I start a piece, how it is going to turn out. But where’s that “vision” I spoke about as the starting point? For me, the vision is merely the unmistakeable physical pull and urge to create; it is a very corporeal as well as mental drive – for me personally, this is my vision and the manifestation is a process of welcoming the Other that nudged my psychic senses and bringing into a material form. The process will most likely be different for other people, but maybe some of you can identify with my own experience and methods.
And I must make an aside, regarding textile art (e.g. knitting, although in my case not knitting per se as I have injured hands and can no longer knit without pain). I embroider and create knot ropes; again, both techniques are laborious and easily induce a light trance state due to the focus and repetition. My knot ropes (for which I use spools, or French knitting dolls, but also the Anglo-Saxon lucet) may seem banal to onlookers, but to me they are invested with thought and emotion. By doing such repetitive work, importantly while focusing on a particular thing (a solution to a problem, a state you wish to come into being, magick you wish to actuate, or a person) you anchor that thing in muscle memory for a start, making the thing you create a part of your body (mundane example: the first time I watched The Shining I was knitting socks. The next day after watching the film, I picked up my socks and experienced such powerful flashbacks from the film that I could no longer continue knitting. It took a week for the muscle memory to abate enough for me to pick up again). But also, by taking the slow route, one comes to know the Thing one creates intimately well: that point where the shade of wool changes a fraction, that slip in the stitch that creates a loose mark, that struggle to tie in a bead or feather… So what’s the point, you may ask? The point is to enhance concentration, memory, focus, experiencing creation with the body not just the mind, and of course exercising of the imagination. Never underestimate the simple rural crafts such as knotting, spinning, carding, weaving, crocheting, and yes, knitting. They hold an equal place in my heart alongside the more “mainstream” arts of painting and sketching.
The proof is in the pudding. Try it. Try everything. I have sung, played classical guitar, painted, sketched, used textiles and wool, knotted and finger painted! And in each I have been able to reach that hypnagogic state – not always, because it’s not always appropriate – but at will, which is a sign that it has developed into a discipline. The neural pathways are laid, the psychic arteries are flowing, my imagination is working.
The wonderful thing about art is that it is a life-long companion. There is always room to improve your creative and imaginistic skills. Remember that cerebral judgement about “art” does not apply here. If you can think it, you can do it – and that is not a literal adjuration to do whatever you like. Not everything should be enacted literally, but that is the beauty of imagination and art, – there are no rules. I have seen art created by finger painting with menstrual blood, alongside the “Fine Art” painted canvases; I have seen thread embroidered into the very skin on the hand of an artist, alongside ecclesiastical gold embroidery. The end product is almost irrelevant; it is the inner journey that is important – the vision, the actuation, the material manifestation. But like all good magick, don’t hang on the results. Once you’ve finished a piece, do not rest on your laurels, but immediately begin the next! Only so (I suggest) will you develop invaluable skills to your occult, pagan and magickal practices.
My acquaintanceship with spirits began at a very young age. I saw and heard things that others didn’t and I was told to keep quiet about it because people would think I was mad (great message to send to a child!); so I withdrew further from the mainstream world and inhabited my own world of imagination and spirit.
…one must be cautious not to chuck the imaginative baby out with the imagined bathwater!
I am often asked, “How will I know when something spirit-based happens? How will I know it’s not just my imagination?” To which I reply, “You won’t know and you will know, and imagination is the key to knowing.” “Imagination” is given a hard time in every arena except the creative. “It’s just your imagination!” is a dismissive comment we bring out when people try to describe things outside the norm. Whereas it is indeed irritating when you get people who claim that every creaking floorboard is a ghost, and every feather floating to the ground is a sign of an angel passing by, one must be cautious not to chuck the imaginative baby out with the imagined bathwater!
…imagination is the connecting language between here and there, between this world and Other. Without it we are merely flesh sacks excreting, eating and fucking.
The imagination works with symbols and sign and all the senses. When asked to imagine a scene most vividly, we are encouraged to draw upon our sensory memory to recreate the scene in our minds. This creates a connecting language between our internal world and our external world. This language is the stuff that spirit encounters are made of. When a spirit makes its presence known in this world, it is partly here, partly there; it is both wave and particle. Our minds have the same capacity to occupy more than just the visible, material world … some might say it is our spirits or souls that stand with a foot in each realm. If that is so, most people spend the majority of their life unaware of the half of their “body” that stands in the Other. How would one go about rediscovering this Other half? The first step must surely be to imagine it, to conceive of the possibility that it exists, to bring the image of it into consciousness. As I said, imagination is the connecting language between here and there, between this world and Other. Without it we are merely flesh sacks excreting, eating and fucking.
…believing the impossible and allowing it to remain an impossible belief made manifest exactly because it was impossible.
The fact that I withdrew into my internal world as a child was a great boon to me in that it allowed me to become fluent in “Imagination” so that my mind was all ears and eyes, open to receiving the Other when it came. Some things I have seen with my physical eyes, which, for me, is a very frightening way of perceiving things. Likewise I was majorly disturbed by a ghost cat as a child that would jump on my bed and settle in amongst my blankets (that was fine); but when he began to claw at my carpet I was frightened and told him to stop scaring me, and he did. Sadly, my ghost cat disappeared entirely. This is another factor that I have experienced repeatedly: apparitions, the ones that truly want to connect with you, come through gradually. They appear at first like imagined moments – noises, smells, tactile sensations – and become more concrete and perceptual over time (in one case, a being took about 3 years until it manifested nearly completely – I was able to touch him and it was like touching hard air. Not all take quite this long though …). BUT once I queried the experience or applied some logical understanding to it, even if the logic was based in pseudo-magickal psychology (e.g. my desire for XX has manifested in the physical expression of YY), then the apparitions disappeared never to return again. In each case, it was vital for me to maintain a state of mind anchored in imagination and credulity – believing the impossible and allowing it to remain an impossible belief made manifest exactly because it was impossible. This may sound like gibberish to some, but I think to others it will make perfect sense.
It is difficult to maintain that fine line between megalomaniacal fantasies and true spirit experiences, but this is where you need to develop your self, including unrelenting self-honesty.
As far as advice goes, when wishing to open yourself up to the spirit world, do not be afraid of a little imagination. Believing that a knock COULD be a spirit, opens up the impossible possibility that a future knock IS a spirit. [At which point in writing, my housemate knocked on my door! Haha!] It is difficult to maintain that fine line between megalomaniacal fantasies and true spirit experiences, but this is where you need to develop your self, including unrelenting self-honesty. Experiencing spirits in isolation will bring you nothing; this is a path of full and comprehensive self-development/self-loss/self-transformation. If you are looking for kicks or a good story, you will find neither or possibly be so shit scared by something that you wish you’d never dabbled in the first place (I have met people like this).
Begin with a meditation discipline … something appropriate, not “I meditate while I do the gardening/chores etc.” That’s not meditation. And use meditation to expand the sensory capacity of your mind. If you can think it with all your senses, it can be; if you can conceive it, it can manifest. But when it does, be reserved with your questioning and logic, or risk chasing away the very thing that you seek.
Edit: I found this rather appropriate quote by Kenneth Grant, so am adding this after the fact:
In all forms of magick, the imagination or image-making faculty is the most important factor.
[DEDICATED TO THE DEATH DAY OF ANDI D.]
Do birds sing at night in the cities
While darkness reigns on the land?
Lights imbue the air with iridescent glow
That tarnishes midnight creating
A subterfuge of sleep.
I lay awake three nights in a row
Listening to a lone blackbird sing
Even though dawn was a dream away,
Fantasy in the mind of Nut;
The morning star still hidden in her belly.
My world upturned while he sang a song
Of dawn, pressed into night’s breast;
His throat trilled vibrations of the sun
Into the bosom of Night, pricking her skin
So she bled into my mouth: I could not breathe.
Nature was inverted during those nights;
The spirit of day had invaded the Du’at,
The bark of Ra dragged screaming
Through the underworld where the dead
Heard the song of the thrice-black bird.
Cadavers quaked at the sound with longing
Remembering dawns when the blood
Pulsed, throbbed and rose in their veins –
A bloody dawn inside their own bodies
That now rotted in the earth.
I heard the dead groan at the agony
Of Beauty – Cosmic Shivers – that ululated
From that bird. As I lay listening,
Breath stilled under the Midnight Sun
I pondered my own death that surely must come.